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Städel Museum

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Bildnis einer Frau im Profil (Bildnis des Fräulein Irma Müller-Krämer)

Emma Heerdt, 1898

Small landscape study of a grassy hill with trees on its crest, fields in the foreground, and distant hills under a cloudy sk

Hügel mit Feld und Wiese

Jakob Becker, 1831

Title page with red and brown script reading Hans Huckebein, a small bird perched on a curling branch, and ornamental scrollw

Zierhandschrift zu "Hans Huckebein"

Wilhelm Busch, 1870

Red chalk portrait of a young woman with curled hair and a high-necked blouse, signed Emma Heerdt and dated 1898.

Bildnis einer jungen Frau

Emma Heerdt, 1898

Pencil sketch of a rural farmstead with wooden barns, a large tree, a fence and two figures on a dirt road.

Farmstead in South Tirol

Louis Eysen, 1883

Pencil drawing of a narrow Verona street with an octagonal bell tower, steep roof, and exterior wooden staircases.

Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil sketch of riders crossing an arched bridge above mules with packs and resting cattle in the foreground.

Studienblatt: Reitende Bauern auf einer Brücke, Maultiere und Rinder

Friedrich Wasmann, 1834

Pencil drawing of a castle on a wooded hill framed by large trees and overhanging branches.

Blick von Süden auf das Heidelberger Schloß

Philipp Röth, 1859

Pencil drawing of an arched Italian courtyard with a stone staircase and a tall brick tower behind it.

Die Torre dei Lamberti in Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil drawing of two horses before a barn above, and a large tree by a wall and waterway below.

Zwei Pferde vor einem Stall; Garten an einem Wasserlauf bei Rödelheim

Carl Morgenstern, 1831

Watercolor of castle ruins on hills above a valley, with shepherds and goats in the foreground and a village on the right.

Die Ruinen Gleiberg und Vetzberg bei Gießen, links die beiden Burgruinen auf Bergen, rechts ein weites Tal, im Vorder…

Friedrich Christian Reinermann, 1803

Pencil drawing of a Gothic tomb canopy above an arched stone doorway, flanked by towers, on tan paper.

S. Pietro Martire in Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil study sheet with three standing figures of a rifleman in long coats and tall caps, one with a rifle.

Studienblatt: Schütze in Rödelheim

Carl Morgenstern, 1831

Graphite sketch of a standing nude male runner leaning on a staff, with a partial second figure at right.

The "runner"

Hans von Marées, 1883

Pencil drawing of Sant'Anastasia church in Verona with its tall bell tower above riverfront houses and moored boats.

S. Anastasia in Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Painted study of costumed revelers in a dark grotto with a sunlit hillside landscape seen through an arch.

Artists' festival in Cervara

Carl Morgenstern, 1837

Pencil sketch of a standing nude male figure holding a cup and drapery, drawn on tan paper.

Bacchus

Hans von Marées, 1883

Watercolor elevation of the ornate Venetian facade of the Scuola Grande di San Marco with arches, columns and statues.

Fassade der Scuola Grande di San Marco in Venedig

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Dusk landscape sketch of a lake with a distant town, hazy mountains, and a glowing sky above green foreground trees.

Lake Maggiore

Carl Morgenstern, 1856

Pencil drawing of a forest path with a gnarled tree, a hunter in a hat and a small dog walking through undergrowth.

Waldweg bei Willingshausen mit Jäger und Hund

Philipp Röth, 1868

Pencil drawing of the Ca' d'Oro palazzo's Gothic canal facade in Venice, with gondolas moored along the water.

Der Palazzo Ca’ d’Oro am Canale Grande in Venedig

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Worn marbled paper cover of a small sketchbook with a dark green cloth spine, tan, blue and ochre pattern.

Skizzenbuch aus Italien

Carl Morgenstern, 1836

Pencil sketch of two seated women embracing beside a dog, with a banquet scene in an arch above.

Allegorie der Freundschaft

Franz Pforr, 1808

Pencil drawing of the Campanile of St Mark's in Venice with the basilica domes and palace arcades beside it.

Der Markusturm in Venedig

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Worn sketchbook cover with brown leather spine and faded marbled paper boards in brown, green and cream.

Skizzenbuch

Carl Morgenstern, 1831

Watercolor of tree trunks framing a grassy slope and a blue mountain peak in the background.

Schwarzwaldlandschaft: Blick vom Waldesrande auf die Berge

Hans Thoma, 1862

Sepia drawing of a basilica nave with coffered ceiling, columns, and a canopied altar at the far end.

Blick durch das Mittelsschiff zum Altar von S. Lorenzo fuori le mura in Rom

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Watercolor of a calm river bank with shrubs and a gnarled tree reflected in water, with a meadow and village beyond.

Blick auf die Nied bei Rödelheim

Carl Morgenstern, 1830

Pencil drawing of a tall windswept spruce tree with a small standing man at its base.

Große Fichte, unter der ein Mann steht

Philipp Röth, 1862

Pencil drawing of a tall umbrella pine beside a garden wall, with a church tower and path in Rome.

Pinie im Giardino Barberini in Rom

Friedrich Wilhelm Ludwig Kraenzlin, 1851