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Romanticism

5,628 works

Sepia print of a country road with horses, cattle and figures below a hilltop ruined abbey with sheep.

St. Catherine's Hill near Guilford

Joseph Mallord William Turner, published June 1811

Sepia print of two Martello towers near a chalk cliff, with figures and boats on the beach under stormy clouds.

Martello Towers near Bexhill, Sussex

Joseph Mallord William Turner, published June 1811

Sepia print of Inverary Pier on Loch Fyne at morning, with a sailboat, figures on the shore and misty mountains.

Inverary Pier Loch Fyne, Morning

Joseph Mallord William Turner, published June 1, 1811

Sepia print of a rocky mountain landscape with a dead tree, fallen armor on a path, and birds flying over distant cliffs.

From Spenser's Fairy Queene

Joseph Mallord William Turner, published June 1811

Pencil drawing of a tall iron cross on a rocky mountain summit, with a scale bar and a small figure beside it.

Eisenkreuz für die Spitze des Großglockners

Friedrich von Schmidt, 1879

Sepia print of a water mill beside a stream, with a woman on a wall, horses drinking at right, and a dog on the path.

Water Mill, plate 37 from Liber Studiorum

Joseph Mallord William Turner, published February 1, 1812

Sepia landscape print with a tall umbrella pine, a kneeling figure at a stone basin, and classical ruins in the distance.

Scene in the Compagna, plate 38 from Liber Studiorum

Joseph Mallord William Turner, published February 1, 1812

Sepia print of a vaulted stone crypt with columns, arches, and cattle resting on the floor in patches of light.

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum

Joseph Mallord William Turner, published February 11, 1812

Sepia print of a sunset seascape with two sailboats, figures on a sandy beach, and a beached rowboat.

The Midmay Sea-Piece, plate 40 from LIber Studiorum

Joseph Mallord William Turner, published February 11, 1812

Sepia etching of a forest path with gnarled trees, two reclining figures and a dog in the foreground.

Procris and Cephalus, plate 41 from Liber Studiorum

Joseph Mallord William Turner, published February 14, 1812

Sepia print of a ruined tower on a wooded hill with trees, travelers on a path, and a distant coastline.

Winchelsea, Sussex, plate 42 from LIber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia etching of a stone aqueduct, grazing goats, tall trees and figures in a hilly landscape under a glowing sky.

The Bridge and Goats, plate 43 from LIber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia print of sailing barges and a rowing boat with sailors on calm water beneath a hazy sky.

Calm, plate 44 from Liber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia etching of a Scottish peat bog with figures and a horse, under a stormy sky with a rainbow over distant mountains.

Peat Bog, Scotland, plate 45 from Liber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia print of a seated woman holding a torch beside a sleeping figure under a crescent moon, with trees and a stream.

Rispah, plate 46 from Liber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia print of workmen hedging and ditching beside a large tree, with grazing sheep and a cloudy sky in the background.

Hedging and Ditching, plate 47 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia print of ruined castle towers above a river, with cattle on the bank, bathers in the water and a boat.

River Wye, plate 48 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia print of an Alpine valley with mountains, a distant town, vineyards and resting figures in the foreground.

Chain of Alps from Grenoble to Chamberi, plate 40 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia engraving of a glacier flowing between jagged mountain peaks under a cloudy sky, by J.M.W. Turner, 1812.

Mer de Glace, plate 50 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia engraving of a ruined Gothic abbey with pointed arches, a seated figure, and a windblown tree under a cloudy sky.

Rivaux Abbey, plate 51 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia print of cattle and a herdsman on moorland under a dark storm with rain falling over distant hills.

Solway Moss, plate 52 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a wooded landscape with a reclining figure, a grazing cow, and a distant castle tower under a pale sky.

Solitute, plate 53 from Liber Studiorum

Joseph Mallord William Turner, published May 12, 1814

Sepia print of sailing boats battling rough waves at a harbour entrance, with a city skyline and church spire behind.

Entrance of Calais Harbour, plate 55 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of Dunblane Abbey ruins above a wooded riverbank, with washerwomen by the water and a distant bridge.

Dumblain Abbey, plate 56 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of Norham Castle ruins above a river, with cattle wading, a rowboat and sunlight breaking through clouds.

Norham Castle, plate 57 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a wooded river with a footbridge and a ruined castle on the right, by J. M. W. Turner, 1816.

Berry Pomeroy Castle, plate 58 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a hilltop castle tower above a river town, with trees on the left and rowing boats and figures in the foregrou

Ville de Thun, plate 59 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of jagged alpine peaks, fir trees and a valley below, after J.M.W. Turner's Source of the Arveron.

The Source of the Arveron, plate 60 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of women and children gathering watercress by a stone bridge and river under a stormy sky, with a boat and cart.

Watercress Gatherers, plate 62 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia print of a river landscape with tall trees, a columned rotunda by the water, and buildings under a pale sky.

Isleworth, plate 63 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia engraving of a mountain valley with a river, stone bridge, white church, and two figures resting on rocks in the foregr

Bonneville, plate 64 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia engraving of fishermen in boats on rough water, with windswept trees, a sailing ship, and distant castle and hills.

Inverary Castle and Town, plate 65 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816