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English & British

17,198 works

Stipple engraving portrait of Thomas Linacre in a dark cap and gown, holding a quill pen, with Latin signature below.

Thomas Linacre. Stipple engraving by H. Cook after W. Miller, 1810

Sepia mezzotint of a young woman in a wide hat leaning on a window ledge, head tilted, with a pensive smile.

Sophia Western, Fieldings Tom Jones

John Raphael Smith after John Hoppner, 1784

Mezzotint portrait of a standing man in a tricorn hat and dark coat, with a tree and landscape behind him.

Richard Robinson

John Raphael Smith after Sir Joshua Reynolds, published 1775

Brown ink sketch of a young boy in a loose cloak playing a small wind instrument, leaning on a ledge.

Child with Musical Instrument

Attributed to Thomas Barker, n.d.

Mezzotint portrait of a young officer in plumed helmet and uniform, with sabre, horse and cannon beside him, against a smoky

Lieutenant Colonel Sir Banastre Tarleton

John Raphael Smith after Sir Joshua Reynolds, published 1782

Brown ink drawing of two schoolboys, one seated writing and one leaning over a table beside him.

Two School Boys

Thomas Jones Barker, c. 1830

Brown wash sketch of a young woman with curly hair holding a baby on her shoulder, on cream paper.

Young Woman Holding Baby

Thomas Jones Barker, c. 1830

Graphite sketch of a seated nude woman with her hair up, one knee raised, resting her hand on a dark rock.

Seated Nude

William Etty, c. 1807-49

Pen drawing of three classical figures: a seated woman, a standing youth in a cap, and an armed warrior with shield and spear

Hector Chiding Paris

II John Flaxman, n.d.

Pencil sketch of a wall monument with a carved bust in a niche, flanked by columns, obelisks and a coat of arms.

The Monument of Doctor Lawrence Humphrey

II John Flaxman, n.d.

Grey chalk drawing of cows wading in water beside large trees, with distant buildings and a cloudy sky.

Landscape with Cows

Thomas Monro, n.d.

Pencil sketch of richly dressed figures gathered around a fountain in a formal interior, some kneeling at left.

Study

Possibly John Hayter, n.d.

Engraving of two shepherds with sheep and a dog in a hilly landscape at sunrise, by William Blake.

Thenot Remonstrates with Colinet, from The Pastorals of Virgil

William Blake, 1821

Black and white print of two figures in a night landscape under a full moon and stars, with hills and a tree.

Thenot Under Fruit Tree, from The Pastorals of Virgil

William Blake, 1821

Black and white engraving of two shepherds with staffs beside sheep, with a leaping figure in the sky above.

Thenot Remonstrates with Colinet, Lightfoot in Background, from The Pastorals of Virgil

William Blake, 1821

Black and white engraving of two figures gesturing at a third standing among trees in a pastoral landscape.

Colinet Mocked by Two Boys, from The Pastorals of Virgil

William Blake, 1821

Mezzotint of a youth being rescued from a shark by men in a boat, with ships and a harbor town behind.

A Youth Rescued from a Shark

Valentine Green, 1779

Engraving of a shepherd raising his arms and staff against a wolf beside a wooden gate, with hills and a thatched shed behind

Shepherd Chases Away Wolf, from The Pastorals of Virgil

William Blake, 1821

Dark wood engraving of a lone traveler with a staff beside a milestone on a road under rolling hills.

Colinet's Journey: Milestone Marked LXII Miles to London, from The Pastorals of Virgil

William Blake, 1821

Black and white print of three dancing women in flowing robes, with seated onlookers and a classical temple behind them.

Menalcas Watching Women Dance, from The Pastorals of Virgil

William Blake, 1821

Black-and-white engraving of a shepherd youth with a crook, a robed elder, sheep, a dog and a gnarled tree.

Colinet Departs in Sorrow: Riven Trunk at Right, from The Pastorals of Virgil

William Blake, 1821

Pen and ink drawing of an elderly man with a weary expression, seated in an armchair with pillows and a blanket.

Dying Old Man

Edward Killingworth Johnson, n.d.

Grey wash drawing of a boy in a beret seated with two dogs and a dead bird on the grass.

Highland Boy and Dogs

Style of John Frederick Herring, I, n.d.

Monochrome print of a naval officer in dress uniform holding a sword beside a cannon on a ship, with rigging above.

Sir Philip Bowes Vere Broke

Charles Turner after Samuel Lane, published 1816

Pencil and red chalk drawing of a youth with short hair looking upward, shoulders and draped collar sketched below.

Portrait Bust of Youth

Follower of George Henry Harlow, n.d.

Sepia drawing of a plumed man and a woman in a long gown embracing before a dense woodland with rocks.

Lovers in Woods

John Everett Millais, 1850/96

Sepia frontispiece with title Liber Studiorum, a framed harbour scene with classical buildings and boats above still life obj

Frontispiece

Joseph Mallord William Turner and J.C. Easling, published 1812

Sepia print of cows by a stream beneath a wooden bridge, with figures on the bank and tall trees behind.

Bridge and Cows

Joseph Mallord William Turner and Charles Turner, published 1807

Sepia etching of a classical landscape with pines, a woman playing a tambourine, a ruined arch, a river and distant mountains

The Woman and Tambourine

Joseph Mallord William Turner and Charles Turner, published 1807

Sepia etching of beached sailing boats, carts and figures on a tidal shore with a distant castle under cloudy skies.

Scene on the French Coast

Joseph Mallord William Turner and Charles Turner, published 1807

Sepia print of Basle with a wooden bridge over a river, rowing boats, riverside houses, church spires and a sunburst sky.

Basle

Joseph Mallord William Turner and Charles Turner, published 1807

Sepia print of a thatched farmyard with horses, a loaded cart, workers on a ladder and roof, and trees.

The Straw Yard

Joseph Mallord William Turner and Charles Turner, published 1808