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Wien Museum

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Pencil sketch of three costumed men on brown paper with a handwritten title below, dated 1833.

Der böse Geist Lumpacivagabundus oder Das liederliche Kleeblatt

Johann Christian Schoeller, 1833

Stylized seated figure in a hooded robe under a crescent moon, with German text in colored letters below.

Blindly we crouch at the edge of the earth...

Karl Wiener, 1935

Pencil caricature of a top-hatted man leaning on a striped street lamp beside a tree, with a German caption below.

"Der constitutionelle Werther oder Ein Herz und ein Schlag." (Karikatur)

Francisque, 1848

Hand-colored comic scene of running men and an overturned basket on a tree-lined path, with a tower labeled Paris behind.

"Der erste May im Prater", Vorlage zu: Gallerie drolliger Scenen zur Theaterzeitung, 1. Jg., Nr. 11

Johann Christian Schoeller, 1827

Pencil sheet with three panels: a cubist portrait, a smoky ruined city with pirate and white flags, and bombers over anti-air

Bomb war

Karl Wiener, 1940

Pencil caricature of a man in a wide-brimmed hat and bulging coat holding a cane, with a German caption above.

"Der fabelschwangere Ebersberg." (Karikatur auf den Schriftsteller Joseph Sigmund Ebersberg)

Francisque, 1848

Pencil cartoon of a seated woman in a draped gown beside a carved pianoforte, within a circular frame on tan paper.

"Der kleine Mozart kniet auf dem Schoß der Kaiserin Maria Theresia", Karton für die Fresken in der Loggia der Hofoper

Moritz von Schwind, 1864

Pencil drawing of a nude man running over mountains, carrying a torch whose flame streams toward a city below at night.

Torch-Prometheus

Karl Wiener, 1942

Watercolor of a top-hatted man smoking and riding an old tricycle, framed in a circle on an ornate lamp post, 1913.

Der Letzte seines Stammes

Hans Schließmann, 1913

Pencil sketch of a reclining figure with arm raised to face, with handwritten notes in the left margin of a sketchbook page.

"Der Mondschein(?)-Schläfer" (Blatt aus: Skizzenbuch Erster Weltkrieg)

Anton Heinrich Peschka, 1916

Colored pencil drawing of a woman in a dark hat reading a book against a glowing yellow and red circular background.

Dame im Kafé

Karl Wiener, 1925

Caricature drawing of a procession of figures with large heads, including a National Guard soldier smoking a pipe, a rifle-be

"Der Nationalgarde zieht auf die Hautpwache." (Karikatur zur Revolution 1848)

Ludwig Freiherr von Pereira-Arnstein, 1848

Pen and wash drawing of a standing National Guardsman in uniform with a plumed shako, holding a rifle, before trees.

Der Nationalgardist

Johann Christian Schoeller, 1848

Pencil sketch of a woman with bobbed hair, a bearded man behind her, and a bust form on the left against hatched background.

"Dame zwischen Tod und Teufel" (Bleistiftskizze)

Karl Wiener, 1930

Black and white drawing of a gaunt woman in a flower crown holding a snake, with the words DER NEID beside her head.

Der Neid

Gustav Klimt, 1898

Hand-colored print of the Neuer Markt in Vienna with a fountain, carriages, pedestrians and a church spire.

Der neue Markt in Wien

Johann Vinzenz Reim, 1834

Pencil sketch of an abstract composition with geometric lines and a central face with wide eyes, on cream paper.

"Das Trümmerbild" (Entwurf)

Karl Wiener, 1944

Pencil and wash drawing of armed guard, seated and standing men, women, child and dog in an interior, 1848.

"Der oberste Gerichtshof in Wien. im Jahr 1848." (Karikatur zur Revolution 1848)

Ludwig Freiherr von Pereira-Arnstein, 1848

Pencil caricature of a man in a top hat carrying a broom and papers, walking past a wall, signed Francisque, 1848.

"Der politische Plakatmacher, Plakat´ hätt ma gnug´ fabricirt, geh´ ma wieder anmnmol zur Journalistik über." (Karika…

Francisque, 1848

Der Friedensrichter

Karl Wiener, 1926

Grey pencil caricature of men with animal-like faces seated and standing around a table with papers, in an ornamental mount.

"Der Sicherheits=Ausschuß." (Karikatur zur Revolution 1848)

Ludwig Freiherr von Pereira-Arnstein, 1848

Pencil sketch of a tower and house framed by large trees, with figures walking on a lawn beside a fence.

Der Thurm von Gothenburg von Rückwärts

Nikolaus Kofler, 1819

Pencil drawing of a bald man with a sidelong, intense stare, shaded face and dark collar, captioned Der Lauernde.

Der Lauernde

Karl Wiener, 1922

Hand-coloured caricature of a man in a tailcoat on paving stones, holding a newspaper before a crowd and a German flag.

Der Ultra=Radicale

Johann Christian Schoeller, 1848

Colored pencil sketch of an autumn landscape with multicolored trees, a farmhouse, and rolling fields in ochre and purple.

"Des Herbsts letzte bunte Blüte" (Blatt aus: Skizzenbuch Erster Weltkrieg)

Anton Heinrich Peschka, 1916

Charcoal drawing of a nude man standing with both arms raised against a dark background, on cream paper.

Der Mensch

Karl Wiener, 1942

Hand-colored caricature of a yellow carriage carrying women through a procession of guards and standards along a tree-lined a

"Der unzusammenhängende Zusammenhang", von Carl , Vorlage zu: Gallerie drolliger Scenen zur Theaterzeitung, 3. Jg., N…

Johann Christian Schoeller, 1829

Pen and ink drawing of a minstrel playing a harp for a seated courtly audience in a Gothic hall with armoured attendants.

Des Sängers Lied der Minne

Franz Krammer, 1831

Der Nörgler

Karl Wiener, 1926

Hand-coloured drawing of a kneeling man reaching toward a woman on a swan with cherubs and ruins, from Der Verschwender, 1833

"Der Verschwender", Zaubermärchen von F. Raimund (Vorlage zum Kupferstich für die Theatralische Bilder-Gallerie zur T…

Johann Christian Schoeller, 1833

Architectural detail sheet with sections, facades and a ground plan of workers' housing, drawn in ink and watercolor.

"Details zu Arbeiterwohnungen für 6 Familien", Schnitte und Aufrisse

Franz Jakob Kreuter, 1848

Pen and ink drawing of a bald man with wide eyes and a slight smile, shaded with cross-hatching, mounted on cream paper.

Der Optimist

Karl Wiener, 1926

Pen drawing with four framed scenes of reclining women and cherubs, flanked by ornamental scrollwork borders.

Die 4 Tageszeiten

Gustav Klimt, 1881

Watercolor of a river bank with figures and a horse, a wooden boat house on the water, and a church spire across the river.

Die alte Schlagbrücke über die Donau von Floridsdorf nach Wien

Johann Wilhelm Frey, 1860

Charcoal drawing of a stern, heavy-set man in a bowler hat, striped tie and medal on his lapel.

Der Patriot

Karl Wiener, 1926

Pencil caricature of seamstresses protesting under a Freiheit und Arbeit banner while an older man calms a woman, 1848.

"Die Aufregung der Schneider Mamsells wird von / der Behörde gedämpft" (Karikatur zur Revolution 1848)

Franz Kaliwoda, 1848

Watercolor of an 1848 barricade of paving stones with armed men, a flag, a bonfire and onlookers in Vienna.

Die Barricade am Eingang der Schulerstraße, den 10. October. / 1848

Johann Christian Schoeller, 1848

Pencil drawing of a pale stylized figure with closed eyes raising one finger against hatched grey shading.

Der Prediger

Karl Wiener, 1926

Pen and wash caricature of a man and woman dancing in a room, with onlookers and hanging clothes, 1848.

"Die Aufregung der Schneidermamsell" (Karikatur zur Revolution 1848)

Franz Kaliwoda, 1848

Typographic cover design with the German title Die Baukunst unserer Zeit and the name Otto Wagner in black block letters on c

"Die Baukunst unserer Zeit", Umschlag / Typografie, Entwurf

Otto Wagner, 1914

Pen and watercolor drawing of a stylized green-faced smoker exhaling swirling blue smoke, cigarette in hand.

"Der Raucher", Graz

Karl Wiener, 1924

Hand-colored comic scene of soldiers in blue uniforms with red-plumed hats in a room, some playing cards at a table.

"Die Bürger in Wien" von Bäuerle, Vorlage zu: Gallerie drolliger Scenen zur Theaterzeitung, 1. Jg., Nr. 5

Johann Christian Schoeller, 1827

"Die Baukunst unserer Zeit", Umschlag, Entwurf

Otto Wagner, 1914

Pencil drawing of a snowy farmhouse among bare trees, with a woodpile and fence at left.

Der Rosenhof

Karl Wiener, 1922

Watercolor of a woman in a white hat standing on paving stone barricade, surrounded by a crowd with tools and a flag under a

Die Carolinen Baricade

Johann Christian Schoeller, 1848

Pencil caricature of two men arguing, one in a top hat with a cane, with German captions below, framed by a gold border.

"Die Deputirten in Kremsier" (Karikatur zur Revolution 1848)

Ludwig Freiherr von Pereira-Arnstein, 1848

Ink drawing of a heavy-faced seated man with a bottle and glass on a table, set against dense black cross-hatching.

Der Säufer

Karl Wiener, 1930

Watercolor interior: a man in a lilac coat crowns a seated man in black with a laurel wreath, beside bookshelves and a bust.

Die Gabe für sich einzunehmen oder Artour von Montpensier

Johann Christian Schoeller, 1843

Watercolor of a resting giraffe in a wooden interior with two seated men, one smoking a pipe beside a brazier.

Die Girafe in Ruhe am Morgen des Rast-Tages in der Remise zu Groß Höflein mit dem Araber Pazi Alli Serobary u. dem K.…

Eduard Gurk, 1828

Pencil drawing of a large standing man in a long stained coat with a menacing stare against a dark background.

Der Schlächter"; aus: "Die 150 Blätter

Karl Wiener, 1941

Pen drawing of men hauling ropes beside a large striped swing, with a seated rider suspended on a wooden frame outdoors.

"Die große "Hutschen""

Felician von Myrbach-Rheinfeld, 1895

Pencil sketch of a crowded 1848 street with mounted soldiers, flags, a barricade, smoke and fallen figures.

"Die grosse Barrikade nächst der Johannis-Kirche in der Jägerzeile / (...)" (am 28. Oktober 1848) (Vorzeichnung)

B. Bachmann-Hohmann, 1848

Pencil drawing of a stern man in a collared shirt before smoking buildings, with swirling clouds and a radiating sun above.

Der Sieger"; aus: "Die 150 Blätter

Karl Wiener, 1940

Colored drawing of a man slumped in an armchair in a kitchen while three women in bonnets gather around him.

Die Hausmittel der guten Weiber

Johann Christian Schoeller, 1843

Pen and wash drawing of an ornate arched niche with a woman holding a child and a lute player, flanked by cherubs and garland

"Die Jugend" (Vorlage für: Gerlach & Schenk, Allegorien und Embleme Bd. 1 Nr. 8)

Gustav Klimt, 1882

Charcoal portrait drawing of a bald man with a skeptical, downcast expression, mounted on cream paper with a color checker be

Der Skeptiker

Karl Wiener, 1926

Grey wash drawing of soldiers escorting two top-hatted men past a sentry box, with children and a flag, 1848.

Die Herren Eisele und Beisele werden als verkleidete Liguorianer eingeführt

Johann Christian Schoeller, 1848

Ornamental Art Nouveau frame drawing with stylized flowers, columns, and a blank central panel for an image.

"Die Moderne", ornamentale Rahmung für Fotografien als Beilage Otto Wagners Text "Architektur" in der Festschrift des…

Otto Wagner, 1898

Pencil sketch of a dancing skeletal figure with raised arm and leg on cream paper, titled Der tanzende Tod, 1942.

Der tanzende Tod

Karl Wiener, 1942

Watercolor of three hanged men on wooden posts with a crowd of onlookers, monks and bare trees under a grey sky.

Die Hinrichtung der 3 Mörder Latours, Wangler, Jurkowiz u. Brambosch auf der Glacis zwischen dem Neuen und Schottenth…

Johann Christian Schoeller, 1849

Pencil study of an older man in a long coat leaning on a ledge, gazing upward with one hand raised.

"Die Nachtigall" (Studie zum Ferdinand Raimund Zyklus (Die gefesselte Phantasie) in Schloss Kogl, Attergau)

Josef Engelhart, 1912

Pencil drawing of a striding giant lifting a cube above a city skyline, shaded in dark hatching.

Der Titan

Karl Wiener, 1942

Pen and wash caricature of a stout man in a top hat riding a donkey at the head of a crowd with banners.

Die Kinder Israels ziehen ins' gelobte Land um eine Republique zu gründen

Johann Christian Schoeller, 1848

Pencil caricature of men in period hats seated on a tilting bench, with handwritten labels and a caption on the sheet.

"Die Nationalbank" (Vorzeichnung zu einer Karikatur: Die Nationalitäten Österreichs sitzen gemeinsam auf der "Nationa…

Josef d. J. Lanzedelly, 1848