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Wien Museum

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Vignettenentwurf - Frau mit Blütenzweig

Koloman Moser, 1897

Vignettenentwurf - Frau mit Glas

Koloman Moser, 1897

Vignettenentwurf - Frauenakt

Koloman Moser, 1897

Ink drawing of a winding road past hatched hills, dark cypress trees and round shrubs under an open sky.

Vignettenentwurf - Landschaft

Koloman Moser, 1897

Ink vignette design of a curled nude woman within a web-like lattice structure, with a dragonfly at upper left.

Vignettenentwurf - Mädchen in spinnennetzähnlicher Struktur

Koloman Moser, 1897

Ink vignette design of two women embracing, with long flowing black hair and a stylized floral border.

Vignettenentwurf - Zwei Frauen

Koloman Moser, 1897

Pencil sketch of a busy city square with domed palace buildings, horse carriages and pedestrians under a pale sky.

VII. Messeplatz

Franz Alt, 1882

Pencil sketch of a neoclassical building with a pediment and a street scene with a couple, a dog and a carriage.

VII. Museumstraße

Jakob Alt, 1822

Pencil sketch of a long classical building facade with a standing pedestrian, a fountain, and a church spire in the distance.

VII. Stiftgasse

Jakob Alt, 1822

Watercolor of a neoclassical villa behind an iron fence, framed by tall trees and a dirt road, with cypresses beyond.

Villa am Grünberg in Obermeidling (CN 50)

Thomas Ender, 1830

Ink and red wash architectural floor plans of a villa showing rooms, walls and a round staircase in an octagonal tower.

Villa Ferstel 19., Himmelstraße 45, Grundriss vier Geschoße

Heinrich von Ferstel, 1864

Pen drawing of architectural window elevations and wall sections with arched heads, dimension lines, and handwritten notes.

Villa Ferstel, 19,, Himmelstraße 45, Fenster

Heinrich von Ferstel, 1864

Villa Ferstel, 19., Himmelstraße 45, "Plan über die Regulierung der oberen und unteren Himmelstraße", Schnitt, Lageplan

Heinrich von Ferstel, 1864

Villa Ferstel, 19., Himmelstraße 45, "Planskizze über die Verlegung der Straße nächst der Parc(elle) Nr.115 in Grinzing"

Heinrich von Ferstel, 1864

Colored architectural elevation of a villa facade with arched loggia, balcony, turret and slate roof, with scale bar.

Villa Ferstel, 19., Himmelstraße 45, Fassade CD

Heinrich von Ferstel, 1864

Pencil architectural elevation of a Gothic-style villa facade with pointed arches and finials, with red-ink geometric study a

Villa Ferstel, 19., Himmelstraße 45, Fassade gegen die Himmelstraße

Heinrich von Ferstel, 1864

Pencil and ink ground floor plan of Villa Ferstel with rooms, a circular spiral staircase and a diagonal corridor.

Villa Ferstel, 19., Himmelstraße 45, Grundriss des Erdgeschoßes

Heinrich von Ferstel, 1864

Pen and wash architectural drawing with a facade elevation above and a floor plan with a spiral staircase below.

Villa Ferstel, 19., Himmelstraße 45, Grundriss des ersten Stockes und Fassade CD

Heinrich von Ferstel, 1864

Pen drawing of an architectural floor plan with hatched walls, a curved bay and handwritten plinth notes on aged paper.

Villa Ferstel, 19., Himmelstraße 45, Grundriss mit Sockelangabe

Heinrich von Ferstel, 1864

Architectural longitudinal section drawing of a villa with red-hatched walls, arched cellars, and a tall tower, 1864.

Villa Ferstel, 19., Himmelstraße 45, Längsschnitt

Heinrich von Ferstel, 1864

Architectural elevation drawing of a stepped garden terrace and stone wall with gates, with handwritten annotations.

Villa Ferstel, 19., Himmelstraße 45, Niveauplan des Hauses und Gartens (rückseitig Skizzen zu Grund- und Aufriss)

Heinrich von Ferstel, 1864

Colored architectural cross-section of a gabled house with timber roof framing, central chimney and vaulted lower rooms on pa

Villa Ferstel, 19., Himmelstraße 45, Schnitt AB

Heinrich von Ferstel, 1864

Pencil site plan of a triangular garden with a curved drive, trees, and a shaded villa on Himmelstraße.

Villa Ferstel, 19., Himmelstraße 45, Situation

Heinrich von Ferstel, 1864

Villa Ferstel, 19., Himmelstraße 45, Terrassen-Plan, Ansicht, Schnitt, Grundriss

Heinrich von Ferstel, 1864

Architectural drawing of a loggia with pointed arches, a vault plan below, and a cross section at right, in pencil and ink.

Villa Ferstel, 19., Himmelstraße 45, unterer Teil der Loggia, Aufriss und Querschnitt

Heinrich von Ferstel, 1864

Pencil architectural elevation of a villa with a tall tower, gabled roof, and arched loggia, drawn on pale paper.

Villa Ferstel, 19., Himmelstraße 45, zwei Fassaden

Heinrich von Ferstel, 1864

Architectural drawing of a loggia with pointed arches, columns, a decorative balustrade, and a vault plan, on aged paper.

Villa Ferstel,19., Himmelstraße 45, Loggia, Aufriss und Querschnitt

Heinrich von Ferstel, 1864

Hand-drawn 1911 urban regulation plan of Vienna's 19th district with street grids, building plots and a handwritten title.

Villa Ferstel. 19., Himmelstraße 45, Regulierungsplan des 19.Bezirkes mit der Situation der Villa

Heinrich von Ferstel, 1911

Watercolor drawing of a stone villa with a tall tower and pergola wing, set against a green wooded hillside.

Villa Leopoldine Geibinger, Senftenberg, Ansicht

Alfred Castelliz, 1908

Watercolor elevation of a villa's north facade with a tall bell tower, turret, arched loggia and balcony.

Villa Neuwirth, Meran, Ansicht der Nordseite

Joseph von Wieser, 1875

Colored watercolor elevation of a villa's south facade with a central tower, conical turret, balcony and entrance steps.

Villa Neuwirth, Meran, Ansicht der Südseite

Joseph von Wieser, 1875

Architectural ground floor plan in red and black ink on aged paper, showing room layout, staircase and handwritten notes.

Villa Wisgrill, Tastelberg bei Gmunden, OÖ, Grundriss 1. Stock

Heinrich von Ferstel, 1860

Ink and red-wash ground floor plan of Villa Wisgrill with room labels, dimension lines and a spiral staircase.

Villa Wisgrill, Tastelberg bei Gmunden, OÖ, Grundriss Erdgeschoß

Heinrich von Ferstel, 1860

Black-and-white woodcut of a cobblestone street, iron fence, stone gate pillars and a gabled villa behind bare trees.

Villen auf der Hohen Warte

Carl Moll, 1900

Watercolor botanical study of a periwinkle plant with blue flowers, green leaves and exposed roots on cream paper.

Vinca minor

Alfred Franck, 1842

Painted portrait of an older bespectacled man with a gray mustache holding a cigar at a desk against a red background.

Vinzenz Chiavacci (1847-1916), Schriftsteller und Feuilletonist

Johann Michael Kupfer, 1913

Watercolor botanical study of a yellow-flowered Viola biflora plant with rounded leaves and roots on cream paper.

Viola biflora L. - zweiblüthiges Veilchen

Alfred Franck, 1845

Watercolor botanical study of a yellow Viola lutea pansy with stem, leaves, bud and roots on cream paper.

Viola lutea - Vogesen-Stiefmütterchen

Alfred Franck, 1845

Hand-colored costume plate of five theatrical figures in period dress on a checkered floor, labeled Viola nach Shakespeare.

Viola nach Shakespeare von Deinhardstein (Costümbild Nr. 76 zur Theaterzeitung)

Andreas Geiger, 1840

Hand-colored 1840 costume plate showing five theatre figures in period dress for Viola after Shakespeare.

Viola nach Shakespeare von Deinhardstein (Costümbild Nr. 76 zur Theaterzeitung)

Johann Christian Schoeller, 1840

Watercolor botanical study of a sweet violet plant with purple flowers, green leaves and exposed roots on cream paper.

Viola odorata - Wohlriechendes Veilchen

Alfred Franck, 1842

Lithographic double portrait of two young women in ruffled off-shoulder dresses, with handwritten dedications below.

Virginia und Carolina Ferni

Eduard Kaiser, 1858

Engraved newspaper front page with a central oval portrait of Virginie Déjazet surrounded by costumed figures, dated 1874.

Virginie Déjazet; Porträt und Szenen ihrer Rollen (Titelblatt von "Illustrirtes Wiener Extrablatt")

L. Appelrath, 1874

Cream visiting card with ornamental flourishes reading 'J. Jost' and 'Lithograph' in black script.

Visitenkarte von J. Jost, Lithograph

Engraved visiting card with ornate calligraphic lettering for Mart. Baumann, type engraver, with a central starburst monogram

Visitenkarte von Martin Baumann, Schriftkupferstecher, Neuegasse/Altlerchenfeld 160 (Haus zum guten Hirten), Wien

Mart. Baumann, 1840

Small engraved portrait of a curly-haired man in a draped collar, mounted on grey card beside a colour checker.

Vittorio Alfieri (1749-1803), Dichter, Dramatiker

Giovanni Buttazzon, 1850

Bird's-eye engraving of besieged Vienna with the Danube, Ottoman tents, cannon smoke and a numbered key below.

Vogelschau der Belagerung Wiens 1683

Bird's-eye engraving of a walled city with dense rooftops, church spires, bastions, a river with boats and distant hills.

Vogelschau der Stadt Wien vom Norden (3. Aufl.), von und nach Jacob Hoefnagel

Jacob Hoefnagel, 1683

Black-and-white panoramic bird's-eye print of a walled city with spires, bastions, hills and foreground figures and animals.

Vogelschau der Stadt Wien vom Westen (1. Zustand)

Folbert Van Alten Allen, 1683

Bird's-eye pen drawing of a walled complex with a star-shaped fortress in its courtyard, surrounded by city rooftops and hill

Vogelschau des Chaosschen Waisenhauses (später Stiftskaserne)

Josef Antoni Seybald, 1872

Engraved bird's-eye panorama of Vienna in 1873 showing dense streets, church spires, parkland and a winding river.

Vogelschau von Wien zur Zeit der Weltausstellung

Ladislaus Eugen Petrovits, 1873

Hand-coloured bird's-eye view of Vienna's dense rooftops, bastions, tree-lined walkways and river, from 1785.

Vogelschauplan der Kays. Königl. Haupt und Residenz Stadt Wien (ohne Vorstädte), handkoloriert, Teil 1

Joseph Daniel von Huber, 1785

Hand-coloured bird's-eye view map of a walled city with dense rooftops, courtyards, bastions and tree-lined paths.

Vogelschauplan der Kays. Königl. Haupt und Residenz Stadt Wien (ohne Vorstädte), handkoloriert, Teil 2

Joseph Daniel von Huber, 1785

Hand-coloured bird's-eye map of Vienna's fortifications, river canal and dense rooftops, from Huber's 1785 print.

Vogelschauplan der Kays. Königl. Haupt und Residenz Stadt Wien (ohne Vorstädte), handkoloriert, Teil 3

Joseph Daniel von Huber, 1785

Hand-coloured bird's-eye map of Vienna showing rooftops, St. Stephen's Cathedral, city walls and gates, 1785.

Vogelschauplan der Kays. Königl. Haupt und Residenz Stadt Wien (ohne Vorstädte), handkoloriert, Teil 4

Joseph Daniel von Huber, 1785

Bird's-eye engraved view of Vienna inside its bastion fortifications, with a ground plan inset in the lower right corner.

Vogelschauplan der Kays. Königl. Haupt und Residenz Stadt Wien (Wien ohne Vorstädte, heute Innenstadt) mit Grundrißpl…

Joseph Daniel von Huber, 1785

Vogelstudie

Samuel Czetter, 1792

Brown wash drawing of a crowded outdoor festival under trees, with horsemen and a city skyline with church spires in the dist

Volksfest in der Brigittenau

Johann Josef Schindler, 1820

Pencil sketch of a park with an ornate fountain, domed buildings, trees and strolling figures in period dress.

Volksgarten

Franz Alt, 1889

Pencil sketch of a park promenade with benches, strollers, trees and a columned classical temple on the right.

Volksgarten mit Theseustempel

Franz Alt, 1880

Pencil sketch of a Vienna park with a sculptural fountain in a basin, strollers on paths, and trees under a cloudy sky.

Volksgarten mit Tilgnerbrunnen (Faun und Nymphe)

Franz Alt, 1886

Watercolor perspective of a palace with arcades, a square with carriages and pedestrians, and a formal garden at left.

Volksgartengruppe, Perspektive

Carl von Hasenauer, 1876

Engraved oval scene of fashionably dressed people strolling in a formal park with hedges, trees and flower urns, 1781.

Volkst. Graphik: Löschenkohl

Johann Hieronymus Löschenkohl, 1781

Colored floor plan of the Deutsches Volkstheater Wien parterre showing auditorium seating, stage, foyers and entrance drive.

Volkstheater, Grundriss

Hermann Helmer, 1889

Pencil sketch of a crowd with flags gathered in a street before buildings, with onlookers at upper windows.

Volksversammlung im Freien (Barrikade am Stephansplatz, 26. bis 28. Mai 1848)

Josef Haßlwander, 1848

Pen drawing of a man in top hat pointing and speaking to three seated men on a tree stump outdoors.

Volksversammlung im Freien (zur Zeit der Barrkadentage 26. bis 28. Mai 1848, ein Student spricht zu drei Arbeitern)

Josef Haßlwander, 1848

Pencil sketch of an outdoor crowd of men in top hats and women in crinolines with parasols beneath a tree.

Volksversammlung im Freien (zur Zeit der Barrkadentage 26. bis 28. Mai 1848)

Josef Haßlwander, 1848

Evening street crowd with gas lamps, bare tree and sentries in bearskin helmets before an arched gateway, pencil and watercol

Volksversammlung vor dem Schweizertor am 30. Jänner 1889 abends nach der Verbreitung der Nachricht vom Tod des Kronpr…

Theodor Breidwiser, 1889

Pencil sketch of tall trees, shrubs and cypresses in a garden landscape, with an inscription reading Vom Monte Mario in Rom.

Vom Monte Mario in Rom

Johann Nepomuk Ender, 1823

Watercolor of a 19th-century butcher shop with hanging hams, a Fleischhauer sign, and figures in period dress on the street.

Vor dem Fleischhauerladen

Gustav Zafaurek, 1886

Pencil drawing of a man leaning from a shop doorway beside a woman in a long dress and a man in a top hat on a street.

Vor dem Friseurgeschäft

vermutlich: Anton Zampis, 1840

Watercolor street scene of children and a woman before a butcher shop window with hanging meat and a dog on cobblestones.

Vor einem Fleischer- und Selcherladen

Gustav Zafaurek, 1880

Engraving of a general in uniform and cloak on a dark horse, looking right, from an 1863 illustrated newspaper page.

Vor fünfzig Jahren; General Bülow von Dennewitz (aus "Illustrirte Zeitung")

Carl Constantin Heinrich Steffeck, 1863

Printed German preface page in blackletter type with a centered heading and a signature by Richard Purnickl, on toned paper.

Vorderseite bez.: "Abbildung/des/merkwürdigeren baierischen Geschütztes,/welches/bey der Einnahme Wiens von der Kaise…

Richard Purnickl, 1806

Red chalk drawing of a nude woman with outstretched arms on grey paper, with pencil construction lines around the figure.

Vorderseite: Frauenakt; Rückseite Dienstmänner

Josef Engelhart, 1910

Pencil and watercolor drawing of cavalry advancing over a suspension bridge past burning buildings and scattering crowds.

Vordringende kaiserliche Truppen an der Franzensbrücke am 28. Oktober 1848

Joseph Albrecht, 1849

Pencil sketch of a woman in flowing draped robes walking with bowed head, on tan paper.

Vorgebeugt schreitendes Mädchen

Hans Gasser, 1845

Loose pencil sketch of a seated couple leaning forward, the woman's arm around the man's neck, on cream paper.

Vornübergebeugt sitzendes Paar, ihr Arm um seinen Nacken gelegt

Gustav Klimt, 1908

Engraved street scene of a crowded horse-drawn tram on cobbled tracks with passengers, a dog, and buildings behind.

Vororte-Pferdetramway bei der Mariahilfer Linie bzw. Westbahnhof

Hermann Paar, 1865

Sepia drawing of a long bathhouse vestibule with paneled walls, lamps, and men in top hats and a bare-chested attendant.

Vorraum/Garderobe im Esterházy-Bad, Gumpendorfer Straße 59/Luftbadgasse 12

vermutlich: August Stefan Kronstein, 1880

Engraving of Trajan's Forum in Rome showing Trajan's Column, colonnades, equestrian statues and small figures in the square.

Vorstellung des Traianischen Marckts [...] / La place de Traian [...]

Johann Adam Delsenbach, 1721

Pen drawing of a Gothic Revival church with tall spires above an arcaded wall and street trees, titled Kaiser Franz Josef Jub

Vorzeichnung der Kaiser Franz Josef Jubiläumskirche zum Hl. Franz von Assisi (Wien 2., Mexikoplatz 12) für eine Licht…

Victor Luntz, 1900

Architectural elevation of a triumphal arch with columns, allegorical statues, garlands and imperial arms, with a ground plan

Vorzeichnung für die Triumphpforte für Leopold II., anlässlich seiner Rückkehr von der Krönung zum Kaiser des Heilige…

Johann Ferdinand Hetzendorf von Hohenberg, 1790

Ink and wash drawing of an interior with seated women, a kneeling man and standing figures around a writing table beneath a w

Vorzeichnung zu "Theresiens lezter Tag"

Johann Hieronymus Löschenkohl, 1780

Pencil sketch of a man in a plumed hat and cloak beside a seated classical female figure, preparatory study.

Vorzeichnung zum Ölgemälde des Grafen Fries

Angelica Kauffmann, 1787

Pencil sketch sheet with studies of women in headscarves and an interior with a stove and table.

Vorzeichnungen (Ammen)

Gustav Zafaurek, 1880

Pencil drawing of a man seated at a desk by a window in a room with framed pictures and shelves.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol im Zimmer von Emilie ("Denksteine")

Moritz Coschell, 1899

Pencil sketch of two men in a sitting room, one reading near a plant, the other reclining with a cigar by a fireplace.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol und Max ("Episode")

Moritz Coschell, 1899

Pencil sketch of a horse-drawn carriage with a coachman, two horses, a woman in a long dress and a man in an overcoat on a ci

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol verabschiedet sich von Cora (Weihnachtseinkäufe)

Moritz Coschell, 1899

Pencil sketch of a woman in a feathered hat and feather boa, with a handwritten note on the mounting sheet.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anfangsvignette zu "Die Frage an das Schicksal"

Moritz Coschell, 1899

Pencil drawing of a man and woman looking out a window in a furnished room with curtains, a sculpture and a chest of drawers.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Bianca und Max schauen aus dem Fenster ("Episode")

Moritz Coschell, 1899

Pencil drawing of a reclining woman on a sofa, a lounging man, and a standing man by an easel in a room with framed paintings

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Cora in Hypnose (Die Frage an das Schicksal)

Moritz Coschell, 1899

Pencil drawing of a kneeling woman in a long gown reaching toward a hearth in a room with a window and side table.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Emilie sucht mit der Feuerzange den schwarzen Diamanten…

Moritz Coschell, 1899

Pencil drawing of a seated man in a bowler hat with a cane and a standing man leaning against a wall in an interior.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Max und Anatol ("Agonie")

Moritz Coschell, 1899

Pen drawing of a couple embracing beside a title block reading Arthur Schnitzler, Anatol, illustrated by M. Coschell.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Schlussvignette zu "Die Frage an das Schicksal"

Moritz Coschell, 1899

Pencil sketch of a man seen from behind and a woman in a feathered hat seated at a table with wine, 1899.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Abschiedssouper"

Moritz Coschell, 1899