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Romanticism

5,628 works

Dark painting of a winged angel wrestling a man beneath a large twisted tree in an arched forest scene.

Jacob Wrestling with the Angel

Eugène Delacroix, 1850

Line engraving of a young woman with curly hair and an off-shoulder dress, shown in bust view on cream paper.

Lady Maria Hooker When Miss Turner at Age Seventeen

after Thomas Phillips Mary Dawson Turner, 1814

Sepia frontispiece print with a framed river landscape, boats, architectural fragments, plants and the title Liber Studiorum.

The Frontispiece to Liber Studiorum

Joseph Mallord William Turner, Published May 23, 1812

Pencil and colour perspective drawing of a grand city square with classical buildings, a domed church and an equestrian statu

Kaiser Franz Josef Stadtmuseum, Engerer Wettbewerb, Perspektive

Friedrich Schachner, 1902

Sepia print of a castle on a rocky hill above a meadow, with cattle and trees framing the foreground.

The Castle Above the Meadows, plate 8 from Liber Studiorum

Joseph Mallord William Turner, published February 20, 1808

William Gunn

Harriet Gunn after E.J. Turner

Sepia etching of a domed ruin among windswept pine trees, with a kneeling figure and carved stones on a path.

The Temple of Minerva Medica, plate 23 from Liber Studiorum

Joseph Mallord William Turner, Publishd January 1, 1811

Sepia print of a stormy Yorkshire coast with cliffs, a wrecked ship in rough surf, a lighthouse, and seagulls.

Coast of Yorkshire, plate 24 from Liber Stuidorum

Joseph Mallord William Turner, published January 1, 1811

Sepia print of a rocky landscape with a dead tree, a helmet and shield on the ground, and birds flying over distant mountains

From Spenser's Fairy Queen, plate 36 from Liber Studiorum

Joseph Mallord William Turner, published June 1811

Sepia print of an umbrella pine over a kneeling figure, with classical ruins and an arched aqueduct in a hazy Campagna landsc

Scene in the Campagna, plate 38 from Liber Studiorum

Joseph Mallord William Turner, Published February 1, 1812

Engraved oval portrait of a man in a powdered wig and embroidered coat, within an ornate border, titled Albrecht V. Haller.

Albrecht V. Haller

Thomas Ryder, c. 1780

Sepia print of a wooded landscape with large trees, a stream, grazing cattle and a distant tower under a pale sky.

Solitude, plate 53 from Liber Studiorum

Joseph Mallord William Turner, published May 12, 1814

Engraved oval portrait of an older man in a wig and ruffled collar, labeled Philipp Ernst Lüders, signed Schleuen 1777.

Portret van Philipp Ernst Lüders

Johann Friedrich Schleuen, 1777

Engraved oval portrait of a man in a powdered wig, with a lizard and open anatomical book below an inscription.

Portret van Johann Friedrich Meckel

Johann Friedrich Schleuen, 1774

Portret van Joseph von Sonnenfels

Johann Friedrich Schleuen, 1721

Engraved oval portrait of a man in a buttoned coat and powdered wig, framed by a laurel wreath above a lyre.

Portret van Karl Wilhelm Ramler

Johann Friedrich Schleuen, 1721

Engraved title page with oval portraits of a woman and a man in fur hat, a lion head above, and a book title plaque below.

Portretten van Mathilde van Toscane en Bonifacio III van Canossa

Johann Friedrich Schleuen, 1745

Pencil drawing of a flat river landscape with men and buffalo, a boat, a ruined tower, and distant hills.

Italian Landscape with the Tiber River and Men with Cattle and a Boat

Friedrich Preller the Elder, 1873

Oval engraved portrait of Theodor Schmalz, a man in a dark coat and white cravat, with a printed title below.

Portret van Theodor Schmalz

Friedrich Wilhelm Bollinger, 1788

Engraved portrait of Leopold Mozart playing the violin, framed by rococo scrollwork with sheet music at his feet.

Leopold Mozart playing the violin

J. A. Friedrich, 1756

Lithographic portrait of a young woman with dark hair in a white off-shoulder gown with a brooch, shaded gray background.

Kaiserin Elisabeth von Österreich

Friedrich Dürk, 1860

Engraved view of Utrecht canal with moored sailing boats, tree-lined quay, Weerdpoort gate and bridge, and church tower.

Gezicht op de Weerdpoort en de Oude Rijn te Utrecht

Johann Gabriel Friedrich Poppel, 1863

Pencil sketch by Eugène Delacroix of a reclining woman in an arched interior, with smaller figure studies at the right edge.

Woman Dying(?), Man in Bedroom, Two Sketches of Same

Eugène Delacroix, n.d.

Pencil studies of lions: a snarling lion head and body at upper left, a reclining lion with mane at lower right, and small sk

Studies of Lions

Eugène Delacroix, c. 1829

Lithograph of a wounded knight in armor leaning on his armored horse, with a castle and battle scene behind.

Lara Wounded

Théodore Géricault, c. 1820

Grey-wash drawing of a waterfall beneath a large flowering tree, with three figures on a path and conifers in the distance.

Landscape with Waterfall

Friedrich Wilhelm Gmelin, 18th-early 19th century

Lithographic caricature of two men by a signpost reading France and Exil, with German caption below, 1848.

Karikatur auf die Flucht des Französischen Königs Louis-Philippe I. im Februar/März 1848

Franz Friedrich Adolph Krätzschmer, 1848

Pen and ink drawing of a large tree, a stream and bridge, and a village with a church on rolling hills.

Southern German Landscape

Otto Friedrich Magnus Count Baudissin, 1800-1865

Etching of Christ with a crown of thorns, bound wrists and a reed, against a hatched dark background.

Christ with the Reed

Eugène Delacroix, 1833

Colour panoramic print of a row of ornate Vienna townhouses along a boulevard with carriages and pedestrians.

Kärntnerring (Stadtseite), aus: Die Wiener Ringstraße in ihrer Vollendung und der Franz-Josefs-Quai

Friedrich Wilhelm Bader, 1877

Colored panoramic print of a Vienna street with a hotel facade, a tram, horse carriages and pedestrians.

Kärntnerring (Vorstadtseite), aus: Die Wiener Ringstraße in ihrer Vollendung und der Franz-Josefs-Quai

Friedrich Wilhelm Bader, 1877

Engraving of the Transfiguration: Christ floats in light between two figures while apostles below gesture and kneel on a hill

Transfiguratie

August Friedrich Spieß, 1816