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Kupferstichkabinett, Staatliche Museen zu Berlin

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Line engraving of nude figures crawling on a shaded slope beneath two laurel-crowned figures on a ledge, with Italian caption

Dantes Hölle. Inferno XXIX, "Qual sovra ´l ventre, e quale sovra le spalle / L´un de l´altro giacea, e qual carpone /…

John Flaxman, 1804

Engraved illustration of a winged three-faced demon emerging from ice, from John Flaxman's 1804 Dante's Inferno series.

Dantes Hölle. Inferno XXXIV, "Lo ´mperador del doloroso regno / Da mezzo ´l petto uscia fuore de la ghiaccia."

John Flaxman, 1804

Line engraving of Dante and Virgil standing above frozen heads in Dante's Inferno, Canto XXXII, by John Flaxman, 1804.

Dantes Hölle. Inferno XXXII, "Fa si che tu non calchi con le piante / Le teste die fratei miseri lassi."

John Flaxman, 1804

Line engraving of two reclining figures, one older man leaning over another, against a hatched arched background, from Flaxma

Dantes Hölle. Inferno XXXIII, "...io mi diedi / Già cieco a brancolar sovra ciascuno."

John Flaxman, 1804

Engraving of a physician vaccinating a young boy seated on his father's lap, with other figures in an interior room.

Impfung eines Knaben, den sein Vater rechts auf dem Schoß hält. Rückwärts andere Personen

Johann Friedrich Bolt, 1807

Pencil portrait drawing of a woman in a headscarf, head and shoulders turned to the left, by Carl Blechen.

Brustbild einer Italienerin mit Kopftuch (Francesca Primavera di Rocca Priore)

Carl Blechen, 1818

Pencil drawing of a Gothic ornamental frame with a seated woman, angels with trumpets, and musical instruments in the border.

Dedikationsblatt zum Prachtexemplar des Oratoriums "Paulus" von Felix Mendelssohn-Bartholdy

Adolf Schrödter, 1836

Panoramic view of Königsberg's skyline over cultivated garden plots at sunset, with church towers and rooftops on the horizon

Ansicht der Stadt Königsberg, vom Walle neben dem Brandenburger Thor (von Südwesten)

Wilhelm Barth, 1800

Pencil sketch of men in top hats drinking at a beer garden table, with caricature heads in the upper right.

Philistergesellschaft im Biergarten

Adolf Schrödter, 1829

Pencil drawing of a standing man with long hair, wearing a robe, sash and flowing cloak, hands clasped at the waist.

Friedrich Overbeck als Johannes

Franz Pforr, 1810

Graphite drawing of a seated curly-haired man in draped robes leaning on a ledge, looking down.

St. Johannes schreibend

Franz Pforr, 1810

Hand-colored print of a river landscape with village houses, three men in a plowed field, and a rowboat on the water.

Ansicht des Kupferhammers bei Neustadt Eberswalde

Friedrich August Schmidt, 1810

Engraved oval portrait of Catherine II in fur mantle and lace collar, with crown and imperial eagle below.

Zarin Katharina II., Kaiserin von Russland, proklamiert am 9. Juli 1762

Daniel Berger, 1780

Engraving of the Virgin Mary holding the hand of the haloed infant Jesus beside draped curtains and columns.

Maria mit dem Jesusknaben an der Hand

Marie Ellenrieder, 1826

Charcoal drawing of a man with tousled hair and a dark collar, turned to the side, on a grey-toned sheet.

Friedrich August Stüler

Friedrich Jentzen, 1825

Pencil sketch of a hilly landscape with a town, church spires, a hilltop castle and trees, from a sketchbook page dated 1826.

Wernigerode mit dem Schloss und der Brocken vom Horstberg aus

Samuel Rösel, 1826

Pencil sketch of a castle on a wooded hill with a church spire and rooftops in the trees below, from an 1826 sketchbook.

Schloss Wernigerode mit der St. Theobaldikirche im Vordergrund

Samuel Rösel, 1826

Pencil sketch of a castle on a hill above dense trees and garden foliage, drawn in a sketchbook.

Schloss Wernigerode aus dem Blumengarten gesehen

Samuel Rösel, 1826

Pencil sketch of a castle courtyard with a round tower, dormer-windowed buildings, half-timbered walls and trees, dated 1826.

Der innere Hof von Schloss Wernigerode

Samuel Rösel, 1826

Pencil sketch of a forest with tall trees, a rocky hill, two figures and a cart on a path.

Der Ilsenstein

Samuel Rösel, 1826

Pencil sketchbook page with ornamental initials, scrollwork designs and handwritten German notes, dated 1823.

Initialen im Gitter an der Treppe in Goethes väterlichem Haus in Frankfurt am Main, u.a

Samuel Rösel, 1823

Pencil sketch of a Gothic church with a spire among trees and a fence, with wooded hills behind, on a sketchbook page.

St. Theobaldikirche in Nöschenrode am Fuß des Schlossberges von Wernigerode

Samuel Rösel, 1826

Pencil sketch of a stream with a weir and trees, with a hilltop castle rising above the woods and small figures on a path.

Schloss Wernigerode vom Zillinger Bach aus

Samuel Rösel, 1826

Grey wash drawing of the Acqua Paola fountain facade in Rome, with St. Peter's dome visible in the distance.

Fassade der Acqua Paola in Rom, im Hintergrund die Kuppel von Sankt Peter

Jean Jacques de Boissieu, 1766

Brown wash drawing of crumbling Roman ruins with arches and a tall brick tower beside a small tiled-roof house.

Antike Ruinen des Nymphäums des Alexander (Trophée de Marius) in Rom

Jean Jacques de Boissieu, 1766

Grey wash drawing of ruined castle towers on a rocky cliff above the sea, with trees and a distant hill.

Ruinen einer Burg am Meer

Jean Jacques de Boissieu, 1765

Grey wash drawing of a stone wall, fountain and figure beside bare trees and a rocky embankment, 1772.

Ansicht von Terrebasse

Jean Jacques de Boissieu, 1772

Brustbildnis einer jungen Frau (Bildnis des Kindermädchens Josephine?)

Jean Jacques de Boissieu, 1765

Sepia wash drawing of a hilltop village with a church spire, grazing horses and figures in a meadow.

Ansicht eines Dorfes auf einem Hügel (vielleicht Savigny in der Nähe von Lyon)

Jean Jacques de Boissieu, 1751

Graphite drawing of a seated female nude with an outstretched arm, with a separate study of a leg at right.

Weiblicher Akt mit Tuch, Beinstudien - Sitzende Diana (Studie zu dem Diana-Bad (Studie zu Pygmalion im Konzertzimmer…

Antoine Pesne, 1742