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J. Paul Getty Museum

340 works

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Gilded panel painting of Saint Luke in red robe and brown mantle, writing in an open book with a quill, gold background.

Saint Luke

Simone Martini, early 1330s

Medieval panel of the Adoration of the Magi with Saint Anthony Abbot, gold halos, and red patterned background.

The Adoration of the Magi with Saint Anthony Abbot

Franco-Flemish Master, about 1410-1420

Baroque painting of Venus with Cupid presenting a gilded shield to a nude, bearded Vulcan beside armor and a dove.

Venus at the Forge of Vulcan

Francesco Solimena, 1704

Madonna kisses the nude infant Christ while holding cherries, with fruit on a ledge and a landscape through an arched window.

Madonna of the Cherries

Quentin Metsys, about 1520-1525

Painting of Christ being baptized in a forest river as John pours water, a dove descends, and angels watch.

The Baptism of Christ

Paolo Veronese, about 1580-1588

Painting of Christ in red and blue robes driving a crowd from a temple, with a woman holding a dove and baskets raised overhe

Christ Cleansing the Temple

Bernardino Mei, about 1655

Painting of clergy in gold vestments kneeling at an altar as a half-naked Christ appears above with Passion instruments.

The Mass of Saint Gregory the Great

Adriaen Ysenbrandt, about 1510-1550

Painting of Venus and Adonis in a forest with two cupids overhead, a hunting dog, and white doves on a stone ledge.

Venus and Adonis

Simon Vouet, about 1642

Painting of a levitating bearded saint above a crowd of onlookers and sick people beneath classical columns.

The Miracles of Saint Francis of Paola

Peter Paul Rubens, about 1627-1628

Painting of the Holy Family with Joseph, Mary, two infants, a standing woman and a book, before a ruined wall and landscape.

The Holy Family

Giulio Romano, about 1518-1520

Painting of a ruined classical colonnade with a procession around a chariot bearing a seated Venus among satyrs and cupids.

The Triumph of Venus

Alessandro Magnasco, about 1720-1730

Saint Augustine in gold vestments writes at a desk, gazing up, as figures sprawl beneath him in a dim study.

Saint Augustine in his Study Trampling the Heretics

Philippe de Champaigne, about 1642

Pen and ink drawing of the Lamentation: mourners surround Christ's body beside a crown of thorns and a cross on a rocky hills

The Lamentation

Battista Franco Veneziano, 1545-1550

Pen and ink drawing of a barefoot bearded figure in draped cloth holding a spade on grassy ground.

Christ as the Gardener

Upper Rhenish Master, about 1470-1490

Brown wash drawing of Christ crucified with the Virgin Mary, Mary Magdalene and Saint John below, in an arched frame.

Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John

Pietro da Cortona, about 1661

Head of a Child, an Angel and a Hand (recto); Male Figure (verso)

Fra' Bartolomeo, about 1510-1515

Pen and brown ink drawing of the Virgin and Child in clouds above a kneeling saint, with pencil grid lines.

The Apparition of the Virgin and Child to Saint Louis of France

Mariano Salvador Maella, about 1780s

Pen and brown ink drawing with wash of a seated Madonna and child with winged figures above, in a gold mat.

Two Studies for a Holy Family

Parmigianino, 1526

Brown ink and wash drawing of a monk in a hooded habit with a rosary, looking up at rays of light before an open book.

Saint Francis Receiving the Stigmata

Gerrit Pietersz, 1608

Pen and brown ink drawing of a standing woman in flowing robes holding a child, with a sketched landscape behind her.

Saint Agnes (recto); Figure Studies (verso)

Adam Elsheimer, about 1605

Brown ink and wash drawing of three crucifixions on a hill, with mourners, soldiers, and a distant town.

The Crucifixion

Samuel van Hoogstraten, about 1650

Pen and brown ink sketch of mythological figures, sea creatures and a chariot-like shell on aged paper.

Study for the Triumph of Neptune and Amphitrite or the Birth of Venus

Nicolas Poussin, about 1634

Brown ink and wash drawing of Christ preaching to seated listeners in a columned temple interior beneath a draped canopy.

Christ Preaching in the Temple

Guercino, about 1625-1627

Black chalk drawing of a man's head with curly hair and downcast eyes, with draped cloth over the shoulder, on blue paper.

Study for the Figure of Christ Carrying the Cross

Sebastiano del Piombo, about 1513-1514

Pen and ink sheet with many studies of folded drapery and cloth creases, c. 1490.

Studies of Christ's Loincloth (recto); Studies of Bookbindings and of Christ's Loincloth (verso)

Master of the Coburg Roundels, about 1490

Black chalk drawing on grey paper of a muscular male nude seen from behind with one arm raised.

Study of Triton Blowing a Conch Shell (recto); Partial Study of an Arm (verso)

Annibale Carracci, about 1600

Brown wash drawing of the Mocking of Christ, showing a seated figure with a crown of thorns surrounded by soldiers.

Mocking of Christ

Caspar Freisinger, about 1595

Black chalk drawing of a kneeling hooded monk with clasped hands and upturned face, with a staff beside him.

Saint Francis (recto); Dead Christ (verso)

Pontormo, about 1517-1518

Red chalk drawing of Christ with a halo addressing a kneeling man, with a group of figures and clouds above.

Christ's Command to St. Peter, "Feed My Sheep!" ("Pasce Oves Mea")

Andrea Sacchi, about 1628

Pen and ink drawing of Saint Andrew with a halo, holding a book and an X-shaped cross, with a town in the distance.

Saint Andrew

Master H.B., about 1530