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Francisco Goya

1,147 works

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Etching of a vine-crowned Bacchus figure with drinking men in a revelry scene, with a Spanish inscription below.

The Drunkards

1778

Etching of a seated dwarf in a wide hat and fur-trimmed cloak, leaning on stacked books beside a candlestick.

A Dwarf

1778

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos

1797/99

Etching of a sleeping man at a desk surrounded by owls, bats and cats, with the caption 'El sueño de la razón produce monstru

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos

1797/99

Etching of a woman in a dark cloak flying above several grimacing figures in a cloudy sky, numbered 61.

They Have Flown, plate 61 from Los Caprichos

1797/99

Etching of women tossing a man in a blanket while a heavy animal-like form lies in the cloth center.

Heavier than a Dead Donkey, plate 1 from Los Proverbios

1815-17, published 1864

Sepia etching of a crowd in shadow, with a kneeling cloaked woman at center and a reaching figure at left.

The Claws of a Cat and the Dress of a Devotee - similar to Vice is often clothed in Virtue's habit, plate nine from L…

1815/24

Etching of a shrouded phantom towering over panicked soldiers at night beside a bare tree.

Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios

1816-19, published 1864

Etching of figures in striped veils gathered on a dark diagonal tree branch against a pale background.

To Go Amongst the Branches, i.e. to talk through one's hat, plate three from Los Proverbios

1815/24

Etching of women in long dresses tossing a man into the air with a blanket, brown ink on cream paper.

Heavier than a dead donkey, plate one from Los Proverbios

1815/24

Etching of a man with a staff striding past bowing figures under a dark sky beside a crumbling wall.

It is Amazing - and We were Made by God, plate six from Los Proverbios

1815/24

Etching of a grinning giant figure dancing beside a small cloaked woman, with grotesque faces emerging from dark shadows.

Dancing Giant, from Disparates, published as plate 4 in Los Proverbios

1816-19, published 1864

Etching of a winged hybrid creature with animal heads carrying a human rider against a dark background.

Renounce the Friend Who Covers You with His Wings and Bites You with His Beak, plate five from Los Proverbios

1815/24

Etching of a woman thrown from a rearing horse beside a crouching wolf-like creature under a dark sky.

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios

1815/24

Etching of distorted figures dancing wildly in ruffled costumes against a dark background, by Goya.

Merry Folly, from Disparates, published as plate 12 in Los Proverbios

1816-19, published 1864

Etching of a bull attacked by dogs in a bullring while a mounted horseman in a plumed hat watches from the right.

Plate 25 from "La Tauromaquia": They loose dogs on the bull

1816

Etching of a bull above a crowd of spectators tumbling over a wooden barrier in a bullring, by Goya, 1816.

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Tor…

1816

Etching of two bound figures beneath a large staring owl perched above them, with a caption reading ¿No hay quien nos desate?

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)

1799

Etching of a cloaked man raising a sword over a crowd, with a limp figure carried by others in the foreground.

Disparate conocido (Well-Known Folly)

in or after 1816

Etching of a donkey-headed man in a coat reading a book of horse images at a desk, from Goya's Los Caprichos.

Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)

1799

Etching of a mounted rider in a plumed hat spearing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

1816

Etching of a half-naked man embracing a woman while pointing, surrounded by grotesque faces and a crowd in a dark setting.

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)

ca. 1815-19 (published 1864)

Etching of a large boulder beside a waterfall, with a wooden bridge at left and a distant town under a pale sky.

Landscape with Waterfall

before 1810

Etching of a turbaned rider on a white horse lancing a charging bull in an arena, from Goya's La Tauromaquia.

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

1816

Etching of a bull goring a fallen bullfighter in an arena while another man with a cape approaches from the left.

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

1816

Etching of a hooded bogeyman looming over a mother and two frightened children seated on a bed.

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

1799

Etching of a man leaning toward a standing woman in a dark dress, with a seated woman fanning herself behind them.

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

1799

Sepia etching of two women seated in dark shawls, the older one leaning toward the younger, with the caption Bellos consejos.

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

1799

Etching of a young woman stretching cloth on a board while an elderly woman in a headscarf watches beside her.

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

1799

Etching of a seated woman having her hair brushed, while an elderly veiled woman with a rosary sits beside her foot.

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

1799

Sepia print of a woman seated on a floor near a chain, head bowed beneath a small window in a dim room.

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)

1799

Etching of a nude witch flying on a broomstick with a black cat on its back over a hilly landscape.

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

1799