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Jacques Callot

1,591 works

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Etching of the Pont Neuf over the Seine, with a stone tower, rowboats, carts, figures on the banks, and a city skyline.

View of the Pont Neuf

1630-35

Etching of troops disembarking from boats onto a shore, framed by an ornate scrolled cartouche.

Le Débarquement des Troupes

c. 1628

Etching of two soldiers firing a wheeled cannon, with smoke rising, barrels and cannonballs on the ground.

Firing the Canon, plate twelve from The Military Exercises

published 1635

Three soldiers in feathered hats demonstrate firing a musket in sequence, with smoke rising in the right figure.

Firing the Musket, plate nine from The Military Exercises

published 1635

Etching of twenty-three crucified friars on crosses along a road, with soldiers below and angels in the clouds above.

The Martyrs of Japan

1627

Etching of two soldiers preparing a cannon on a carriage with cannonballs and a barrel nearby, numbered plate 10.

Preparing to Fire the Canon, plate ten from The Military Exercises

published 1635

Engraved title page with a coat of arms, trumpeters, a drummer and fifer, and military flags framing a dedicatory inscription

Frontispiece, from The Military Exercises

published 1635

Etching of three men in plumed hats and period dress holding sticks, with Latin caption and plate number 1 below.

Unarmed Drill, plate one from The Military Exercises

published 1635

Etching of three drummers in plumed hats holding drums and sticks, with a Latin caption below.

Drill with Drums, plate two from The Military Exercises

published 1635

Three soldiers in plumed helmets hold long pikes upright in different drill positions, etched in fine black lines on paper.

Drill with Raised Pike, plate six from The Military Exercises

published 1635

Etching of three soldiers in feathered hats performing a drill with tilted pikes, with Latin caption below.

Drill with Tilted Pikes, plate five from The Military Exercises

published 1635

Three small etched soldiers in feathered hats hold muskets at different angles in a military drill sequence.

Drill with the Musket, plate four from The Military Exercises

published 1635

Etching of three soldiers in plumed helmets holding long pikes at different angles during a military drill.

Drill with the Musket, plate seven from The Military Exercises

published 1635

Three soldiers in plumed hats demonstrate musket drill positions, one aiming a long gun, in a 1635 etching by Jacques Callot.

Taking the Firing Position with the Musket, plate eight from The Military Exercises

published 1635

Engraved title plate with ornate cartouche showing a crowd of figures, a royal coat of arms, and the word OBSID above.

The Siege of La Rochelle: Plate 1

1628-1630

Engraving of a naval and land siege: warships fire from the sea while soldiers and carts crowd a fortified coastline.

The Siege of La Rochelle: Plate 10

1628-1630

Engraving of a naval battle with sailing warships and smoke, beside a fortified city with numbered keys.

The Siege of La Rochelle: Plate 11

1628-1630

Etching of a siege: warships fight in a bay while troops, cannons and tents surround a walled coastal town.

The Siege of La Rochelle: Plate 12

1628-1630

Engraved plate of a royal entry procession of horsemen approaching a walled city, framed by scrollwork and a crowned coat of

The Siege of La Rochelle: Plate 3

1628-1630

Etched panoramic view of a coastal siege with massed troops, cavalry, burning town, and ships offshore.

The Siege of La Rochelle: Plate 5

1628-1630

Etched aerial view of a walled port city under siege, with bastions, troops, cannon smoke and ships in the harbor.

The Siege of La Rochelle: Plate 6

1628-1630

Etched panoramic view of a siege with fortified walls, cannon smoke, marching soldiers, and windmills across open land.

The Siege of La Rochelle: Plate 7

1628-1630

Etching of Saint John seated on rocks by the sea, looking up at an angel blowing a trumpet in the clouds.

Saint John on the Isle of Patmos

1625

Etching of a crowded river festival with boats, carriages, fireworks and a city skyline, within an ornate scrolled frame.

The Fan

1619

Etched frontispiece with Latin title, Virgin Mary in oval medallion at top, two angels flanking the text panel.

Frontispiece for "The Life of the Virgin"

c. 1633/1634

Etching of the Birth of the Virgin with attendants around an infant, a canopied bed, and angels in clouds above.

The Birth of the Virgin

c. 1633/1634

Etching of the young Virgin climbing temple steps toward a priest, with onlookers and columns around her.

The Presentation of the Virgin

c. 1633/1634

Etching of the Marriage of the Virgin: a priest joins Mary and Joseph in a columned temple with a crowd watching.

The Marriage of the Virgin

c. 1633/1634

Etching of the Virgin Mary seated reading as the angel Gabriel kneels on clouds with rays of light, cherubs above.

The Annunciation

c. 1633/1634

Etching of two haloed women greeting on a city street beside an arched portico, with onlookers and a small dog.

The Visitation

c. 1633/1634

Etching of the Nativity: infant Christ in a manger lit by rays, Mary and Joseph beside him, shepherds kneeling and angels abo

The Nativity

c. 1633/1634

Etching of the Adoration of the Magi: a kneeling king offers gifts to the Christ child and Virgin beneath an arcade, with a p

The Adoration of the Magi

c. 1633/1634