New: Artnap New Tab for Chrome and Firefox. A museum painting in every new tab. Add to Chrome Add to Firefox

English & British

17,312 works

Sepia engraving of a mountain valley with a river, stone bridge, church, trees, and two seated figures on rocks.

Bonneville

Joseph Mallord William Turner and Henry Edward Dawe, published 1816

Sepia print of boats and figures on a rough shore, a sailing ship at right, and Inverary Castle in the distance.

Inverary Castle and Town

Joseph Mallord William Turner and Charles Turner, 1816

Sepia engraving of a wooded stream with a seated woman on rocks and a kneeling man among trees and ferns.

Aesacus and Hesperie

Joseph Mallord William Turner, published 1819

Sepia engraving of a stone archway, ruined tower, sheep flock and shepherd beneath tall trees in a hillside landscape.

East Gate, Winchelsea

Joseph Mallord William Turner and Samuel William Reynolds I, published 1819

Sepia print of a rocky Scottish mountain valley with a stream, boulders, and dramatic clouds over steep slopes.

Ben Arthur

Joseph Mallord William Turner and Thomas Goff Lupton, published 1819

Sepia print of a gothic church interior with arches, columns, a seated congregation and a carved royal monument.

Interior of a Church

Joseph Mallord William Turner, published 1819

Pencil drawing of Tewkesbury Abbey showing its tall central tower, spires, and Gothic windows beside a street.

Tewkesbury Abbey

Joseph Mallord William Turner

Sepia landscape print with tall trees, a ruined arch, grazing cattle, figures and a river with a boat.

The Woman and Tambourine

Joseph Mallord William Turner, published 1807

Pen and ink landscape of a ruined tower among trees, with travelers on a path and a tall tree at right.

Winchelsea, Sussex

Joseph Mallord William Turner, published 1812

Pen drawing of a crowded London street with a scaffolded department store draped for the 1937 coronation celebrations.

Selfridges, Oxford Street; Coronation of George VI

Muirhead Bone, 1937

Pen and ink drawing of a medieval walled city with round towers, a Gothic church, and figures walking along the rampart path.

The Temple, Paris

Frederick Landseer Maur Griggs, 1904

Pen and ink drawing of a woman in a feathered hat riding a leaping horse past a fence and trees, with handwritten caption bel

Leap Year, Britannia!

Possibly after Sir John Tenniel, n.d.

Grey wash drawing of a calm Venetian lagoon with gondolas, mooring posts and a distant skyline under an overcast sky.

Lagoon, Venice

Muirhead Bone, c. 1920-53

Mezzotint of a stable with a man tending hunting dogs, a groom leading a saddled horse, and other horses in stalls.

The First of September, Morning

William Ward after George Morland, published 1794

Mezzotint of hunters and dogs outside a thatched inn at evening, with a saddled horse and a girl in the scene.

The First of September, Evening

William Ward after George Morland, published 1794

Samuel Johnson

James Watson after Sir Joshua Reynolds, 1770

Mezzotint of a standing woman in a white gown and shawl beside flowers, with trees and a landscape behind her.

Catherine, Lady Bampfylde

Thomas Watson after Sir Joshua Reynolds, 1779

Pen and wash sketch of a child leading three harnessed horses pulling a covered wagon across an open ground.

Child Leading Three Horses and Wagon

Attributed to Thomas Stothard, n.d.

Pencil and watercolor panoramic drawing of a seaside town with buildings, a tower, a windmill, and rolling hills.

Panoramic View of Seaside Town

John Skinner Prout, n.d.

Muted landscape with a thatched cottage, church spire, tall trees, and small figures with sheep on a path.

Wooded Landscape with Village Scene

Thomas Gainsborough, early 1770s (not later than 1772)

Sir Christopher Wren. Line engraving by E. Scriven, 1809, after M. Rysbrack

John Michael Rysbrack

Hand-colored print of a river landscape with a rowboat, large trees on the right, and wooded hills under cloudy sky.

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery

John Hill, 1819/21

Line engraving portrait of Nicholas Saunderson holding an armillary sphere, wearing a curled wig and dark gown.

Nicholas Saunderson [Sanderson]. Line engraving, 1752, after J. Vanderbank, 1719

John Vanderbank

Hand-colored engraving of a rider on a white horse on a wooded path beside tall trees and a split-rail fence.

View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of Ameri…

John Hill, 1819/21

Pen and ink sketch of a young man showing a sword to two women in a draped interior, with handwritten caption below.

Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter

possibly Haggitt, n.d.

Hand-colored print of Lynnhaven Bay with pine trees in the foreground, sailboats on calm water, and birds over a cloudy sky.

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery

John Hill, 1819/21

Hand-colored print of a stormy wooded creek with light green trees, a footbridge, and rocky banks near Augusta, Georgia.

Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery

John Hill, 1819/21

Hand-colored print of travelers camped by a campfire in a moonlit forest, with a covered wagon and horses beside tall trees.

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery

John Hill, 1819/21

Print of a dark landscape with tall trees and a road leading to a city with spires under a glowing, smoky sky.

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery

John Hill, 1819/21

Hand-colored print of sailing boats on a river beside a tall tree, with buildings and a windmill under a cloudy sky.

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery

John Hill, 1819/21

Watercolor of a castle tower on a hilltop above a misty mountain valley, with a small figure on a path in the foreground.

Castle on Height near Geneva

Joseph Mallord William Turner, 1836

Watercolor of a hazy blue mountain valley with travelers resting in the foreground and village houses on the slopes.

Mussooree and the Dhoon from Landour

Joseph Mallord William Turner, c. 1835