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Francisco Goya

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Goya etching of witches with brooms and plucked birds on the ground, a flying bird above, and a figure peering from a doorway

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)

1799

Etching of a figure in a shawl balancing two chairs on her head, with a seated woman and two laughing onlookers nearby.

Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)

1799

Etching of a nude figure held by a grotesque man beneath a monstrous shadowy creature, with a figure reaching up below.

Plate 62 from "Los Caprichos": Who would have thought it? (Quien lo creyera!)

1799

Etching of two hooded witches above a winged creature with an open book, and a seated nude man in the foreground.

Plate 70 from "Los Caprichos": Devout Profession (Devota profesion)

1799

Goya etching of a woman in a white dress flying with arms raised, held by winged grotesque figures and a bird-like creature.

Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)

1799

Etching of a seated man and older woman with a standing young woman in a white dress, from Goya's Los Caprichos.

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)

1799

Etching of a woman in a lace dress screaming while an old hooded woman and a man look on, caption below reads No grites, tont

Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)

1799

Etching of a nude woman carried aloft by grotesque figures, with a cat holding an umbrella, by Goya, 1799.

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)

1799

Etching of a nude old witch flying on a broomstick with an owl above, signed Goya, plate 68 from Los Caprichos.

Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)

1799

Etching of a cloaked man and two bowed women beside a dark wall, with the caption Probrecitas below.

Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)

1799, posthumous impression

Etching of intertwined struggling figures and fallen bodies against dark hatched background, from Goya's Disasters of War.

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)

1810 (published 1863)

Etching of armed men struggling over a prone figure, with a child on the ground and a small building behind.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

ca. 1810 (published 1863)

Etching of a kneeling man with outstretched arms under a dark, hatched sky, captioned Tristes presentimientos de lo que ha de

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes…

ca. 1815 (published 1863)

Etching of a couple embracing as an older woman lunges at them with a raised arm, from Goya's Disasters of War.

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)

1810 (published 1863)

Etching of women with a sword tending a wounded man on the ground, with the Spanish caption Las mugeres dan valor below.

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

1810 (published 1863)

Etching of a woman in white standing by a cannon above fallen soldiers on a battlefield.

Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)

1810 (published 1863)

Etching of struggling figures on a dark hillside beneath a stormy sky, with a fallen body in the foreground.

Plate 6 from "The Disasters of War" (Los Desastres de la Guerra): 'It serves you right' (Bien te se está)

1810 (published 1863)

Etching of a fallen horse and a rider on a battlefield, with figures and a horse in the background, captioned 'Siempre sucede

Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)

1810 (published 1863)

Etching of armed figures and fallen bodies in a street by a ruined wall, with the caption Ya no hay tiempo below.

Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)

ca. 1810 (published 1863)

Etching of three figures in shadow, one hooded figure leaning toward a bowl, with caption El Vergonzoso below.

Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)

1799

Etching of an owl on a pedestal above a group of cloaked old men with grotesque faces gazing upward.

Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)

1799

Etching of a kneeling woman gazing up at a tall robed figure with raised arms, surrounded by floating grotesque figures and o

Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)

1799

Etching of hybrid human-animal creatures with bird and donkey heads in a grotesque scene, with a crowd behind them.

Plate 63 from "Los Caprichos": Look how solemn they are! (Miren que grabes!)

1799

Etching of figures in an interior, a woman reading an open book beside a seated woman, a man in a feathered hat with a monocl

Plate 57 from "Los Caprichos": The filiation (La filiacion)

1799

Etching of a kneeling man with clasped hands, surrounded by laughing grotesque faces and a hooded shadowy figure.

Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)

1799

Etching of two nude figures, a horned goat, two cats, a skull and a jug, from Goya's Los Caprichos plate 60.

Pllate 60 from "Los Caprichos": Trials (Ensayos)

1799

Etching of a gaunt old woman holding a nude figure aloft while shadowy faces and an old man watch from below.

Plate 69 from "Los Caprichos": Blow (Sopla)

1799

Etching of nude grotesque figures under a starry night sky, one man pointing upward, with the caption Si amanece; nos vamos.

Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)

1799

Etching of three men drinking wine around a barrel, with caricatured faces and a shadowy figure behind them.

Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)

1799

Etching of screaming, cloaked figures, one with arms raised, crowding around a bent man in a dark setting.

Plate 80 from "Los Caprichos": It is time (Ya es hora)

1799

Etching of gaunt, aged figures tangled together, one carrying a bundled body, with walking sticks and a scroll, in brown tone

Plate 77 from "Los Caprichos": What one does to another (Unos á otros)

1799

Etching of three men, one in a sash holding a cane, with a hat-wearing figure and another behind, numbered plate 76.

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Com…

1799