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Wien Museum

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Large brown ink elevation drawing of a Gothic church tower and spire with octagonal ground plans beside it.

Heilands=Kirche. Nro 50

Heinrich von Ferstel, 1858

Pencil sketch of a large hunched figure carrying a burden, with people walking in a line and a standing woman in a city setti

"Die Last" (Bleistiftskizze)

Karl Wiener, 1935

Pencil drawing of a crowd with raised arms and a banner reading Hoch das allgemeine Wahlrecht before a columned parliament bu

"Hoch das allgemeine Wahlrecht!" (Kundgebung vor dem Parlament)

Wilhelm Gause, 1905

Charcoal drawing of angular boulders rising from water beneath a pale hazy sky, on tan paper.

Höllenthal

Josef Kriehuber, 1856

Pencil sketch of three hooded figures among stones under a dark, streaked sky, with German handwritten notes below.

"Die letzten Menschen" (Bleistiftskizze)

Karl Wiener, 1943

Watercolor of a man in dark coat and pink breeches raising a fist beside a Gothic tower and city, captioned Nestroy as Bertra

Hr. Nestroy als Bertram. Robert der Teuxel

Johann Christian Schoeller, 1845

Hunde der Kaiserin Elisabeth

Johann Matthias Ranftl, 1853

Pencil drawing of two panels: a figure with raised arms against a stone wall, and a bowed figure under a dark shaded sky.

"Die Mauer" (Entwurf)

Karl Wiener, 1942

Watercolor of a standing man in black formal dress holding a red umbrella and top hat, in a room with patterned wallpaper.

Hr. Nestroy als Hr. v. Ledig. Unverhofft

Johann Christian Schoeller, 1845

"Hut mit Einreihungs-Karte für die National-Garde." (Vorzeichnung für die Serie "Chronologie der Kopfbedeckungen")

Anton Zampis, 1848

Pencil drawing of an empty room in perspective with a small bed against the far wall, shaded in soft grey tones.

Die Nacht

Karl Wiener, 1942

Watercolor caricature of a bearded man in a gray coat and striped trousers standing in an interior with a table and lamp.

Hr. Nestroy als Leander Langfuß. Ein Held der modernen Romantik

Johann Christian Schoeller, 1847

Architectural competition drawing of a Vienna technical museum with site plan and facade elevation, by Otto Wagner, 1909.

"Ideen-Konkurrenz - Technisches Museum für Industrie und Gewerbe in Wien" - "Otto Wagner"

Otto Wagner, 1909

Pencil sketch of a sleeping face on a pillow beside a bed and a bedroom wardrobe, dated 1942.

"Die Nachtruhe" (Bleistiftskizze)

Karl Wiener, 1942

Pencil sketch of a standing man in period dress holding a top hat, with German handwritten captions below.

Hr. Nestroy als Weinberl / Einen Jux will er sich machen

Johann Christian Schoeller, 1842

White chalk drawing on dark paper of four men gathered around a table in a dim interior, dated 1918.

"In der guten Stube" (4 Figuren, österreichische Offiziere (?) in einem Unterstand (?) während des Ersten Weltkriegs)

Anton Hans Karlinsky, 1918

Pencil caricature of a uniformed man with raised arm speaking before a crowd, with a microphone at right.

"Die Phrase" (Goebbels)

Karl Wiener, 1940

Watercolor of a standing man in a frock coat holding a top hat, in an arched interior with a checkered floor.

Hr. Nestroy als Weinberl. Einen Jux will er sich machen

Johann Christian Schoeller, 1845

Watercolor of a reading room with long tables, hanging lamps, and readers, including women, seated and standing among shelves

"In einem Lesesaal" - Leserinnen und Leser im Volksheim Ottakring

Wilhelm Gause, 1906

Crayon drawing of a dark fortress on a hill under a red and yellow sunset, with a black flag bearing a P and a city skyline b

Die Pulverflagge

Karl Wiener, 1928

Hand-colored drawing of two women in white robes, one standing with a laurel wreath, one kneeling, before a red and gold inte

Hr. Nestroy und Dlle. Ehrhart als Norma und Adalgisa. Die falsche Prima Donna in Krähwinkel

Johann Christian Schoeller, 1848

Ink and watercolor street scene of a crowd in top hats at a stone archway, with a placard on the wall and a man pointing from

"In einem Monate / wird / Fürst Metternich / gestürzt sein / (...)" (Szene beim Kärntnertor vor einem Plakat im Febru…

J. K. Fischer, 1848

Pencil sketch of a stepped building with a flag on top, set above a heap of skulls, helmets, rifles and boots.

"Die Pyramide" (Bleistiftskizze)

Karl Wiener, 1940

Hand-coloured drawing of a man in purple jacket and white trousers, wearing a flower garland, in a garden setting.

Hr. Nestroy, als Nazi. Eulenspiegel

Johann Christian Schoeller, 1845

Hand-coloured drawing of the Hofburg courtyard in Vienna with a carriage, soldiers, a sentry box and pedestrians.

"Innere Ansicht der K.K. Hofburg" / "Place de la Cour Imple et Royle à Vienne" (mit Staffage des 2. Etat von J. A. Kl…

Carl Schütz, 1812

Pencil drawing of a dark industrial city with smokestacks, smoke-filled sky, and a large stepped building above rows of housi

Die schwarze Stadt

Karl Wiener, 1925

Hand-colored drawing of three costumed men in a brick dungeon, one bearded with a sword, two in chains beside a barred window

Hr. Spielberger, Röder und Werle als Jobst, Gottschalk Volkner und Junker Schlippenback in Gaugraf Philipp, genant de…

Johann Christian Schoeller, 1834

Hand-colored 1858 map of Vienna's inner city showing street blocks, red building lots, green parks, and the Danube canal.

Innere kais. kön. Haupt- u. Residenz-Stadt Wien, 1858. Verfasst im k. k. Ministerium des Innern. Lithogr. u. gedr. in…

Eduard Strache, 1858

Pencil drawing of a raised hand reaching toward a pale sun among falling stars and radiating light.

Die Sonne erlischt, die Sterne fallen

Karl Wiener, 1942

Watercolor of a dandy with a monocle facing an old woman carrying firewood before a neoclassical garden building.

Hr. Walter und Mad. Schmidt. Chevalier Dumont. Ein altes Weib. Der Verschwender

Johann Christian Schoeller, 1834

Four-panel isometric drawing of Vienna showing palaces, a church, gardens and dense city blocks in brown and green tones.

Isometrische Projection verschiedener Stadttheile

August Sicard von Sicardsburg, 1858

Pencil drawing of buildings on a dark horizon beneath a swirling sky with a glowing sun at its center.

"Die Sonne", 10 Blätter

Karl Wiener, 1923

Watercolour of Judith and Holofernes as costumed theatre figures in an ornate blue and gold interior, 1849.

"Judith und Holofernes./ Hr. Scholz Nestroy und Mad. Schmidt

Johann Christian Schoeller, 1849

Pen and watercolor drawing of a young man in a flat cap and clogs leaning against a wall, cigarette in mouth.

Junger Wasserer

Josef Engelhart, 1888

Pencil sketch on cream paper of abstract outlines and a diagonal streak ending in a small circle, with handwritten inscriptio

"Die Sternschnuppe" (Bleistiftskizze)

Karl Wiener, 1943

"Junius" (Vorlage zu: Gerlach & Schenk, Allegorien N.F. Nr. 53)

Gustav Klimt, 1896

Colored architectural elevation of a brick museum facade with arched windows, central portal and tiled roof, by Heinrich von

"k. k. österr. Museum für Kunst und Industrie", 1., Stubenring 3, Aufriss des Mittelrisalites und des linken Seitentr…

Heinrich von Ferstel, 1867

Pencil drawing of a tall dark mourning figure above a city with smoke rising from rooftops under a grey sky.

"Die trauernde Mutter"; aus "Die 150 Blätter"

Karl Wiener, 1940

Watercolor drawing of a neoclassical academy complex with gardens and hills, framed by an Art Nouveau border with two nude fi

K.K. Akademie - 100 Meter hoch gesehen auf 12 Hectaren

Otto Wagner, 1898

Colored architectural elevation of a red brick museum facade with arched windows, tiled roof and iron railing, titled in Germ

"k. k. österr. Museum für Kunst und Industrie", 1., Stubenring 3, Fassade gegen den Stadtpark

Heinrich von Ferstel, 1867

Pencil and ink sketch of a helmeted figure beside a diagonal staircase and a distant lighthouse on a pale background.

Die Treppe

Karl Wiener, 1942

Drawing of a gilded sleigh pulled by two white horses with green embroidered harness and white feathered plumes.

K.K. Galla Schlitten verwendet bei der Perutschade zu Ehren d. 3 verbündeten Monarchen in Wien 1814

Friedrich Philipp Reinhold, 1814

Watercolor architectural elevation of an arcaded courtyard wall with columns, painted panels and a central coat of arms.

"k. k. österr. Museum für Kunst und Industrie", 1., Stubenring 3, Großer Hof - Aufriss einer Wand

Heinrich von Ferstel, 1867

Pencil sketch of a group of caricatured faces with hats and collars in front of a grid of building windows.

"Die Unüberwindlichen" (Skizze)

Karl Wiener, 1935

Hand-colored parody scene of figures in an elegant interior, a woman in a wedding gown reaching toward men in a shawl struggl

"Kabale und Liebe" von Bäuerle, Vorlage zum Druck für: Gallerie drolliger Scenen zur Theaterzeitung, 2. Jg., Nr. 8

Johann Christian Schoeller, 1828

Architectural floor plan of the first storey of a museum with labeled rooms, central court and stairs, in brown ink on paper.

"k.k. österr. Museum für Kunst und Industrie", 1. Stock

Heinrich von Ferstel, 1867

Angular pencil drawing with soft colour washes showing two men and a woman walking in a row, in a cubist style.

"Die Verdammten" Zwei Männer und eine Frau schräg hintereinander

Karl Wiener, 1925

Pencil sketch of a coffee house waiter pouring from a pot at a counter with cups, plates, and shelves of crockery.

Kaffeehauskoch Griensteidl

Friedrich Kaskeline, 1897

Pencil and ink floor plan of the second storey of a building, with labelled rooms, stairs and faint construction lines on cre

"k.k. österr. Museum für Kunst und Industrie", 2. Stock

Heinrich von Ferstel, 1867

Pencil sketch of two hunched, elongated standing figures beside bare trees and a fence, with dense hatched shading.

"Die Verzweifelten" (Bleistiftskizze)

Karl Wiener, 1935

Ink and wash drawing of mounted riders passing a pavilion with spectators on its balconies, carriages and tall trees behind.

Kaiser Franz mit seinem Gefolge beim Lusthaus im Prater

Johann Nepomuk Hoechle, 1812

Pencil elevation drawing of a long multi-story museum facade with arched openings and a central balustraded block.

"k.k. österr. Museum für Kunst und Industrie", Aufriss

Heinrich von Ferstel, 1867

Pencil sketch of four loosely drawn standing male figures on an open ground with faint perspective lines, dated 1941.

Die vier verlorenen Männer

Karl Wiener, 1941

Sepia perspective drawing of a Vienna square with tall buildings, a tram stop pavilion, pedestrians and a winged statue in th

"Kaiserin Elisabeth-Platz. Pavillon der Haltestelle", Perspektivische Ansicht zum Generalregulierungsplan für Wien

Otto Wagner, 1892

Pencil architectural drawing showing a symmetrical museum facade elevation below and a building cross section above.

"k.k. österr. Museum für Kunst und Industrie", Aufriss der Hauptfassade, Schnitt

Heinrich von Ferstel, 1867

Pencil sketch of a man in a long coat raising a fist and holding a paper among rubble, broken weapons and ruined buildings.

Die Waffen nieder!

Karl Wiener, 1949

Pencil and brown wash sketch of an elderly woman in a feathered headdress and ruffled skirt, holding a parasol.

Kávé-nénike (Caffeeschwester)

Ladislaus von Thann, 1857

Ink and pencil ground floor plan of the Austrian Museum for Art and Industry with a central courtyard and labeled galleries.

"k.k. österr. Museum für Kunst und Industrie", Erdgeschoß

Heinrich von Ferstel, 1867

Colored pen drawing of a dark hatched sphere in a green ringed base against a yellow scribbled background, with handwritten t

Die Wahrheit ist plastisch gebildet...

Karl Wiener, 1921

Pen and brown wash sketch of a female cashier at a coffeehouse counter beside a seated man at a table under arched ceilings.

Kávéházi-pénztárnökné (Caffeehaus-Cassierin)

Ladislaus von Thann, 1857

Ink and red wash ground floor plan of a glass-roofed courtyard with colonnades and a vestibule, labeled in German.

"k.k. österr. Museum für Kunst und Industrie", Erdgeschoß-Grundriss

Heinrich von Ferstel, 1867

Ink drawing of a wide-eyed woman in a pale dress running forward against heavy black hatching.

Die Wahsinnige (1)

Karl Wiener, 1926

Pen and brown wash sketch of a walking man in a long coat and cap, hand raised to his mouth, labeled Kávès (Caffetier).

Kávès (Caffetier)

Ladislaus von Thann, 1857

Watercolour caricature of a distressed man in formal dress riding a donkey past a crowd, soldiers and banners, 1848.

"Kein Champagner! abgezogenen Johannisberger am Renweg" (Karikatur auf die Flucht Metternichs)

Johann Christian Schoeller, 1848