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Jacques Callot

1,591 works

Featured

Etching of a band of travelers on horseback and on foot, plumed hats and cloaks, passing along a road with distant buildings.

The Bohemians Marching, from The Bohemians

1621

Etching of an inn with a thatched roof, travelers gathered by a cart, and a horseback rider beneath a large tree.

The Stopping Place, from The Bohemians

n.d.

Etching of a crowded forest camp with people cooking over a fire and preparing a feast beneath large trees.

Camping Place of the Gypsies: The Preparation of the Feast

n.d.

Engraving of a triumphal procession with a chariot, robed attendants, banners, winged figures in clouds, and a city by the se

The Triumph of the Virgin

1624

Etching of a crowded fair before a church with bell tower, with tents, carts, horsemen and a large tree at right.

The Fair at Impruneta

1622

Large etched panoramic print of a naval siege with ships, rowboats, a fortified town, and soldiers fighting on shore.

Siege of the Citadel of Saint Martin on the Isle de Ré

1631

Etching of a ragged procession with a wagon, horseback riders, and women and children on foot along a road.

The Bohemians Marching: The Rear Guard, from The Bohemians

n.d.

Etching of a procession of crowned figures ascending a rocky mountain toward Pegasus, a laurel tree, and classical goddesses.

The Float of Mount Parnassus, from The War of Beauty

1616

Etching of a plumed-hat soldier with a ruff collar and sword, with cavalry fighting in the background landscape.

The Soldier with a Plumed Hat, plate three from La Noblesse

c. 1625

Etching of a gentleman in a fur-trimmed cloak saluting, with a town and figures in the background.

The Genleman who Salutes While Holding his Hat Beneath his Arm, plate two from La Noblesse

c. 1625

Etching of a ceremonial procession with torch bearers, drummers, and ornate chariots, including a winged figure and clouds.

Entry of the Monseigneur the Prince of Phalsbourg, Defender in the Combat, from The Combat at the Barrier

1627

Etching of a marching procession with drummers, fifers, pikemen and plumed figures in feathered hats.

Entry of M. de Macey, from The Combat at the Barrier

1627

Etching of a grand hall with crowds of spectators, guards with pikes, and a nobleman entering on foot beneath an ornate ceili

Entry of His Highness on Foot, from The Combat at the Barrier

1627

Etching of a haloed bishop preaching to a crowd in a forest clearing, with soldiers and a village in the distance.

Saint Nicholas Preaching

n.d.

Etching of an elderly bearded man in a long cloak and cap standing before a crowded Italian town street with stone buildings.

Pantalone, from Three Italian Comedians

1618-20

Etching of a bearded gentleman in a fur-trimmed mantle and plumed hat, with a street scene of buildings and figures behind hi

The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse

c. 1625

Etching of a fashionably dressed gentleman with clasped hands, standing before a busy city street with a bridge and tower.

The Gentleman with Clasped Hands, plate eleven from La Noblesse

c. 1625

Etching of a crowded city square with robed figures, stone buildings, a tower, and an arched bridge over a river.

The Slave Market

1629

Etching of a small harbor with moored sailing boats, figures on a quay, stone buildings, and a distant hilly coastal town.

The Small Port, from Various Scenes Designed in Florence

1618-20

Etching of a large rocky island with hilltop towns, sailing boats on the sea, and figures and moored ships on the shore.

The Large Rock, from Various Scenes Designed in Florence

1618-20

Etching of three armored men with spears standing on a sea monster, with a lute player on another creature and ships at sea.

Entry of Mm. de Vroncourt, Tyllon, and Marimont, from The Combat at the Barrier

1627

Etching of a sailing ship surrounded by sea figures with trumpets and tridents, with a tree and domed pavilion on rocks below

Entry of M. le Comte de Brionne, Grand Chamberlain of His Highness, Representing Jason, from The Combat at the Barrier

1627

Etching of a procession with a winged sea creature, a dragon, and ornate chariots carrying armored figures and musicians.

Entry of Monseigneur Henry de Lorraine, Marquis de Moy, under the Name of Pirandre, from The Combat at the Barrier

1627

Etching of a ceremonial procession with a fountain, a horse-drawn sun chariot, a rocky grotto, and a decorated float.

Entry of His Highness, Representing the Sun, from The Combat at the Barrier

1627

Engraving of a barrier combat in a grand hall, with armored combatants, pikemen, dense crowds and a coffered ceiling.

The Grand Tournament: The Combat

1627

Etching of a village fair under a huge tree, with crowds, horse riders, cottages and a church tower.

The Fair at Gondreville

1624

Three soldiers in plumed hats stand holding halberds in an etching, numbered plate 3 from Callot's Military Exercises.

Drill with Halberds, plate three from The Military Exercises

published 1635

Etching of soldiers in plumed hats loading a cannon up a wooden ramp, with a Latin inscription below.

Loading the Canon, plate eleven from The Military Exercises

published 1635

Etching of the formal parterre gardens of the Palace of Nancy with scrolled flower beds and crowds of figures.

The Palace Gardens at Nancy

1625

Etching of a river scene with a tall round tower, boats, figures and horses, and a multi-arched bridge in the distance.

Les deux grandes vues de Paris: Vue du Pont Neuf

1628-30

Etching of Paris riverfront with a medieval tower, crowded quay, many boats on the Seine, and the long Louvre facade.

Les deux grandes vues de Paris: Vue du Louvre

1628-30

Etching of a river scene with boats, crowds on the quay, a round tower at left and a long palace facade at right.

View of the Louvre

1630-35