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William Hogarth

455 works

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Painting of a formal 18th-century wedding in an ornate interior, with a clergyman, bride, groom and elegantly dressed attenda

The Wedding of Stephen Beckingham and Mary Cox

1729

Painting of a man in red breeches reaching toward a woman at a dressing table beside a green curtained bed, with a spaniel.

Before

1730-1731

Painting of a man in brown coat and red breeches beside a seated woman in a gray dress on a canopy bed, with a dog on the flo

After

1730-1731

Man in blue coat seated at a desk with a quill, woman in yellow dress standing behind his chair in a dark room.

David Garrick (1717-79) with his wife Eva-Maria Veigel,

1757

Oil portrait of a seated woman in a red silk dress and dark hat, with a black and white dog beside her against a dark landsca

Miss Collot

1735

Two young children in white dresses stand beside a carved chair, one holding a black and white dog.

Portrait of Lady Mary Grey and Lord George Grey

1740

Hogarth interior with four figures, a seated gentleman, a standing woman in black and red, a man in brown, a girl, and skelet

Marriage A-la-Mode: 3, The Inspection

1743

Interior scene of an 18th-century aristocratic morning reception with musicians, a hairdresser, and elegantly dressed figures

Marriage A-la-Mode: 4, The Toilette

1743

Hogarth interior scene: a woman slumps in a chair with a child, attended by men and an old woman, a dog at a table by a windo

Marriage à la Mode, Plate 6, (The Death of the Countess)

1743

Man in ermine-trimmed robe gestures from a dais, with armor at his feet, red curtains, and a tent camp at dusk behind him.

David Garrick as Richard III

1745

Painting of a fashionable couple in a disordered drawing room, with a man by the fireplace and a woman at a tea table.

Marriage A-la-Mode: 2, The Tête à Tête

1743

Loose painted portrait of a smiling young woman in a wide-brimmed hat and white bonnet, with a shawl.

The Shrimp Girl

1740

Hogarth's 1743 interior scene of gentlemen and a woman at a table with papers, dogs and gilt-framed paintings on the wall.

Marriage A-la-Mode: 1, The Marriage Settlement

1743

Dimly lit interior with a kneeling woman, a wounded man clutching his side, a dropped sword, and a lantern-bearing figure at

Marriage A-la-Mode: 5, The Bagnio

1743

Seated portrait of an older man with white hair in a red coat, holding a rolled charter beside a globe and column.

Captain Thomas Coram (1668-1751)

1740

Group portrait of a family in an outdoor setting with a seated man, a standing man holding a chart, a globe and a dog.

Woodes Rogers and his Family

1729

Painting of a theatrical prison scene with kneeling women, a red-coated man, spectators, and shackles on the wall.

A Scene from The Beggar's Opera

1728/1729

Hogarth painting of a rowdy tavern with revellers, women in bonnets, a man in a green coat with a sword, and scattered clothi

The Tavern Scene - A Rake's Progress series

1732

Interior scene of a young heir gesturing at an open chest of papers while a servant kneels and an old miser sits by the fire.

The Young Heir Takes Possession of the Miser's Effects - A Rake's Progress series

1732

Painting of a church wedding with a clergyman, couple in 18th-century dress, bridesmaid, pug dogs and a child.

The Marriage

1732

Hogarth painting of a crowded 1730s interior with musicians, a harpsichord, fashionably dressed men and classical sculpture o

Surrounded by Artists and Professors - A Rake's Progress series

1732

Hogarth's 1732 street scene of bailiffs seizing a sedan chair as a gentleman protests and a woman in white looks on.

Arrested for Debt - A Rake's Progress series

1732

Crowded dim gaming house with men in wigs gathered round a candlelit table, coins and cards visible, a young man raising an a

The Gaming House

1732

Oil portrait of a man in a red coat, white lace cravat and powdered wig against a dark background.

Portrait of a Man

1741

Hogarth's painting of a crowded prison interior with barred window, men at a table, and a woman with children.

The Prison Scene - A Rake's Progress

1732

Interior scene with a woman in a gold gown holding a fire screen, a man in red leaning in, and cards burning in the fireplace

The Lady's Last Stake

1759

Half-length portrait of a man in a dark blue coat with gold trim, holding a sword hilt, against a dark background.

Captain Sir Alexander Schomberg, 1720-1804

1763

Oil portrait of a bearded older man in a brown coat and white collar, resting his hand on green drapery beside a folded paper

Inigo Jones, 1573-1652

1757

Oval half-length portrait of a man in a powdered wig, brown coat and lace cravat against a dark background.

William FitzHerbert

1740

Crowded madhouse interior with a shackled naked man in the foreground, a woman in pink, a violinist, and barred windows.

In The Madhouse - A Rake's Progress series

1732

Oil portrait of a seated woman in red silk and lace with a spaniel, a globe and a scroll beside her.

Portrait of Miss Mary Edwards

1742

Painting of a prison-like stage scene with a man in red coat, two kneeling women in gowns, and spectators behind a red rail.

A Scene from the Beggar's Opera

1728