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Francisco Goya

1,147 works

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Etching of soldiers attacking a robed man on the ground, with the caption Esto es malo, from Goya's Disasters of War.

Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)

1810 (published 1863)

Etching of gaunt figures gathered around a bowl in a dim interior, one figure lying on the ground in the foreground.

Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)

1811-12 (published 1863)

Etching of a man writing on the ground as hooded and ghostly faces loom out of dark shadows behind him.

Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)

1814-15 (published 1863)

Etching of a cloaked woman gesturing before a crowd of grotesque animal-headed figures on a rocky bank.

Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)

1814-15 (published 1863)

Etching of ragged figures gathered around a large wolf-like animal, with a kneeling woman and children in the foreground.

Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)

1814-15 (published 1863)

Etching of a winged demon with bat wings hunched over an open book, with the caption Contra el bien general below.

Plate 71 from "The Disasters of War" (Los Desastres de la Guerra): 'Against the common good' (Contra el bien general)

1814-15 (published 1863)

Etching of hooded figures stumbling along a hillside, some falling into a ditch, under a dark hatched sky.

Plate 70 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not know the way' (No saben el camino)

1814-15 (published 1863)

Etching of a seated hooded figure beside a pile of grotesque masks, with a chair and cluttered interior in the background.

Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)

1814-15 (published 1863)

Etching of two stooped men with canes walking past a carried figure and a crowd beside a column.

Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)

1814-15 (published 1863)

Etching of a donkey carrying a glass box with a figure inside, with kneeling cloaked figures in the foreground.

Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)

1814-15 (published 1863)

Etching of a woman in a pale dress fleeing with hands to her head, a dog running beside her, and a seated figure in a cap at

Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)

1814-15 (published 1863)

Etching of an owl with spread wings above a crouching cat, with a cloaked figure bending at right.

Plate 73 from "The Disasters of War" (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima)

1814-15 (published 1863)

Etching of a pale reclining figure in radiant light, with a kneeling figure and shadowy faces in a dark background.

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)

1814-15 (published 1863)

Etching of a huge vulture with spread wings standing over a crowd of people, one man at left holding a long pole.

Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)

1814-15 (published 1863)

Etching of a robed clergyman balancing on a rope above a crowd, arms outstretched, with a building at right.

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)

1814-15 (published 1863)

Etching of a dog leaping over a pack of snarling dogs on open ground, with the caption 'Se defiende bien' below.

Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)

1814-15 (published 1863)

Etching of a fallen figure with a mitred clergyman and a crowd of onlookers in a dark, hatched setting.

Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)

1814-15 (published 1863)

Etching of a skeletal figure writing on a tablet beside a crowd of faces in a dark landscape, from Goya's Disasters of War.

Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): Nothing. The event will tell (Nada. Ello dirá)

1810-20, published 1863

Title page of Los Proverbios with decorative lettering, a crowned coat of arms, and the date Madrid 1864.

Title page for "Los Proverbios" (Disparates)

1864

Etching of a man lunging forward with a pole while figures stoop before a dark crumbling wall under a night sky.

Cruel Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a line of figures in loose sack-like garments with ruffled collars against a dark background.

Men in Sacks, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a figure flung upward while a large horse rears on a rocky ground under a dark sky.

The horse abductor, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of distorted dancing figures in ruffled costumes, flailing arms and swirling skirts against a dark background.

Merry Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a man strapped to large bat-like wings flying in a dark sky, with other flyers and a parachute figure nearby.

A Way of Flying, from "The Disparates" (Follies / Irrationalities)

ca. 1815-16 (published 1864)

Etching of grotesque carnival figures in distorted poses, one in a pointed hat, another on stilts, against a pale sky.

Carnival Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a crowd under a draped canopy, with women holding fans in front and figures with raised arms above.

Clear Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of women in striped shrouds gathered on a diagonal tree branch against a grainy grey background.

Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a soldier with a raised sword, a kneeling woman, and a hanged figure in a tree, with caption Fuerte cosa es.

Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)

ca. 1810 (published 1863)

Etching of a man on a rearing horse holding a baton, with a tree and landscape behind, by Francisco de Goya, 1778.

Portret Gaspar de Guzman, Conde de Olivares, Duque de San Lucar

1778

Sepia etching of a woman shaving a reclining man while two women watch from behind in a dim interior.

She fleeces him

1799

Etching of a seated young woman having her hair brushed, with an elderly woman holding a rosary beside her.

She prays for her

1799

Etching of a seated woman in a dark room by a barred window, with sleeping figures wrapped in white bedding in the foreground

Sleep overcomes them

1799