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Art Institute of Chicago

13,154 works

Portrait of Louis Valtat

Pierre-Auguste Renoir, c. 1904

Lithograph of a young child with head lowered, wearing a hair bow and lace collar, signed Renoir at lower right.

Claude Renoir, Head Lowered

Pierre-Auguste Renoir, c. 1904, published 1919

Soft grey lithograph of a seated nude woman seen from behind, arm resting on her knee, signed Renoir.

Study of Seated Nude Woman

Pierre-Auguste Renoir, c. 1904, published 1919

Lithograph of a seated female nude seen from behind, with a small head study at upper left and a dark wash background.

Study of Seated Female Nude, Variant

Pierre-Auguste Renoir, c. 1904, published 1919

Lithograph of a bearded scholar in a dim study beside a skull and books, lit by a hanging lamp and candle.

Faust in His Study

Eugène Delacroix, 1828

Woman with Grapevine

Pierre-Auguste Renoir, c. 1904, published 1919

Loose grey-brown sketch of a woman in a headscarf carrying a bundle beside a dark animal form, on cream paper.

Woman with Grapevine, 1st variant

Pierre-Auguste Renoir, c. 1904; published 1919

Sketch of a nude woman holding grapes, with a second nude figure at right, drawn in ink and wash on cream paper.

Woman with Grapevine, 4th variant

Pierre-Auguste Renoir, c. 1904, published 1919

Etched half-length portrait of a man in a fur cap and fur-collared coat, with crosshatched background.

Portrait of Rembrandt

Georg Friedrich Schmidt, 1771

Hand-colored caricature of a revolutionary fiddler above hanging clergymen, a guillotine and burning dome behind.

The Zenith of French Glory; The Pinnacle of Liberty

James Gillray, published February 12, 1793

Ink and wash drawing of helmeted Minerva with a spear, two putti, an owl, and a distant classical temple on blue-grey paper.

Minerva with Two Putti

Jacob de Wit, n.d.

Etching of a woman leaning over a table in a dressing room, with a jug and dish, curtains behind, and a dark shape in the for

The Little Dressing Room

Edgar Degas, 1879-80

Lithograph of two soldiers returning in snow, one on horseback with a bandaged head, the other walking with a dog.

The Return from Russia

Théodore Géricault, 1818

Brown wash drawing of a seated Virgin surrounded by apostles beneath rays of light and cherubs in clouds.

Study for the Pentecost

Simone Peterzano, c. 1580

Victorian valentine card with embossed lace border, gilded birds at a nest, calligraphic verse, and painted flower garland.

Tis Loving Thee Too Well (valentine)

Joseph Mansell, c. 1850

Hand-colored valentine with a kneeling man, a haloed woman in sunburst rays, flowers, and a handwritten verse on embossed pap

I Tell You Sincerely (Valentine)

George Kershaw, c. 1840

Hand-colored valentine showing a couple at a wooden fence by a river, framed by painted flowers and an embossed border.

Dear Girl, Thy Hand (valentine)

George Kershaw, c. 1840

Hand-colored valentine with a seated woman and cupid by a river, framed by colorful scrollwork and handwritten verse.

I Have Angled for a Heart My Love (valentine)

George Kershaw, c. 1840

Hand-colored valentine with a woman on a balcony overlooking the sea, framed by floral motifs and handwritten verse.

My Rest, My Peace of Mind Has Fled (Valentine)

George Kershaw, c. 1840

Woodblock print of a man leading a horse across a river while a woman smokes a pipe under a moonlit sky.

Crossing a River on a Moonlit Night

Isoda Koryusai, c. 1775

Embossed white valentine card with gold banner reading Gift of Friendship, pink roses, and blue and red flowers.

Gift of Friendship (valentine)

George Kershaw, n.d.

Brown wash drawing of a grieving bearded man seated in a dark stone tower beside a leaning figure and a sprawled body.

Ugolino and His Sons Starving to Death in the Tower

Henry Fuseli, 1806

Victorian valentine card with embossed border, painted pink rose in central oval, and blue handwritten verses.

Why Should I Blush (valentine)

George Kershaw, c. 1850

Valentine card with embossed border, painted pink rose in a gold oval, black bows and blue handwritten verse.

Why Should I Blush (valentine)

George Kershaw, c. 1840

Watercolor of four flower sprays in pink, purple, blue and yellow on a white embossed border with a red edge.

Valentine envelope

George Kershaw, c. 1850

Hand-colored valentine with rose, lily, cupid holding True Love ribbon, birds in a nest, and lace border with verse.

Sweet are the Flowers (valentine)

George Kershaw, c. 1850

Valentine card with hand-colored blue asters in a vase, scrollwork frame, paper lace border and script verse about forget-me-

Forget Me Not (valentine)

George Kershaw, c. 1850

Hand-colored valentine with pink roses, blue flowers, torches and script verse, framed by embossed lace paper.

Love in the Hearts (Valentine)

George Kershaw, c. 1840

Hand-colored valentine with lace border, trumpet flowers, pink roses, forget-me-nots, a bird, and script verses.

Thou Art the Star that Guides Me (valentine)

Joseph Addenbrooke, c. 1840

Hand-colored valentine with a red and yellow tulip, fuchsia, ribbons, a sailboat scene, and a verse, framed by lace paper.

And Can You Think (valentine)

George Kershaw, c. 1850