An international high noon divorce
Samuel Ehrhart · 1862-1937
Standard HD
Master Pro
Print sizes Pro
| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Get with Pro |
| A4 | Landscape | 300 dpi | Get with Pro |
| A3 | Landscape | 300 dpi | Get with Pro |
| A2 | Landscape | 200+ dpi | Get with Pro |
| 5 × 7 in | Landscape | 300 dpi | Get with Pro |
| 8 × 10 in | Landscape | 300 dpi | Get with Pro |
| 11 × 14 in | Landscape | 300 dpi | Get with Pro |
| 16 × 20 in | Landscape | 200+ dpi | Get with Pro |
| 18 × 24 in | Landscape | 200+ dpi | Get with Pro |
| 24 × 36 in | Landscape | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Landscape | 300 dpi | Get with Pro |
| 50 × 70 cm | Landscape | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 5 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
An international high noon divorce, Samuel Ehrhart (1906). Via artnap.com
An international high noon divorce, Samuel Ehrhart (1906). Via artnap.comAn international high noon divorce, Samuel Ehrhart (1906). Via <a href="https://artnap.com/artwork/pdx-921848">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-921848"><img src="https://img.artnap.com/artworks/pdx/pdx-921848/web.jpg" alt="An international high noon divorce, Samuel Ehrhart (1906)" width="1600" height="1059" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>An international high noon divorce, Samuel Ehrhart (1906). Via <a href="https://artnap.com/artwork/pdx-921848">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Samuel Ehrhart died in 1937; this work is in the public domain.
About this work
A richly coloured satirical print shows a crowded divorce courtroom where a judge holds a book labelled Divorce Laws while groups of onlookers, marked as jury, creditors, co-respondents, relatives and rubbernecks, crowd the space. Garlands of bills, checks and pink ribbons hang overhead, and a woman in a dark gown carries papers labelled evidence. Signed by Samuel Ehrhart, the work is dated 1906.
