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Kupferstichkabinett, Staatliche Museen zu Berlin

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Sketchbook pages with pencil and blue wash drawings of a town with buildings, towers and trees against a hillside.

Stadt vor Bergen

Johann Erdmann Hummel, 1792

Line engraving of two reclining figures, one older man leaning over another, against a hatched arched background, from Flaxma

Dantes Hölle. Inferno XXXIII, "...io mi diedi / Già cieco a brancolar sovra ciascuno."

John Flaxman, 1804

Pencil sketch of a hilly landscape with a town, church spires, a hilltop castle and trees, from a sketchbook page dated 1826.

Wernigerode mit dem Schloss und der Brocken vom Horstberg aus

Samuel Rösel, 1826

Sepia sketchbook spread: a stone town gate with battlements on the left, and a landscape of buildings under trees on the righ

Stadttor mit Zinnen (S. 88) und Landschaft mit Gebäuden (S. 89)

Johann Erdmann Hummel, 1792

Grey wash drawing of the Acqua Paola fountain facade in Rome, with St. Peter's dome visible in the distance.

Fassade der Acqua Paola in Rom, im Hintergrund die Kuppel von Sankt Peter

Jean Jacques de Boissieu, 1766

Pencil sketch of a castle on a wooded hill with a church spire and rooftops in the trees below, from an 1826 sketchbook.

Schloss Wernigerode mit der St. Theobaldikirche im Vordergrund

Samuel Rösel, 1826

Open sketchbook with faint pencil construction drawings of masts and rigging and a small kneeling figure.

Konstruktionszeichnung. Kniende weibliche Gestalt (S. 94) und Konstruktionszeichnung (S. 95)

Johann Erdmann Hummel, 1792

Brown wash drawing of crumbling Roman ruins with arches and a tall brick tower beside a small tiled-roof house.

Antike Ruinen des Nymphäums des Alexander (Trophée de Marius) in Rom

Jean Jacques de Boissieu, 1766

Pencil sketch of a castle on a hill above dense trees and garden foliage, drawn in a sketchbook.

Schloss Wernigerode aus dem Blumengarten gesehen

Samuel Rösel, 1826

Red chalk drawing of two standing women in eighteenth-century dress, one holding a basket of fruit and the other flowers.

Le Midi / Der Mittag (Studien von weiblichen Figuren) für ein Gemälde aus einer Serie der vier Tageszeiten (heute Nat…

Nicolas Lancret, 1739

Grey wash drawing of ruined castle towers on a rocky cliff above the sea, with trees and a distant hill.

Ruinen einer Burg am Meer

Jean Jacques de Boissieu, 1765

Pencil sketch of a castle courtyard with a round tower, dormer-windowed buildings, half-timbered walls and trees, dated 1826.

Der innere Hof von Schloss Wernigerode

Samuel Rösel, 1826

Red chalk sketch of two men in period costume, one kneeling and reaching forward, the other standing and seen from behind.

Zwei Männer in Tanz-Posen, einer sich kniend nach links, der andere stehend von hinten gesehen

Nicolas Lancret, 1726

Grey wash drawing of a stone wall, fountain and figure beside bare trees and a rocky embankment, 1772.

Ansicht von Terrebasse

Jean Jacques de Boissieu, 1772

Pencil sketch of a forest with tall trees, a rocky hill, two figures and a cart on a path.

Der Ilsenstein

Samuel Rösel, 1826

Red chalk drawing of courtiers in wigs gathered in an ornate interior with draped curtains and columns, with a dog at right.

Ludwig XIV. zeichnet seinen neugeborenen Enkel Louis, Herzog von Burgund, mit dem Orden des Heiligen Geistes aus

Antoine Dieu, 1709

Sepia wash drawing of a hilltop village with a church spire, grazing horses and figures in a meadow.

Ansicht eines Dorfes auf einem Hügel (vielleicht Savigny in der Nähe von Lyon)

Jean Jacques de Boissieu, 1751

Pencil sketchbook page with ornamental initials, scrollwork designs and handwritten German notes, dated 1823.

Initialen im Gitter an der Treppe in Goethes väterlichem Haus in Frankfurt am Main, u.a

Samuel Rösel, 1823

Engraving of a classical sacrifice to Ceres with women bearing fruit, a pig, a flaming altar, and a statue beneath columns.

Ceres-Opfer (Le sacrifice à Céres)

Anne Claude Philippe de Caylus, 1733

Grey wash drawing of washerwomen at a river beneath a ruined wall, with a standing man and grazing cattle in the landscape.

Unvollendete Landschaft mit Wäscherinnen am Fluss

Jean Jacques de Boissieu, 1770

Pencil sketch of a Gothic church with a spire among trees and a fence, with wooded hills behind, on a sketchbook page.

St. Theobaldikirche in Nöschenrode am Fuß des Schlossberges von Wernigerode

Samuel Rösel, 1826

Etching of the Holy Family passing under a stone archway, a veiled woman on a donkey, with a crowd of onlookers at right.

Die Flucht nach Ägypten. Die Heilige Familie passiert einen Torbogen

Giovanni Domenico Tiepolo, 1750

Grey wash drawing of tigers fighting wild bulls beneath a large tree in a forest landscape.

Tiger im Kampf mit wilden Stieren

Jean-Baptiste Oudry, 1745

Pencil sketch of a stream with a weir and trees, with a hilltop castle rising above the woods and small figures on a path.

Schloss Wernigerode vom Zillinger Bach aus

Samuel Rösel, 1826

Engraving of a dog watching over a sleeping infant in a bonnet on a cushion, within an oval frame with drapery.

Die Unschuld bewacht von der Treue (L'Innocence sous la garde de la Fidélité): ein Hund bewacht ein schlafendes Klein…

Nicólas Ponce, 1765

Gamekeeper seated by a tree with two hunting dogs, one holding a dead bird, drawn in chalk on blue paper.

Der Jagdaufseher La Forêt mit seinen beiden Jagdhunden Lise und Fine-Lise

Jean-Baptiste Oudry, 1722

Pen and wash drawing of an ornate baroque altar with candlesticks, busts, cherubs and an IHS cartouche on the front.

Altarentwurf

Francesco La Vega, 1750

Pencil sketch of a wheelbarrow, pickaxe, chain and hooks with handwritten labels on paper.

Karre, Minenkratze, Faustel, Sappeurgabel und -haken

Adolph Menzel, 1835

Black chalk drawing of a seated monkey with a long tail, turning its head, on blue-grey paper.

Affe (Meerkatze)

Jean-Baptiste Oudry, 1730

Brown wash drawing of the Pyramid of Cestius beside the Porta San Paolo gate in Rome, with a German note on the facing page.

Cestius-Pyramide und Porta S. Paolo

Johann Erdmann Hummel, 1792