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Design sketch with red textured field, colored circle motifs, blue curved lines, and a pencil automobile drawing on paper.

Stoffentwurf Serie II: Venezia (Blatt 3 - Autofahrten oder Automobile)

Anton Heinrich Peschka, 1920

Textile design sketch with purple speckled ground, colorful triangles, and blue wavy lines, labeled Serie II Venezia Blatt 4.

Stoffentwurf Serie II: Venezia (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design drawing with triangles, wavy lines and blue stripes on a yellow ground, with color swatches and handwritten no

Stoffentwurf Serie II: Venezia (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design study with turquoise field, red and orange triangles, wavy brown lines and blue vertical stripes on paper.

Stoffentwurf Serie II: Venezia (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sheet with red speckled ground, orange circular motifs, wavy lines and small colour swatches below.

Stoffentwurf Serie III: Lago di Como (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design sheet with colored squares, blue diagonal lines and brown curves on a speckled ochre ground.

Stoffentwurf Serie III: Lago di Como (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design sheet with ochre field, winding lines and multicolored squares, labeled Serie III Lago di Como Blatt 3 in penc

Stoffentwurf Serie III: Lago di Como (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design sheet with violet speckled ground, blue and brown zigzag lines, and small colored squares, with handwritten no

Stoffentwurf Serie III: Lago di Como (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design study with teal ground, geometric squares and triangles in orange and brown, and a diagonal blue stripe on pap

Stoffentwurf Serie III: Lago di Como (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with magenta speckled ground, octagons, ovals and blue zigzag lines, with handwritten notes.

Stoffentwurf Serie III: Lago di Como (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sample with rust-brown ground, diagonal blue and multicolored circle bands, and handwritten color notes on cre

Stoffentwurf Serie IV: Campagna (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design sheet with diagonal bands of purple and orange floral motifs over a speckled pink ground, by Anton Peschka.

Stoffentwurf Serie IV: Campagna (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design drawing with green speckled ground, brown wavy lines and diagonal bands of purple floral motifs on paper.

Stoffentwurf Serie IV: Campagna (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design study with diagonal grid and repeated small figures in ochre and blue, with German annotations and color swatc

Stoffentwurf Serie IV: Campagna (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design sketch on cream paper with orange mottled ground, white wavy lines, dark zigzags and colored diamond shapes.

Stoffentwurf Serie IV: Campagna (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with zigzag blue and brown lines, diagonal green bands and multicolored diamonds on purple, with color s

Stoffentwurf Serie IV: Campagna (Blatt 6)

Anton Heinrich Peschka, 1920

Hand-colored print of a narrow Cairo street with wooden balconies, palm trees, veiled women and a distant minaret.

Straße in Kairo

Károly Lajos Libay, 1857

Pen-and-ink sketch of a man's face with dense hatching on a hotel letterhead sheet, beside a color checker and ruler.

Straße in Sevilla

Josef Engelhart, 1892

Watercolor caricature of two street musicians, one playing guitar and one playing accordion beside a trunk.

Straßenmusikanten

Fritz Schönpflug, 1907

Stubenmädchen (Illustration aus "Wien und die Wiener, in Bildern aus dem Leben", hg. von Adalbert Stifter, Pest 1844)

Adalbert Stifter, 1844

Studie (Detail) zum Gemälde "Die Schachpartie"

Josef Danhauser, 1839

Pencil sketch of a seated man in a dark suit at a desk, with smaller sketched heads at right, dated Wien 1931.

Studie aus dem Prozeß Salem

Josef Engelhart, 1931

Graphite and chalk drawing of a plump nude boy hugging a comedy mask beside a pedestal, on brown paper.

Studie des Knaben mit Gans (Ganswürger) nach Boethos von Kalchedon

Anton Heinrich Peschka, 1906

Charcoal and red chalk sketch of two women, one standing in front of the other, with signature and date at lower right.

Studie einer sitzenden Frau

Anton Heinrich Peschka, 1906

Studie eines Athleten

Gustav Klimt, 1904

Pencil study of a gnarled tree trunk with spreading roots and a small framed votive image set into the bark.

Studie eines Baumes mit Votivbild

Josef Kriehuber, 1876

Charcoal study of a leafless tree with a textured trunk and bare branches on a tan paper ground.

Studie eines kahlen Baumes

Josef Kriehuber, 1876

Graphite sketch of a mossy, gnarled tree trunk curving upward with bare branches on tan paper, mounted on blue board.

Studie eines mit Moos bewachsenen Baumstammes

Josef Kriehuber, 1876

Pencil study of a weathered, hollowed dead tree trunk with broken forked limbs on tan paper.

Studie eines morschen ausgehöhlten Baumstammes

Josef Kriehuber, 1876

Pencil sketch of a seated man seen from behind, wearing a straw boater hat, resting his arm on a wooden chair.

Studie eines sitzenden Mannes (Rückenfigur)

Josef Engelhart, 1909