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Francisco Goya

1,147 works

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Etching of a black bull surrounded by armed men with lances, with a fallen man on the ground in the foreground.

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

1816

Etching of a bullfighter in white gripping a charging bull by the horns in an arena, from Goya's La Tauromaquia.

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his…

1816

Etching of a man vaulting over a charging bull in a bullring with a pole, spectators watching from the stands.

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid

1816

Etching of a mounted bullfighter striking a bull in an arena while spectators watch from the stands behind a barrier.

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse

1816

Etching of a picador on horseback with a pike facing a bull in an arena, with other riders and figures in the background.

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike

1816

Blue paper cover with a central cartouche labeled Goya and Corridas de Toros, and a torn dark spine on the left.

Corridas de Toros

1814/16

Title page with ornate lettering reading Los Proverbios, a royal crest, and the text Madrid 1864.

Title Page from Los Proverbios

1864

Etching of a windswept tree beside a large rock, with a grazing horse and a distant building in a hazy landscape.

The Big Rock

before 1810

Etching of a nude man with a grotesque face pointing while embracing a woman, surrounded by caricatured onlookers in a dark s

She Who is Ill Wed Never Misses a Chance to Say So, plate seven from Los Proverbios

1815/24

Etching of gaunt figures straining to lift a heavy slab while others crouch beside it, against a pale sky.

Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)

1799

Etching of an aged woman in a ruffled bonnet before a mirror, watched by two men and a young woman in an interior.

Plate 55 from "Los Caprichos": Until death (Hasta la muerte)

1799

Etching of a woman in a dark gown flying with outstretched arms above grimacing figures tumbling below.

Plate 61 from "Los Caprichos": They have flown (Volaverunt)

1799

Etching of two men straining under a donkey standing on a man's back, with a second donkey behind them.

Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)

1799

Etching of an old man leaning toward a downcast young woman while onlookers watch behind them.

Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)

1799

Etching of a fashionably dressed woman in a black mantilla beside a man with a fan, as an old woman whispers at left.

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

1799

Etching of men attacking and killing others, one raising an axe above a tangle of fallen figures under an open sky.

Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)

1810 (published 1863)

Etching of a standing figure by a post above a fallen body, with figures in a dark background, from Goya's Disasters of War.

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)

1810 (published 1863)

Etching of a bull attacking a fallen picador and horse in a bullring while a bullfighter waves a cape.

Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull

1816

Etching of a man struggling against soldiers with bayonets, with bodies lying on the ground beside him.

Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)

1810 (published 1863)

Sepia etching of three grotesque hobgoblins drinking in a barred interior, one laughing and gesturing with a cup.

Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos)

1799

Sketch of a bull surrounded by attacking dogs, one dog tossed in the air, with faint figures in the background.

Bull Attacked by Dogs

1824-25

Etching of a bearded man bent over in a dark stone archway, lit strongly against hatched shadows.

If he is guilty, let him die quickly (Si es deliquente qe, muera presto)

ca. 1815 (printed around 1859)

Brown wash drawing of hooded monks singing beside a cross, with a procession of robed figures and a church behind them.

Prozession der Mönche (Procesión de monjes)

Drawing of a picador on horseback facing a dark bull in an arena, with spectators on a rocky bank and a fallen man at left.

Der Picador und der Stier

Self-Portrait

1799

Etching of a young woman in white between elderly figures and a crowd, with a Spanish caption below.

Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen…

1799

Etching of two masked figures in carnival costume, a woman and a man, with onlookers behind them.

Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)

1799

Brown etching of a seated boy with hand to chin beside a cooking pot, with a nanny figure behind him in a dark room.

Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona)

1799

Etching of an old woman on a swing, with a cat perched on a branch above her and foliage behind.

Old woman on a swing

n.d.

Plate 1 from "Los Caprichos": Self-portrait

1799

Isabel of Bourbon, Queen of Spain on horseback, after Veláquez

1778

Etching of a young woman with a fan beside an older woman with a cane and shawl, with a Spanish caption below.

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

1799