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Art Institute of Chicago

13,165 works

Sepia etching of a seated woman with a ruffled fan before a mirror, watched by two men and a woman.

Until Death, plate 55 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a flame-haired figure with torches standing on a crouching man, a donkey behind them, titled Subir y bajar.

To Rise and to Fall, plate 56 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a white-clad figure raising a stick over a kneeling man, with laughing grotesque faces and a hooded shadow b

Swallow it, dog, plate 58 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of grotesque figures straining to lift a large tilted board, numbered 59, from Goya's Los Caprichos.

And Still They Don't Go!, plate 59 from Los Caprichos

Francisco Goya, 1797/99

Etching of a horned goat behind a nude woman bending over a reclining nude man, with a skull, pot and two cats below.

Trials, plate 60 from Los Caprichos

Francisco Goya, 1797/99

Etching of a flying woman in a dark gown held aloft by grotesque hunched figures beneath her, against a pale sky.

They Have Flown, plate 61 from Los Caprichos (Caprices)

Francisco Goya, 1797-98, published 1799

Sepia etching of two nude figures and a crouching beast on a dark rocky ground, with a stormy sky above.

Who Would Have Thought It!, plate 62 from Los Caprichos

Francisco Goya, 1797/99

Etching of a bird-headed and donkey-headed figure leading a dog-like beast on a rope, with the caption Miren que grabes.

Look How Solemn They Are!, plate 63 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a winged grotesque figure with distorted faces flying over a dark landscape, captioned Buen Viage.

Bon voyage, plate 64 from Los Caprichos

Francisco Goya, 1797/99

Etching of nude and monstrous flying figures with a cat holding an umbrella, over a distant city under a dark sky.

Where is Mother Going?, plate 65 from Los Caprichos

Francisco Goya, 1797/99

Etching of a nude witch flying on a broomstick with a cat, over a landscape, from Goya's Los Caprichos plate 66.

There it Goes, plate 66 from Los Caprichos

Francisco Goya, 1797/99

Etching of two withered figures applying ointment from a bowl while a goat-like creature leaps above them.

Wait till You've Been Anointed, plate 67 from Los Caprichos

Francisco Goya, 1797/99

Etching of two nude witches flying on broomsticks past an owl in a night sky, from Goya's Los Caprichos.

Pretty Teacher!, plate 68 from Los Caprichos

Francisco Goya, 1797/99

Etching of an old woman and seated nude man with a child and lamp, with floating faces above in a dark sky.

Blow, plate 69 from Los Caprichos

Francisco Goya, 1797/99

Etching of a nude seated figure with a bird, two hooded witches reading a book above, and skulls on the ground.

Devout profession, plate 70 from Los Caprichos

Francisco Goya, 1797/99

Etching of grotesque hunched figures under a starry night sky, one pointing upward, with Spanish caption below.

When Day Breaks We Will Be Off, plate 71 from Los Caprichos

Francisco Goya, 1797/99

Etching of a woman in a white gown fleeing winged demons and grotesque creatures, with the caption 'No te escaparás' below.

You will not escape, plate 72 from Los Caprichos

Francisco Goya, 1797/99

Etching of a seated man, an old woman at a table, and a standing young woman in a white dress, from Goya's Los Caprichos.

Is It Better To Be Lazy?, plate 73 from Los Caprichos

Francisco Goya, 1797/99

Etching of a woman in a long dress held by two grotesque, hooded figures in a dim room with a doorway.

Don't scream, stupid, plate 74 from Los Caprichos

Francisco Goya, 1797/99

Etching of two women tangled beneath a large owl in a tree, with the caption 'No hay quien nos desate?' below.

Can't anyone untie us?, plate 75 from Los Caprichos

Francisco Goya, 1797/99

Etching of three men with walking sticks, a stout central figure in a tricorn hat gesturing, from Goya's Los Caprichos.

You understand? ... well, as I say... eh! Look out! otherwise..., plate 76 from Los Caprichos

Francisco Goya, 1797/99

Etching of grotesque old figures with skull-like faces, one carried on another's back, using walking sticks.

What One Does to Another, plate 77 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of two hunched elderly women at a table with a broom, while a third figure stands behind them.

Be quick, They are Waking Up, plate 78 from Los Caprichos

Francisco Goya, 1797/99

Etching of three men drinking around a barrel, with caricatured faces and a shadowy figure behind them.

No One Has Seen Us, plate 79 from Los Caprichos

Francisco Goya, 1797/99

Etching of several screaming old men in robes, one with arms raised, others clutching their chests beside a bed.

It is Time, plate 80 from Los Caprichos

Francisco Goya, 1797/99

Brown etching of figures in period dress around a reclining woman, with an older man in a tall hat and a woman reading a book

The Filiation, plate 57 from Los Caprichos

Francisco Goya, 1797/99

Watercolor and drawing of a young man in a light cap with a tassel, head bowed, against a blue wash background.

Untitled - Félicien Rops

Félicien Rops, n.d.

Woodcut of the Whore of Babylon on a seven-headed dragon, with angels above and a burning city at right.

The Whore of Babylon, from The Apocalypse

Albrecht Dürer, c. 1496-98, published 1511

Woodcut of the Lamb atop a radiant circle, with crowned elders, angels and palm-bearing figures adoring below.

The Adoration of the Lamb - The Hymn of the Chosen, from The Apocalypse

Albrecht Dürer, c. 1496-98, published 1511

Engraving of a crowned seated figure with scepter and eagle in an oval frame, with reclining figures below.

Jupiter, plate 46 from Planets and Spheres

Master of the E-Series Tarocchi, c. 1465