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Art Institute of Chicago

13,166 works

Brown ink and wash drawing of a armored man leaning over a reclining woman on a bed, with a sword on the floor and an attenda

Rape of Lucretia

Giuseppe Cades, 1795

Red chalk drawing of a standing draped female figure holding a blade, mounted within a ruled border.

Lucretia

Lorenzo Pasinelli, n.d.

Japanese woodblock print of a kimono-clad figure gazing up at a small puppet with floral and diamond patterned robes.

The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu I

Ishikawa Toyonobu, c. 1740s

Red chalk drawing of a nude kneeling male figure with arm raised, within a ruled border with an attribution inscription below

Saint Sebastian

Attributed to Simone Cantarini, c. 1639

Sketch of two boys carrying baskets, one balancing a basket overhead and the other bent with a basket at his hip, on brown pa

Two Boys Carrying Baskets

After Giuseppe Maria Mitelli, n.d.

Red chalk drawing of a bearded man with curly hair, head turned and eyes looking upward, on cream paper.

Male Head

After Simone Cantarini, n.d.

Pen and wash drawing of a winged figure carrying a torch through clouds, surrounded by gods and cherubs in the heavens.

Prometheus Taking Fire From Olympus

Possibly Ludovico Cardi, called Il Cigoli, n.d.

Brown ink and wash drawing of a standing flayed male figure with exposed muscles, one arm extended outward.

Flayed Man

Circle of Ludovico Cardi, called Il Cigoli, 1600/25

Pen and wash drawing of the Annunciation with an angel holding a lily, the Virgin at left, and God above in clouds.

Annunciation

After Andrea Boscoli, n.d.

Red and black chalk drawing of a bearded seated figure in red robes gesturing with outstretched arms, with a lamb at left.

Christ as Salvator Mundi with Lamb

called Jacopo da Pontormo Jacopo Carucci, n.d.

Pen and ink sketch of two peasants with a donkey, one seated in a wide hat and one standing with a staff, with handwritten no

Two Peasants with Donkey

Attributed to or possibly after Michelangelo Cerquozzi, n.d.

Proserpina

Follower of Giuseppe Cesari, called Il Cavalier d'Arpino, n.d.

Draped Female Figure

After Guglielmo Caccia, called Il Moncalvo, n.d.

Teal lithograph of a smiling young woman in a flowered wide-brimmed hat, with a second hat and dark-haired figure at right.

The Pinned Hat, second plate

Pierre-Auguste Renoir, c. 1898

Brown wash drawing of a seated allegorical woman beside a papal tiara and Rococo cartouche with heraldic arms.

Allegorical Figure with Arms of Alexander VIII (Ottoboni) and Arms of Papacy

Attributed to Francesco Mancini, n.d.

Grey wash print of a seated nude woman seen from behind, with a small head sketch at upper left and a signature below.

Study of a Seated Nude Woman, variant

Pierre-Auguste Renoir, c. 1904

Red chalk drawing of a standing draped female figure with one arm raised, on pale paper with angled corners.

Standing Draped Figure

called Il Cavalier d'Arpino Giuseppe Cesari, 1589/90

Lithograph of a woman with closed eyes resting her head against a nestling child, rendered in soft brown tones.

Maternity, large plate

Pierre-Auguste Renoir, c. 1912

Pen and ink sketch of a bearded man with a dagger leaning over a reclining woman on a bed, with curtains and scrollwork.

Rape of Lucretia

After Giovan Gioseffo Dal Sole, after 1700

Pen and brown wash drawing of the Virgin ascending on clouds, supported by winged angels within an oval frame.

Assumption of the Virgin

Francesco Bartolozzi, n.d.

Seated Male Nude

Attributed to Carlo Cignani, n.d.

Black chalk and white highlight drawing of a winged angel in drapery with two putti on blue paper.

Angel with Putti

Attributed to Sebastiano Conca, n.d.

Loose lithograph sketch of a standing woman in gloves and long dress, with a hat below and the name Yvette Guilbert written a

Yvette Guilbert

Henri de Toulouse-Lautrec, 1898

Watercolor sketch of a woman in a bonnet and long skirt leaning toward a man in a dark coat holding a cane.

The Couple

Charles-Edouard de Beaumont, n.d.

Pencil sketch of the Presentation in the Temple showing a high priest, the Virgin holding the infant Christ, and onlookers.

Presentation in the Temple

Attributed to Pietro Antonio di Pietri, n.d.

Pen and ink sketch on tinted paper of a standing nude man beside a plumed warrior in armor.

Male Nude and Warrior in Armor

Style of Giulio Benso, n.d.

Vertical Japanese woodblock print of a kabuki actor in a black kimono holding an open umbrella and sword, with calligraphy.

The Actor Ichikawa Ebizo I as Sukeroku

Okumura Masanobu, c. 1749

Study for Male Allegorical Figure

after Taddeo Zuccaro, n.d.

Pen and ink sketch of two classical figures, one helmeted and one draped, drawn on tan paper.

After the Antique: Greek and Amazon

called Il Semolei Battista Franco, 1530/36

Brown wash drawing of the Pietà, with the Virgin cradling the dead Christ as mourners and an angel surround them.

Pietà

Possibly Carlo Dolci, n.d.