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William Hogarth

455 works

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Oil portrait of a man in a powdered wig and gold waistcoat, seated at a desk with a quill, inkwell, and letter.

Joseph Porter

Hogarth interior scene with fashionable figures, a monkey, a servant in a feathered cap, and red drapery.

Taste in High Life (or Taste à-la-Mode)

Engraved group portrait of bewigged men in a shield shape, some playing wind instruments, with crossed bones below.

A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Tayl…

Engraved heraldic shield of wigged quack doctors smoking pipes, with a chamber pot, crossed bones and a Latin motto below.

A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Tayl…

Hand-coloured etching of a scowling caricature figure in harlequin costume leaning on a cane, captioned Mrs Sarah Mapp.

Sarah Mapp. Coloured etching by G. Cruikshank, 1819, after W. Hogarth

Stipple engraving of a seated man in 18th-century dress beside a scroll labelled The Royal Charter, a globe, and a column.

Thomas Coram. Stipple engraving by W. Nutter, 1796, after W. Hogarth

Wood engraving bust portrait of a man in a curled wig, white cravat and buttoned coat, signed W. J. Linton.

Thomas Coram. Wood engraving by W. J. Linton after W. Hogarth

Etching of men shaving and eating breakfast in an interior, with a seated man drawing, after William Hogarth, 1781.

William Hogarth making a drawing of his companions and himself as they shave and take their breakfast. Etching by Ric…

Oval line engraving of Daniel Lock, a seated man in a powdered wig holding a sheet, with a harbour view at right.

Daniel Lock. Line engraving by T. Cook & Son, 1808, after W. Hogarth

Oval line engraving of a man in a powdered wig and white cravat, captioned Thomas Pellet M.D., President of the College of Ph

Thomas Pellet. Line engraving by C. Hall after W. Hogarth

Pen and ink sketch of a grotesque female head with an open mouth and curly hair, surrounded by loose flourishes.

Grotesque Female Head

Grotesque Male Head

Sketch of a seated man in a tricorn hat beside a table with a wine bottle and glass, in brown wash.

Gabriel Hunt

Pencil sketch of an interior with a canopy bed and figures, with small studies in the lower right margin by William Hogarth.

Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Brown wash drawing of foundling children gathering at a doorway, a man holding an infant, ships and a church in the backgroun

Study for the Foundlings

Line engraving of seated Captain Thomas Coram with a globe, charts and ships in the background, after Hogarth.

Thomas Coram. Line engraving by B. Holl after W. Hogarth

Oval line engraving of James Gibbs, a man with curled hair and dark coat, before a classical architectural background.

James Gibbs. Line engraving by A. Bannerman, 1762, after J. McArdell after W. Hogarth

Engraving of a kneeling man in a hooded robe holding a reclining figure, with a skull, book, rosary and fruit in a rocky land

Sir Francis Dashwood at his devotions. Engraving attributed to W. Platt after W. Hogarth

Black chalk drawing of a reclining female nude resting her arm on a rock, legs stretched diagonally across the sheet.

Study of a Female Nude

Red chalk drawing of many overlapping caricatured heads showing varied grimacing and shouting expressions.

Sheet of Studies of Heads

Satirical etching of a theatre rehearsal set inside a brick prison, with seated men, a violinist, and tumbling figures among

William-hogarth-just-view-of-the-british-stage

Engraved satirical street scene with crowds, a goat atop a pole, a monument inscription, and a devil figure.

An Emblematic Print on the South Sea

late 18th century

Engraving of men in a room, one smoking a pipe, another reading a book, with a map on the wall behind them.

Frontispiece to "Tristram Shandy," Volume 1

19th century

Engraving of a bewigged man holding a swaddled baby beside a woman, with a turbaned man gesturing at a table in an interior.

Illustration to "Tristram Shandy," Volume 4

19th century

Pen drawing in an oval frame of figures in period dress in an interior, with a card table and seated woman at right.

The Rape of the Lock

19th century (?)

Engraving of King Henry VIII taking the hand of Anna Boleyn in an ornate hall while a seated cardinal looks on.

King Henry the Eighth and Anna Bullen

19th century

Engraved design for an ornamental crest with a central heraldic shield, rococo scrollwork, two figures with staffs, and a gro

Design for an Ornamental Crest for Silver Plate

early 18th century

Pen drawing of a crowded fashionable interior with seated figures, framed paintings, an arched alcove, and toys on the floor.

Marriage A-la-Mode, plate IV (reverse copy)

18th-19th century