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Cleveland Museum of Art

2,542 works

Etching of hooded and cloaked figures in a dark night scene, one man pointing while others gesture and a woman reaches forwar

The Proverbs: Wounds Heal Quicker Than Hasty Words

Francisco Goya, 1864

Etching of distorted, caricatured figures gathered on a dark stage-like floor, with a small dog and basket at lower left.

The Proverbs: Loyalty

Francisco Goya, 1864

Dark etching of cloaked figures in a shadowy landscape, one pointing, a woman looking up, and a prone figure in the foregroun

The Proverbs: God Creates Them and They Join Up Together

Francisco Goya, 1864

Etching of a tall shrouded ghost at night looming over startled men, one raising a sword, beside a bare tree.

The Proverbs: Folly of Fear

Francisco Goya, 1864

Etching of a group of figures in striped and pale robes perched on a dark tree branch against a grey background.

The Proverbs: Ridiculous Folly

Francisco Goya, 1864

Etching of a grinning oversized man leaning over a hooded woman holding a child, with floating distorted heads around them.

The Proverbs: Simpleton

Francisco Goya, 1864

Etching of a cloaked man riding a winged, bird-headed creature against a dark background.

The Proverbs: Flying Folly

Francisco Goya, 1864

Etching of a barefoot man swinging a stick at a crouching figure, with onlookers and a dark smoky sky behind them.

The Proverbs: The Folly of Fury

Francisco Goya, 1864

Etching of a man carrying a woman on his back while pointing, with grotesque onlookers gathered around in the shadows.

The Proverbs: Matrimonial Folly

Francisco Goya, 1864

Etching of hooded figures wrapped in sacks with ruffled collars, bowing and standing in a row against a dark night background

The Proverbs: The Men in Sacks

Francisco Goya, 1864

Etching of a crowd of figures in shadow gathered around a table, with a child at right holding bundled items.

The Proverbs: General Folly

Francisco Goya, 1864

Etched view of Whitehall palace from the River Thames, with rowing boats and barges on the water in front.

Views of London: Whitehall from the River

Wenceslaus Hollar, 1600s

Etching of a bustling London piazza with a columned church, carriages, riders and pedestrians in 1660s dress.

Views of London: The Piazza in Covent Garden

Wenceslaus Hollar, 1660s

Etching of Westminster Hall and New Palace Yard with carriages, pedestrians, a fountain, and a tall clock tower.

Views of London: New Palace Yard with Westminster Hall, and the Clock House

Wenceslaus Hollar, 1647

Etching of a wooded landscape with tall trees, figures on a path, a stone wall, and a distant town with boats across water.

Liber Studiorum: A Study

John Sell Cotman, 1838

Monochrome print of a stone arch bridge over a river, with a steep mountain behind and cattle in the water.

Liber Studiorum: Tan y Beolch, North Wales

John Sell Cotman, 1838

Etching of tall trees on a riverbank with a small boat on the water, distant hills, and birds flying in the sky.

Liber Studiorum: Twickenham

John Sell Cotman, 1838

Woodcut of the Holy Family with Saint Anne, surrounded by children, women and bearded men in an interior.

The Holy Family and Kindred

Lucas Cranach, 1487-1553

Engraved frieze of nude children dancing in an arched stone courtyard while one child plays a bagpipe on the right.

Frieze of Children Dancing to a Bag-pipe

Giorgio Reverdino, mid-1500s

Colorful print of a hillside harbor town with pink houses, a church steeple, and a lone figure on a path.

The Harbor

Ora Coltman, 1928

Etching of a church with a tall spire, wooden houses on a hillside, and two adults and a child walking a dirt road.

The Church

Alpo S. Tuura, 1928

Etching of densely packed gabled houses and a church steeple on a hillside town, with rooftops in the foreground.

Wilkinsburg, Pennsylvania

Alpo S. Tuura, 1928

Engraving of a woman carrying a child across a wooden footbridge over floodwater, with trees and sheep in the background.

The Flood

Edward Calvert, 1829

Engraved landscape of sheep grazing by a winding river, with a thatched cottage and hills under a pale sun.

The Sheep of His Pasture

Edward Calvert, 1828

Engraving of a nude ploughman guiding horses through a dark forest, with dancing figures and a seated figure in the backgroun

The Ploughman

Edward Calvert, 1829

Engraving of a nude woman beside a sheep and grapevine, with a shepherd, river, and cottage in a pastoral landscape.

The Bride

Edward Calvert, 1829

Engraving of two figures on a draped bed in a chamber, with a starry pastoral landscape of sheep and cattle beyond.

The Chamber-Idyll

Edward Calvert, 1829

Engraving of a leaping figure beside an apple tree and ladder, with oxen, women at a cider trough, and dancers under a large

The Cyder Feast: A Vision of Joy and Thanksgiving

Edward Calvert, 1829

Engraving of a nude shepherdess with a staff and sheep in a wooded clearing, a second figure among trees behind.

Ideal Pastoral Life

Edward Calvert, 1829

Engraved landscape of a cloaked rider on a donkey on a winding path toward a distant figure by a shelter.

The Return Home

Edward Calvert, 1829