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Staatliche Kunsthalle Karlsruhe

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Oval watercolor of a forest path with a man in red leading a loaded pack animal past tall trees and palms.

Blick hinab auf Lasttier und einen Mann den Weg hinaufkommend

Ferdinand Keller

Etching of a woman resting in a hammock under a flowering branch, with a seated lion cub and a distant mountain beside her.

Dolce Far Niente (Siesta II) (Radierte Skizzen, Opus I, Blatt 8)

Max Klinger, 1879

Pen drawing comparing five ancient Greek column elevations from Assos, Corinth, Paestum, Selinus and Athens with proportion n

Säulenstudien

Josef Wilhelm Durm, 1880

Pencil drawing of a large tree with hanging plant fibers, smaller trees and undergrowth in an oval mount.

Baum mit herabhängenden Pflanzenfasern

Ferdinand Keller

Etching of an upright cat standing on a stone path between steep rock walls, with distant hills beyond.

Erste Zukunft (Eva und die Zukunft, Opus III, Blatt 2)

Max Klinger, 1880

Pen drawing of Parthenon pediment cornice details with palmette acroterion bases, tiles, and a lion head spout.

Giebeldecke des Parthenon

Josef Wilhelm Durm, 1880

Pencil drawing of a wooden hut with thatched roof beside tall palms, a seated man, a horse and forest behind.

Hütte von Parahyba

Ferdinand Keller, 1858

Etching of a nude woman beneath a tree where a serpent coils around branches, with a lake landscape behind her.

Die Schlange (Eva und die Zukunft, Opus III, Blatt 3)

Max Klinger, 1880

Ink technical drawing of Greek temple plans and beam details, including Parthenon, Theseion and Phigaleia, with dimensions.

Schnitt der Gebälke des Parthenon, Theseion und Phigaleia

Josef Wilhelm Durm, 1880

Pencil study of a gnarled tree trunk with exposed roots and leafy shoots on an octagonal sheet.

Studie Baumwurzel / Baumstamm

Ferdinand Keller, 1858

Etching of a crouching nude man with a barbed spear, seated on a large dark fish against a cloudy sky.

Zweite Zukunft (Eva und die Zukunft, Opus III, Blatt 4)

Max Klinger, 1880

Pen and ink drawing of a large Phoenician ashlar stone wall with rubble and grass at its base, dated 1880.

phönikisches Quadergemäuer, Malta

Josef Wilhelm Durm, 1880

Pencil drawing of an old donkey with a halter standing before sketched trees and a small plant.

Studie "der alte Macho", von vorne, leicht seitlich

Ferdinand Keller, 1858

Etching of a skeletal figure raising a wooden cross above a crowd of faces, with a bridge and cross in the distant landscape.

Dritte Zukunft (Eva und die Zukunft, Opus III, Blatt 6)

Max Klinger, 1880

Loose ink sketch of three figures, one with hand on hip, two close together beside a doorway frame, drawn in dark strokes.

Drei tanzende Personen

Ernst Ludwig Kirchner, 1911

Pencil drawing of a hunter with a rifle and dog on a forest path beside a large tree stump and palms.

Jäger mit Hund im Urwald

Ferdinand Keller

Print with a muscular figure lifting a city view beside text honoring Dr. Otto Georgi, framed by a coat of arms and garlands.

Ehrenbürgerbrief für Oberbürgermeister Dr. Otto Georgi

Max Klinger, 1899

Loose pencil and blue crayon sketch of a standing female dancer in a costume skirt, arms raised, on cream paper.

Tänzerin im Kostüm

Ernst Ludwig Kirchner, 1916

Pencil and watercolor drawing of a tall tree trunk beside a small wooden shelter and fence in a dense forest.

Haus mit Unterstand im Urwald bei Tres-Barras

Ferdinand Keller, 1859

Etching by Max Klinger showing crowned heads above, a reclining nude woman over water, and a hooded figure by a rocky shore.

Vorspiel (Zelt, Opus XIV, 1. Teil, Nr. 1)

Max Klinger, 1915

Ink drawing of a bending female nude on yellow paper with dark brushed trunks and red strokes behind her.

Sich bückender Akt (Dodo)

Ernst Ludwig Kirchner, 1910

Pencil drawing of a wooden hut and fenced yard in a clearing at the edge of a dense tropical forest.

Siedlung im Urwald

Ferdinand Keller, 1861

Etching of a conical tent on a plain with grazing cattle and goats, backed by hills and snow-capped mountains.

Zelt (Zelt, Opus XIV, 1. Teil, Nr. 2)

Max Klinger, 1915

Ink line drawing of a seated nude woman and a standing nude woman behind her in a sketchy studio setting.

Die Schwestern Erna und Gerda Schilling in Kirchners Atelier

Ernst Ludwig Kirchner, 1915

Pencil and watercolor drawing of loaded pack horses, a goat and a dog descending a steep rocky slope.

Bepackte Pferde an steilem Abhang

Ferdinand Keller, 1861

Etching of a nude woman with arms raised among reeds and poplars, with dark serpents coiling around her feet.

Am See (Zelt, Opus XIV, 1. Teil, Nr. 3)

Max Klinger, 1915

Expressive black crayon sketch of overlapping figures and street forms on cream paper with a red edge.

Berliner Straßenszene

Ernst Ludwig Kirchner, 1914

Etched portrait of a bespectacled man with receding hair, holding an open book, with expressive hatched lines in the backgrou

Kritiker (Dr. Paul Fechter)

Etching of two nude women on a shore with a black swan, another standing behind holding long hair, black swans and palms by a

Die Schwäne (Zelt, Opus XIV, 1. Teil, Nr. 4)

Max Klinger, 1915

Selbstporträt mit Erna

Ernst Ludwig Kirchner, 1926