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Pencil study on tan paper of a standing female nude with raised arm, drawn in loose, flowing outlines.

Studie zu einem stehenden weiblichen Akt

Gustav Klimt, 1917

Pencil study of a standing female nude with raised arms and a bent leg, drawn in loose lines on pale paper.

Studie zu einem stehenden weiblichen Akt mit angewinkeltem linken Bein

Gustav Klimt, 1917

Pencil study of a standing female nude with her right hand against her chin, drawn on tan paper.

Studie zu einem stehenden weiblichen Akt mit ans Kinn gelegter rechter Hand

Gustav Klimt, 1902

Blue pencil sketch of a standing female nude turned left, arm raised, drawn on a brown paper sheet.

Studie zu einem stehenden weiblichen Akt nach links

Gustav Klimt, 1898

Pencil study on tan paper of a standing female nude with hands raised to her cheek, by Gustav Klimt.

Studie zu einem stehenden weiblichen Akt, die Hände an die Wange gelegt

Gustav Klimt, 1901

Pencil sketch on tan paper of a woman leaning her head toward a child held against her shoulder.

Studie zu einer Mutter mit Kind

Gustav Klimt, 1904

Studie zu einer nach vorne gebeugten weiblichen Gestalt im Profil nach links

Gustav Klimt, 1907

Pencil sketch of a standing woman in a wide-brimmed hat holding a book, with flowing robe lines on pale paper.

Studie zu einer stehenden Frau mit Buch

Gustav Klimt, 1907

Pencil line sketch of a standing woman in draped clothing on tan paper.

Studie zu einer stehenden Frauenfigur in drapiertem Gewand

Gustav Klimt, 1916

Pencil sketch of a standing woman in a long dress with puffed sleeves, head tilted back, on stained tan paper.

Studie zu einer stehenden Sängerin

Gustav Klimt, 1894

Pencil sketch of a man in a suit standing between two children, with a small dog in the lower right corner.

Studie zu Gruppenbildnis

Josef Kriehuber, 1876

Pencil and white chalk study on brown paper of a bearded man in historical costume holding a staff.

Studie zu männlichem Porträt in historischem Kostüm

Hans Canon, 1852

Ink drawing of a kneeling man beside a bicycle and a standing man in knickerbockers and cap, signed Th. Zasche.

Studie zu Radfahrsport

Theodor Zasche, 1900

Pencil sketch on tan paper of two embracing figures above studies of children's heads and hair.

Studie zu zwei ringenden Akten; zwei Kinderstudien

Gustav Klimt, 1901

Pencil and coloured pencil study of a standing woman in a patterned red dress, by Egon Schiele, 1909.

Studie zum "Bildnis Gerti Schiele"

Egon Schiele, 1909

Watercolor of a rocky mountain gorge with pine trees, a stream over boulders, and a seated figure on a path.

Studie zum Atlitzgraben

Thomas Ender, 1838

Pencil sketch of an ornate domed building with a spire and arched entrance, mounted beside a colour checker.

Studie zum Ausbau der Hofburg, Skizze zum Thronsaaltrakt

Otto Wagner, 1896

Architectural floor plans of the Hofburg throne room wing by Otto Wagner, 1898, with ground, mezzanine and main floor layouts

Studie zum Ausbau der Hofburg, Thronsaaltrakt, Parterre, Zwischengeschoss, Hauptgeschoss, Grundrisse

Otto Wagner, 1898

Pencil study on tan paper of a seated woman with head tilted, hand near face, and loosely sketched drapery.

Studie zum Bildnis Fritza Riedler

Gustav Klimt, 1904

Pencil line sketch of a seated woman on a wooden chair, one arm extended, drawn on tan paper.

Studie zum Bildnis Paula Zuckerkandl

Gustav Klimt, 1911

Pencil study on tan paper of a seated woman in a hat and draped dress, a preparatory sketch by Gustav Klimt.

Studie zum Bildnis Sonja Knips

Gustav Klimt, 1898

Pencil study on paper of a standing young woman with curly hair in a dark jacket and pale skirt, with grid lines, against fol

Studie zum Porträt der Enkelin Dorli Ettenreich

Josef Engelhart, 1939

Pencil sketch of an elderly woman wearing a veil, with loose hatched lines around her hair and shoulders, on tan paper.

Studie zum Porträt einer alten Dame mit Schleier

Gustav Klimt, 1910

Studie zum Porträt einer sitzenden Dame

Gustav Klimt, 1902

Pencil study of a seated woman leaning on her hand, with long flowing hair, on pale tan paper.

Studie zum Porträt einer sitzenden Dame mit aufgestütztem Kinn

Gustav Klimt, 1914

Pencil study on tan paper of a standing woman in a long gown with arms at her sides, by Gustav Klimt.

Studie zum Porträt einer stehenden Dame

Gustav Klimt, 1917

Pencil sketch of a standing woman in a ruffled dress, drawn with loose, looping lines on pale paper.

Studie zum Porträt einer stehenden Dame

Gustav Klimt, 1916

Pencil sketch of a standing woman in a long gown with looping decorative patterns on the skirt, on tan paper.

Studie zum Porträt einer stehenden Dame in langem Gewand

Gustav Klimt, 1911

Pencil sketch of a standing woman in a long coat with clasped hands, drawn in loose outline on pale paper.

Studie zum Porträt einer stehenden Dame in langem Mantel

Gustav Klimt, 1910

Pencil sketch of a standing woman with long hair, a fur collar and a flowing gown, drawn in loose contour lines.

Studie zum Porträt einer stehenden Dame mit Pelzkragen

Gustav Klimt, 1914

Pencil study of a standing woman turned left, with ruffled dress and flowing folds, on tan paper by Gustav Klimt.

Studie zum Porträt einer stehenden Dame nach links

Gustav Klimt, 1916

Graphite study of a seated man and a woman with a child on a stone pedestal, signed Engelhart 1909.

Studie zum Waldmüller-Denkmal (1., Rathauspark)

Josef Engelhart, 1909

Pencil sketch of a seated woman in a headscarf and loose dress with bare feet, on yellowed paper with a colour scale beside i

Studie zum Waldmüller-Denkmal: Frauenfigur

Josef Engelhart, 1913

Charcoal study of a gnarled old oak tree with twisted trunk, bare branches and exposed roots on pale paper.

Studie: Alte Eiche

Anton Heinrich Peschka, 1927

Studie: Kopf eines bärtigen Mannes, Rückseite: Kopf

Jakob A. Schell, 1827

Pencil study of a man's head turned left, gazing upward, with wavy hair and loose collar, on cream paper.

Studie: Kopf eines Mannes, nach links gedreht

Jakob A. Schell, 1827

Red chalk drawing of a seated woman with a laurel wreath holding a leafy branch, draped in flowing cloth.

Studie: sitzende Frau mit Lorbeerkranz

Jakob A. Schell, 1827

Graphite study of two bearded men in draped robes, one standing in front of a stone ledge, the other partly hidden behind him

Studie: Zwei Männer

Jakob A. Schell, 1827

Pencil and watercolor study of a woman's profiles with clasped hands and an arm, on yellowed paper with a color scale at righ

Studien der Schwester des Künstlers, Gertrude Schiele

vermutlich: Egon Schiele, 1909

Pencil sketch on brown paper of a seated figure seen from behind, with multiple overlapping contour studies of the body.

Studien eines Rückenaktes

Anton Heinrich Peschka, 1907

Pencil figure studies on brown paper showing a seated male nude's back and limbs, with a signature at lower left.

Studien eines sitzenden männlichen Akts

Anton Heinrich Peschka, 1909

Pencil sketch sheet with studies of a woman holding and tending small children in several poses.

Studien für Waldmüllerdenkmal: Frau und Kind

Josef Engelhart, 1913

Watercolor and pencil study sheet of roosters, hens and ducks in various poses on cream paper.

Studien von Enten und Hühnern

Josef Engelhart, 1894

Studien zu Frauenköpfen auf Vorder- u. Rückseite

Josef Engelhart, 1890

Pencil study on paper of a standing nude figure with fragmentary arms and torso sketches, with a colour checker strip at righ

Studien zu Kinderakten

Gustav Klimt, 1883

Pencil sketches on toned paper of nude female figures, including a standing back view and a seated figure, with loose limb st

Studien zu Kinderakten, Kompositionsstudie zu einer Variante der Allegorie "Oper"

Gustav Klimt, 1883

Pencil studies on tan paper of a reclining child, a partial figure, a leg and foot, and a small ornamental frame design.

Studien zu Kinderakten, Rahmenentwurf

Gustav Klimt, 1883

Graphite sketch of a nude figure seen from behind, with smaller studies of legs and torso on tan paper.

Studien zu Rückenakten von Kindern

Gustav Klimt, 1883

Pencil sketch on tan paper of two reclining half-nude female figures in loose overlapping lines by Gustav Klimt.

Studien zu zwei liegenden Halbakten

Gustav Klimt, 1916

Pencil study of a wall lamp with a shaded bowl and curved arm on tan paper, with hatched background shading.

Studien zum "Zuschauerraum im Alten Burgtheater": Detailstudie zu einer Lampe

Gustav Klimt, 1888

Pencil sketch on tan paper with loose studies of seated theatre spectators and figures along balcony edges.

Studien zum "Zuschauerraum im Alten Burgtheater": Einzelstudien und Figurengruppe auf dem Rang

Gustav Klimt, 1888

Pencil sketch of a theatre box with draped curtains and a cluster of seated audience figures leaning forward.

Studien zum "Zuschauerraum im Alten Burgtheater": Figurengruppen in einer Loge

Gustav Klimt, 1888

Pencil sketch on brown paper with figure studies, theatre box interiors and small watercolor washes.

Studien zum "Zuschauerraum im Alten Burgtheater": Figurenstudien und Logen

Gustav Klimt, 1888

Pencil and white chalk sketch on brown paper showing four studies of wall lamps with glowing shades and architectural details

Studien zum "Zuschauerraum im Alten Burgtheater": Studien von vier Lampen

Gustav Klimt, 1888

Pencil sketches on tan paper of theatre spectators seated in a row and smaller figure studies below, with a colour chart at l

Studien zum "Zuschauerraum im Alten Burgtheater": Zuschauerinnen und Zuschauer auf dem Rang und Einzelstudien

Gustav Klimt, 1888

Studien zum "Zuschauerraum im Alten Burgtheater": Zwei Zuschauerinnen auf dem Rang, Person in einer Loge und andere E…

Gustav Klimt, 1888

Pencil study sheet with three seated nude male figures, one reading a book and two seen from behind.

Studien zum Waldmüller-Denkmal: Aktstudie der Sitzfigur

Josef Engelhart, 1913

Pencil sketch study of four poses of a woman in a headscarf holding a small child in her arms.

Studien zum Waldmüller-Denkmal: Frau mit Kind

Josef Engelhart, 1913

Pencil sketch study of a seated woman in a headscarf, with a head portrait and hand studies on cream paper.

Studien zum Waldmüller-Denkmal: Frauenfigur

Josef Engelhart, 1913

Pencil studies of a mother holding and cradling an infant, with the child's head and arms drawn in several poses.

Studien zum Waldmüller-Denkmal: Kind

Josef Engelhart, 1913

Pencil sketches of draped fabric and garment folds on cream paper, studies for a seated figure.

Studien zum Waldmüller-Denkmal: Sitzfigur Waldmüllers

Josef Engelhart, 1913

Charcoal study of a seated female nude from behind, with a sketch of figures in a studio scene below.

Studienblatt (weiblicher Rückenakt und Atelierszene)

Josef Engelhart, 1882

Studienblatt mit Affen (für die Ausstattung des eigenen Speisezimmers)

Josef Engelhart, 1899

Pencil sketch study of a baboon and a second monkey outline on yellowed paper, with a color checker and ruler beside it.

Studienblatt mit Affen (für die Ausstattung des eigenen Speisezimmers) (beidseitig)

Josef Engelhart, 1899

Pencil study sheet with several sketches of reclining infants in different poses, with handwritten notes in the margins.

Studienblatt zum Betlehemitischen Kindermord

Josef Engelhart, 1904

Pencil anatomical study of a male back with labeled muscles, one arm raised, on tan paper.

Studienblatt: Anatomische Zeichnung

Anton Heinrich Peschka, 1907

Studienblatt: Anatomische Zeichnung

vermutlich: Anton Heinrich Peschka, 1907

Pencil study of a standing muscular male nude with raised arm and one foot on a block, on tan paper.

Studienblatt: Anatomische Zeichnung einer männlichen Figur

Anton Heinrich Peschka, 1907

Pencil and red chalk anatomical study of a human ribcage with spine, plus small vertebra sketches, on brown paper.

Studienblatt: Anatomische Zeichnung: Brustkorb

Anton Heinrich Peschka, 1907

Graphite study of a bent leg and foot on tan paper, mounted on a torn grey sheet with a colour checker at left.

Studienblatt: Beinstudie

Anton Heinrich Peschka, 1907

Pencil leg studies on brown paper showing knees, shins and feet in several poses, with a signature at lower right.

Studienblatt: Beinstudien

Anton Heinrich Peschka, 1907

Shaded pencil study of a curling acanthus leaf ornament with scrolls on a tan sheet, dated 1901.

Studienblatt: Blattornament

Anton Heinrich Peschka, 1901

Pencil and watercolor sketch of a room interior with red curtains, a framed picture, a table, and an orange floor.

Studienblatt: Einblick in einen Wohnraum

Anton Heinrich Peschka, 1920

Studienblatt: Frauenporträt

Anton Heinrich Peschka, 1907

Graphite study of an older bearded man with a mustache, gazing upward, drawn on cream paper.

Studienblatt: Herrenporträt

Anton Heinrich Peschka, 1907

Charcoal study of a man with tousled hair, mustache and downcast eyes, wearing a jacket and high collar.

Studienblatt: Herrenporträt

vermutlich: Anton Heinrich Peschka, 1907

Charcoal study on brown paper of a kneeling, bent-over male nude figure with an extended arm against a dark background.

Studienblatt: Kniender männlicher Akt

Anton Heinrich Peschka, 1909

Graphite study of a standing male nude leaning forward, drawn with white highlights on grey paper, signed Peschka 07.

Studienblatt: Männliche Akt

Anton Heinrich Peschka, 1907

Pencil study on brown paper showing four standing nude figures with arms raised, signed A. Peschka, Wien 1907.

Studienblatt: Männliche Akte

Anton Heinrich Peschka, 1907

Graphite sketch on brown paper with three studies of a male nude torso and raised arms.

Studienblatt: Männliche Aktstudien

Anton Heinrich Peschka, 1907

Graphite study of three nude male figures seen from behind on tan paper, with arms interlocked.

Studienblatt: Männliche Rückenakte

Anton Heinrich Peschka, 1907

White chalk study of a seated male nude on dark brown paper, mounted on a cream card.

Studienblatt: Männlicher Akt

Anton Heinrich Peschka, 1909

Graphite study of a standing male nude leaning on a wooden chest of drawers, one arm raised behind his head.

Studienblatt: Männlicher Akt

Anton Heinrich Peschka, 1908

Pencil sketch of a standing male nude figure on brown paper, with a red signature in the lower right corner.

Studienblatt: Männlicher Akt

Anton Heinrich Peschka, 1907

Pencil study of a standing nude man pulling an oar in a boat, with mountains and water behind him.

Studienblatt: Männlicher Akt mit Ruder

Anton Heinrich Peschka, 1907

Charcoal study of a standing nude man holding a staff behind his shoulders, shaded on tan paper.

Studienblatt: Männlicher Akt mit Stab

Anton Heinrich Peschka, 1908

Graphite pencil study of a male nude seen from behind, bent forward, with faint figure studies beside it on tan paper.

Studienblatt: Männlicher Rückenakt

Anton Heinrich Peschka, 1907

Graphite study of a standing male nude seen from behind, with shaded muscles, on aged paper with a handwritten signature.

Studienblatt: Männlicher Rückenakt

Anton Heinrich Peschka, 1909

Drawing of a standing male nude seen from behind, holding a cylinder, shaded in graphite and chalk on tan paper.

Studienblatt: Männlicher Rückenakt

Anton Heinrich Peschka, 1908

Charcoal study sheet of a male nude seen from behind with extended arm, plus a second upper-body figure sketch.

Studienblatt: Oberkörper eines männlichen Akts

Anton Heinrich Peschka, 1908

Charcoal study of a young woman with eyes lowered, upswept hair and a high-necked blouse, signed and dated 1907.

Studienblatt: Porträt einer jungen Frau

Anton Heinrich Peschka, 1907

Studienblatt: Porträt einer jungen Frau

Anton Heinrich Peschka, 1910

Pencil study of a nude male figure seen from behind, gripping a tall pole while standing on a block.

Studienblatt: Rückenansicht eines männlichen Akts

Anton Heinrich Peschka, 1908

Charcoal and chalk study of a standing male nude with a mustache, head turned, on grey paper.

Studienblatt: Schreitender männlicher Akt

Anton Heinrich Peschka, 1907

Drawing study sheet in grey chalk showing a standing male nude from behind, a seated nude, and a small desk figure.

Studienblatt: Sitzende Akte

Anton Heinrich Peschka, 1907

Graphite study sheet with seated male nude figures, head studies, and handwritten German notes beside them.

Studienblatt: Sitzende männliche Akte (Siegfried)

Anton Heinrich Peschka, 1907