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Städel Museum

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Pencil and wash drawing of a stream through a conifer valley with small wooden buildings on the bank.

Das Kirnitzschtal bei Schandau

Friedrich Eugen Peipers, 1873

Pencil drawing of the Basilica of St. Francis in Assisi with bell tower, rose window, staircase and arcaded loggia.

S. Francesco in Assisi

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Pen and brown wash drawing of an ornate Gothic tomb with an equestrian statue on top, set behind a pierced stone fence.

Grabmal der Scaliger bei S. Maria Antica in Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Watercolor and pencil landscape of a church tower with spire among trees, with a flat-topped rock and hills behind under a pa

Schandau mit Lilienstein

Friedrich Eugen Peipers, 1873

Pencil drawing of the Romanesque portal of Verona's cathedral with arched doorway, carved lions and stone facade.

Protiro des Domes S. Maria Assunta in Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil drawing of the San Zeno church facade in Verona with rose window and tall bell tower on a pale sheet.

San Zeno in Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil and wash drawing of a river town with a steamboat, a bridge, a church spire on a rock, and hills.

Tetschen an der Elbe

Friedrich Eugen Peipers, 1873

Pencil drawing of the Basilica of Saint Anthony in Padua with multiple domes, spires, bell tower and an equestrian statue.

Saint Antonio in Padua

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil drawing of San Giorgio Maggiore in Venice with its bell tower, dome, gondolas and sailing boats on the lagoon.

S. Giorgio Maggiore in Venedig

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil and watercolor landscape of wooded hills above a river, with white buildings on the bank and a moored barge.

Near Schandau

Friedrich Eugen Peipers, 1873

Pencil drawing of a church facade with a rose window, arched portal, and several slender towers topped with crosses.

S. Nazaro e Celso in Verona

Friedrich Wilhelm Ludwig Kraenzlin, 1850

Pencil drawing of the Arno river in Florence seen through a stone arch, with buildings on both banks and a distant bridge.

Der Ponte alle Grazie in Florenz, vom Ponto Vecchio aus gesehen

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Grey wash drawing of a Florentine courtyard with a stone staircase, carved lion, relief panels and a timber roof.

Hof des Bargello in Florenz

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Brown ink and wash drawing of the Loggia del Bigallo in Florence showing its arched portico, steps and tiled roof.

Die Loggia del Bigallo in Florenz

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Pencil drawing of Florence's cathedral dome and rooftops seen from a stone-walled terrace, with hills in the distance.

Florenz von S. Miniato al Monte aus gesehen

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Pencil drawing of a row of houses with arcades rising above the Arno riverbank in Florence.

Häuserzeile am Ufer des Arno in Florenz

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Sepia drawing of the Loggia dei Lanzi in Florence with vaulted arches, marble statues on pedestals, and a street view beyond.

Die Loggia dei Lanzi in Florenz

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Pencil drawing of the Palazzo Vecchio tower and crenellated facade across the Piazza della Signoria in Florence.

Die Piazza della Signoria mit dem Palazzo Vecchio in Florenz

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Pencil drawing of a Bologna street with two medieval towers rising above shuttered houses and a classical building.

Die Torre Garisenda und Asinelli in Bologna

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Pencil drawing of a cloister courtyard with arcades, a well, and a tall brick bell tower behind the building.

Der Kreuzgang von S. Stefano in Bologna

Friedrich Wilhelm Ludwig Kraenzlin, 1851

Pen drawing of a gothic church with a tall spired bell tower, pointed windows and a small turret on the roof.

Zum heiligen Kreuz in Assmannshausen

Friedrich Wilhelm Ludwig Kraenzlin, 1845

Pencil drawing of the ruined Gothic Werner chapel at Bacharach, with pointed windows and tracery, a tree and hillside.

Werner chapel in Bacharach

Friedrich Wilhelm Ludwig Kraenzlin, 1845

Pencil drawing of a Gothic church apse with pointed windows, a tall tower, and shrubs behind an iron fence.

Sankt Anna in Steeg

Friedrich Wilhelm Ludwig Kraenzlin, 1845

Pencil drawing of a Gothic church choir portal with pointed arch, layered moldings and tracery, set in sketched stone wall.

Chorportal der Stadtkirche Unserer Lieben Frau (?) in Friedberg

Friedrich Wilhelm Ludwig Kraenzlin, 1846

Pencil sketch of the Herrenalb monastery porch with a gabled roof, Gothic spire, arched windows and a bare tree.

Vorhalle des Klosters Herrenalb im Albtal

Friedrich Wilhelm Ludwig Kraenzlin, 1849

Pencil drawing of a tall Romanesque tower with arched windows, trees and a half-timbered house in the foreground.

Nordturm (Eulenturm) des Klosters Sankt Peter und Paul in Hirsau

Friedrich Wilhelm Ludwig Kraenzlin, 1849

Pencil drawing of a Gothic chapel with pointed arch windows, a dormered roof and a tall ornate spire.

Sankt Michael in Kiedrich

Friedrich Wilhelm Ludwig Kraenzlin, 1845

Gray wash drawing of the twin towers of Ilbenstadt monastery church with pointed spires and Romanesque arched windows.

Klosterkirche zu Ilbenstadt in der Wetterau

Friedrich Wilhelm Ludwig Kraenzlin, 1846

Pencil drawing of a Gothic church with a tall tower, spire, clock, pointed arch windows and a central portal with steps.

Sankt Martin in Lorch am Rhein

Friedrich Wilhelm Ludwig Kraenzlin, 1845

Pencil sketch of the half-timbered Fausttürmchen tower with onion dome at Maulbronn monastery, surrounded by trees and a ston

Fausttürmchen am Kloster Maulbronn

Friedrich Wilhelm Ludwig Kraenzlin, 1848