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Francisco Goya

1,146 works

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Etching of a woman with raised arms among hooded figures at a dark doorway, with a pale ghostly figure at left.

'Poor Folly' from the 'Disparates' (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a chaotic crowd with a fallen figure in the foreground and a horse at right, set against a dark background.

General Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of turbaned horsemen and a figure with a raised sword facing a charging bull, with a fallen rider and horse in the fo

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this ar…

1816

Etching of a mounted rider with a lance attacking a charging bull on open ground, with another horseman behind.

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

1816

Etching of two men in period dress thrusting lances at a charging bull on an open field under a cloudy sky.

Plate 2 from "La Tauromaquia": Another way of hunting on foot

1816

Etching of a bull charging a cape-wielding man in an arena, with another figure standing and one seated with raised arms.

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

1816

Etching of a bullfighter with a cape facing a bull in an arena, with figures in cloaks and spectators behind a wooden barrier

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

1816

Etching of a bull goring a man in a bullring while another figure waves a cloak to distract it.

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

1816

Etching of an armored figure gripping a bull's horns while a wounded horse stands nearby in an arena.

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse

1816

Etching of a mounted rider with a spear facing a charging bull in an arena, plate 24 of Goya's La Tauromaquia.

Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid

1816

Etching of a lance-wielding horseman facing a charging bull in a bullring, with spectators along the top edge.

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza

1816

Etching of a bull charging a draped table as a man leaps onto it in a bullring, with spectators watching at right.

Plate 19 of "La Tauromaquia": Another madness of his in the same ring

1816

Etching of a bull charging at a seated matador on a chair in an arena while spectators watch from the stands.

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

1816

Etching of a bull among tossed and fallen donkeys, with men holding long poles at left and right in an arena.

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns ha…

1816

Etching of a man in white grappling with a charging bull in an arena while two cloaked onlookers watch at right.

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid

1816

Etching of a bullfighter in a cape turning beside a lowered-headed bull in an arena, with spectators sketched above.

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the pl…

1816

Etching of a mounted rider in plumed hat facing a charging bull in an arena, with spectators in the stands above.

Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants

1816

Etching of a bull charging in a bullring, tossing horses and picadors while men scramble and spectators watch from the stands

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull

1816

Etching of a bullfight: a bull in an arena with a bullfighter holding banderillas, smoke burst, and mounted picadors behind.

Plate 31 of "La Tauromaquia": Banderillas with firecrackers

1816

Etching of a matador with cape and sword facing a horned bull in an arena, spectators watching from the stands above.

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull

1816

Etching of a matador making a close pass as a bull charges in a bullring, with mounted riders behind.

Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'

1816

Etching of a bull charging a horse in a bullring while a picador lances it, with a crowd in the stands behind the wall.

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at…

1816

Etching of a young boy in a plumed hat riding a rearing horse across a landscape under a cloudy sky.

Don Baltasar Carlos on horseback, after Velázquez

1778

Etching of a nude man seated beside two hooded witches with shears and an open book, with a winged creature and heads below.

Plate 70: Devout Profession (Devota Profesion), from "Los Caprichos"

1799

Etching of a white-haired old man reading a book while a dark, hunched figure leans over his shoulder in a shadowy room.

That certainly is being able to read

1799

Sepia etching of a donkey-headed figure feeding two restrained men with a spoon, with a basin in the background.

The Chinchillas

1799

Etching of a bull and fallen horse in an arena, with a turbaned man raising a sword and other turbaned figures behind.

Los Moros establecidos en España, presciendiendo de las supersticiones de su Alcorán, adopataron esta caza y arte, y…

1876

Etching of masked carnival revelers dancing in a plaza, with a cloaked figure on stilts at right, by Francisco Goya.

Disparate de carnabal (Carnival Folly), also known as Alegrias antruejo, que mañana seras ceniza (Rejoice, Carnival,…

1816

Etching of a bull goring a fallen horse and rider in an arena while a man with a cape distracts it, spectators above.

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La…

1816

Etching of an elderly bearded man in a hood, hands clasped, with the inscription CARI at upper left.

Caritas (Charity)

1780

Etching of fallen bodies and grieving figures on a dark battlefield, with a sword at right.

Tampoco (Nor [Do These] Either), pl. 10 from the series Los desastres de la guerra (The Disasters of War)

1810

Etching of a mounted rider in a plumed hat lancing a charging bull in an arena, from Goya's La tauromaquia.

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10…

1816