New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Staatliche Kunsthalle Karlsruhe

4,602 works

Featured

Filters

Color

Shape

Century

Sepia wash drawing of a stone city gate with a tower, loggia arches, and a central archway opening onto a street.

Der Augustusbogen in Perugia

Friedrich Weinbrenner, 1797

Engraving of a nude man reaching toward a divine light in a forest surrounded by animals, including birds, monkeys and a wolf

Und Gott sprach: Lasset uns Menschen machen (...)

Johann Elias Ridinger, 1730

Brown ink and wash drawing of the Porta Pinciana gate in Rome with crenellated towers, an arched entrance and small figures o

Die Porta Pinciana in Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of the ruined domed Temple of Minerva Medica in Rome, with arched openings and overgrown walls.

Der Tempel der Minerva Medica in Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of a stone tomb with an arched doorway and a relief of a rider on horseback atop it.

Grabmal bei der Villa Hadriana in Tivoli

Friedrich Weinbrenner, 1792

Brown wash drawing of a Roman church with a columned portico, clock tower, trees, and small figures with dogs in the foregrou

Die Kirche S. Lorenzo fuori le Mura in Rom

Friedrich Weinbrenner, 1792

Sepia drawing of a stone villa with a loggia and tower, umbrella pines, a garden urn and a clipped hedge.

Das "Casino Raffaelo" in der Villa Borghese, verso: Porta Ostiensis mit Cestius-Pyramide

Friedrich Weinbrenner

Brown wash drawing of a fortified arched stone bridge over a river, with a farmhouse and tree on the right bank.

Der Ponte Nomentano bei Rom

Friedrich Weinbrenner, 1792

Pen and brown wash drawing of a classical Ionic colonnade and arched terraces with small figures on a staircase.

Die Villa Madama in Rom

Friedrich Weinbrenner, 1792

Sepia drawing of a stone city gate with an inscribed arch, two crenellated towers, a cobbled road and trees.

Die Rückseite der Porta Appia mit dem Drususbogen in Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of a Roman church with a bell tower, rounded apse, arched gateway and umbrella pines.

Die Kirche SS. Giovanni e Paolo in Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of ruined Roman brick arches with a shepherd, sheep and a dog on a grassy path.

Die Rückseite der Porta Asinaria (Porta S. Giovanni) in Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of a stone arch bridge with a crenellated tower over a river, with hills and trees.

Der Ponte Salario bei Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of a ruined domed Roman temple with a coffered dome, figures and dogs on a path.

Der Tempel der Venus und der Roma auf dem Forum Romanum in Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of Corinthian columns and an arched stone gateway with a mule and figures in the foreground.

Der Tempel des Mars Ultor auf dem Forum Romanum in Rom

Friedrich Weinbrenner, 1792

Brown wash drawing of Doric temples at Paestum across a flat plain, with farmhouses, trees and distant hills.

Blick auf Paestum mit seinen Tempelbauten (verso: Der Athena-Tempel)

Friedrich Weinbrenner, 1794

Brown wash drawing of a city skyline with a domed church, rooftops and bell tower, with a wooded hill behind.

Konvolut mit 23 Zeichnungen, Blatt 23

Friedrich Weinbrenner, 1792

Pen and brown wash drawing of a Corinthian capital with acanthus leaves, scrolls and rosettes beneath a cornice.

Konvolut mit 23 Zeichnungen, Blatt 6

Friedrich Weinbrenner, 1792

Pencil sketch of a veiled standing figure on a pedestal beside sphinxes, with a second study of a figure and candelabra at ri

Skizzenbuchblatt (verso: Drei Männer in Kostümen des späten 18. Jh. in einer Osteria)

Friedrich Weinbrenner, 1792

Pencil sketch of a man leaning over a drafting table beside fluted columns, with a dog sleeping on the floor.

Skizzenbuchblatt (verso: Weinbrenner bei der Arbeit)

Friedrich Weinbrenner, 1792

Lithograph of a reclining nude odalisque with turban and bracelets on cushions, beside a draped curtain and incense burner.

Odalisque

François Séraphin Delpech, 1826

Pencil sketch of the exterior of San Lorenzo cathedral in Perugia, with arched portals, a loggia and a tower.

Ansicht vom Dom S. Lorenzo in Perugia

Carl Blechen, 1829

Brown watercolor drawing of tall cypress trees and a receding grove against a pale sky, inscribed Tivoli 22 Oct 1826.

Zypressen in der Villa d'Este zu Tivoli

Ernst Fries, 1826

Pencil and grey wash sketch of a young child in a ruffled bonnet and frilled collar, facing forward.

Bildnis Wilhelms II. als Kind

Kaiserin Friedrich, 1860

Sophie Grossherzogin von Baden, geb. Prinzessin von Schweden 1801-1865

Monogrammist SW

Engraved oval print of a haloed winged angel holding a candle and swinging a censer with rising incense smoke.

Fliegender Engel

François Garnier

Black-and-white lithograph of three women and a boy with flowers in a leafy garden, with a tambourine and a distant lake.

Drei Italienerinnen im Park mit Ausblick auf den See

Alphonse Léon Noël

Engraved bird's-eye view of the town of Pforzheim with walls, church spires, hills, a river and a lettered key.

"Pforzheim"

Matthäus Merian

Black-and-white print of a rural village with a half-timbered house, large tree, herder with cattle, and church spire in the

"Ansicht bei Lichtenthal"

Monochrome lithograph of a stone bridge with a statue, a town street, poplar trees and buildings under a cloudy sky.

"St. Johannes Brücke bei dem Badische Hofe"

Ink technical drawing of a Parthenon column construction with stacked drums, dimensioned plan, and joint details.

Säulenkonstruktion am Parthenon

Josef Wilhelm Durm

Watercolor of a white church with a red onion-domed tower on a hill, surrounded by trees and houses under clouds.

Die Kirche von Holzhausen von Südosten (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm, 1914

Ink survey drawing of the Parthenon east elevation with columns, measurement figures and a horizontal reference line.

Vermessung der Ostseite des Parthenon

Josef Wilhelm Durm, 1880

Watercolor landscape of a meadow, trees with red foliage, a lake and hills under a cloudy sky.

Landschaft bei Holzhausen (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm, 1914

Watercolor of a white chapel with a red onion dome beside a tree and lake, with a timber house at left.

Kapelle in Riederau am Ammersee (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm, 1913

Watercolor drawing of a white church with twin domes and a red spire, seen through a gated entrance with stairs and trees.

Kirche in Merching bei Augsburg (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm, 1913

Pencil sketch of a decorative frieze with a bull, a centaur holding a vase, and ornamental finials between them.

Friesstudie

Josef Wilhelm Durm

Pen drawing of Parthenon architectural survey with levelling profiles, column measurements and architrave details on aged pap

Säulen von Heraion zu Olympia

Josef Wilhelm Durm, 1906

Pen drawing of several small residential house facades with windows, dimensions and color notes, titled Wohnhausfassaden in K

Wohnhausfassaden (Tontäfelchen), Knossos

Josef Wilhelm Durm, 1907

Watercolor of a white farmhouse and tall trees on a dirt path with hills and cloudy sky behind, signed by Durm.

Im Ried (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm, 1912

Ink architectural drawing of two columns with measurements beside a facade elevation with caryatid figures.

Säulen mit Vermessung; Fassadenschema des Olympion zu Akragas (Kapitel I, Tafel 14)

Josef Wilhelm Durm, 1909

Pen drawing of a classical gable and colonnade elevation with Greek and Roman section comparisons, labelled in German.

Giebelskonstruktionen (Kapitel I, Tafel 24)

Josef Wilhelm Durm, 1915

Pen-and-ink architectural drawing with isometric views, floor plans and elevations of basilicas and abbey churches.

offenliegende Strebepfeiler- und bogen (Kapitel V, Tafel 28)

Josef Wilhelm Durm, 1916

Dom in Florenz (Aufmessung nach Sgrilli) (Kapitel V, Tafel 29)

Josef Wilhelm Durm, 1916

Ink architectural drawing of church details: a buttress, gargoyle water spout, arches and barrel vaults with German labels.

Strebepfeiler, Wasserrinnen und Tonnengewölbe (Kapitel V, Tafel 30)

Josef Wilhelm Durm, 1916

Pen drawing of several Gothic flying buttresses and vault details from French cathedrals, with labels and measurements.

Strebebögen (Kapitel V, Tafel 31)

Josef Wilhelm Durm, 1916

Pen drawing of an Egyptian sphinx before pyramids, with papyrus and water lily ornaments and German title lettering.

geradlinige Ornamente - Titelblattentwurf (Kapitel VIII, Tafel 1)

Josef Wilhelm Durm

Watercolor elevation of a decorated wall with a blind window, fruit garlands, grotesque panels and a painted arched vault.

Stuck- und Freskoverzierungen um ein Blindfenster in den Loggien Raffaels im Vatikan zu Rom

Josef Wilhelm Durm

Watercolor drawing of a Pompeian wall decoration with columns, cupids, a seated figure, and painted panels.

Wanddekoration aus dem Haus des Marcus Lucretius in Pompeji

Josef Wilhelm Durm, 1866

Pencil sketch of men and saddled animals under a tiled-roof ranch shed, with grazing horses and cattle in the open landscape

Viehhändler auf der Ranch

Ferdinand Keller, 1861

Studie eines gesattelten Pferdes

Ferdinand Keller, 1860

Pencil sketch of a coffee plantation farmhouse with palm trees and rolling hills, figures near a stream in the foreground.

Cafe - Fazinda an der Parahybuna

Ferdinand Keller

Pencil and watercolor drawing of a tropical landscape with palms, birds and jagged mountains seen through an arch.

Brasil

Ferdinand Keller, 1862

Watercolor of a thatched hut, a conical mountain, and a rider on a white horse in a pale open landscape.

Hütten, Mann, Pferd

Ferdinand Keller

Pencil study of a large gnarled tree with exposed roots, a standing figure, a mule and a distant building.

Baumstudie

Ferdinand Keller, 1861

Pencil drawing of a man seated at a table under a thatched roof, with a dog beneath the table and a cat nearby.

Sitzender Mann an einem Zeichentisch

Ferdinand Keller, 1860

Gouache study of a trapezoidal panel showing a helmet, round shield, and crossed weapons in gold, blue and red tones.

Studie zur Innendekoration des Landesgewerbemuseums in Stuttgart

Ferdinand Keller, 1892

Pencil sketch of a seated hunter holding a rifle and lifting a dead bird, with a dog at the right edge.

Sitzender Jäger, einen erlegten Vogel haltend

Ferdinand Keller

Lithographic invitation with a winged cherub and dragon framed by fruit garlands, peacock feathers and a shield, dated 1883.

Einladung des Karlsruher Künstlerkreises zu einem Damenabend

Ferdinand Keller, 1883

Etching of a nude archer on a beach raising his arm as seagulls rise over the surf, with arrows at his feet.

Der Schuss (Zelt, Opus XIV, 1. Teil, Nr. 10)

Max Klinger, 1915

Etching by Max Klinger: a seated woman offers a flower to a kneeling hooded figure, with two onlookers behind a scalloped rai

Dank (Zelt, Opus XIV, 1. Teil, Nr. 11)

Max Klinger, 1915

Etching of a nude man and woman reclining together at night beneath a starry sky and a row of hedges.

Nacht (Zelt, Opus XIV, 1. Teil, Nr. 12)

Max Klinger, 1915

Etching of armed riders on horseback on a hillside, one pointing toward snowy mountains behind them, with conifers in the for

Der Zug (Zelt, Opus XIV, 1. Teil, Nr. 13)

Max Klinger, 1915

Etching of armed men raising weapons before a mountain range, with nude women in the foreground and tents in the distance.

Einbruch (Zelt, Opus XIV, 1. Teil, Nr. 14)

Max Klinger, 1915

Etching of a nude woman among reeds and cattails, with a seated figure holding a bowl and a horned figure with a blade.

Die Schale (Zelt, Opus XIV, 1. Teil, Nr. 15)

Max Klinger, 1915

Etching of a helmeted man with a rein beside a kneeling nude woman in tall grass, a horse head and mountains behind.

Der Fuss (Zelt, Opus XIV, 1. Teil, Nr. 16)

Max Klinger, 1915

Etching of a nude woman lying in grass, a rider on a dark horse above her, a bearded man at left, and a birch tree.

Mord und Entführung (Zelt, Opus XIV, 1. Teil, Nr. 17)

Max Klinger, 1915

Etching of small figures walking through marshland under a dark, stormy sky, with a lone tree in the foreground.

Durch Sümpfe (Zelt, Opus XIV, 1. Teil, Nr. 18)

Max Klinger, 1915

Etching of mounted riders crossing a rocky mountain pass toward snow-capped peaks under a radiant sky.

Durch Gebirge (Zelt, Opus XIV, 1. Teil, Nr. 19)

Max Klinger, 1915

Etching of a rocky slope with falling stones, a nude woman reclining above, and struggling figures at left.

Bergsturz (Zelt, Opus XIV, 1. Teil, Nr. 20)

Max Klinger, 1915

Etching of a woman in a flowing dress reaching up toward a bearded figure leaning over a rocky cliff edge.

Flucht (Zelt, Opus XIV, 1. Teil, Nr. 21)

Max Klinger, 1915

Etching of a seated woman beside a horse, a spear-carrying man, and a castle on a cliff with snowy mountains behind.

Gefangen (Zelt, Opus XIV, 1. Teil, Nr. 22)

Max Klinger, 1915

Etching of a seated woman in white on a donkey before a barred wooden cart, with a crowd of faces behind the bars.

Am Tor (Zelt, Opus XIV, 2. Teil, Nr. 23)

Max Klinger, 1915

Etching of a nude woman standing before a group of seated women on patterned cushions, with palm trees and mountains behind.

Vor der Königin (Zelt, Opus XIV, 2. Teil, Nr. 24)

Max Klinger, 1915

Etching of two nude women in an interior with a column and drapery, with a clothed woman in a hat standing behind them.

Bereitung zum Tanz (Zelt, Opus XIV, 2. Teil, Nr. 25)

Max Klinger, 1915

Etching of a nude woman with curly dark hair standing in swirling sea water, with winged figures and lions in the sky behind

Die große Göttin (Zelt, Opus XIV, 2. Teil, Nr. 26)

Max Klinger, 1915

Etching of a barefoot dancer with raised arm, a seated woman in a plumed hat, and mirror reflections against a swirling backg

Tanz (Zelt, Opus XIV, 2. Teil, Nr. 27)

Max Klinger, 1915

Etching of two women in a draped interior, one kneeling with a streaming veil, one standing beside flowers, vases and a fruit

Bestürmung (Zelt, Opus XIV, 2. Teil, Nr. 28)

Max Klinger, 1915

Etching of seated women and a nude figure in a courtyard under a tree, with figures tending vessels and a dark mountain range

Geschenke (Zelt, Opus XIV, 2. Teil, Nr. 29)

Max Klinger, 1915

Woodcut of eight haloed saints in a row, including bishops, an armored soldier and a crowned figure, with Latin captions belo

Die Schutzheiligen von Österreich

Albrecht Dürer, 1515

Woodcut of a mass martyrdom on a rocky hill, with executioners, bound victims, turbaned onlookers and crosses in a landscape.

Die Marter der Zehntausend

Albrecht Dürer, 1497

Woodcut of a kneeling nude penitent with a scourge, beside a curtain and candles in a dim interior, by Dürer.

Ein Büßer (Der Büßende; König David, Buße tuend)

Albrecht Dürer, 1510

Woodcut of a kneeling crowned woman beside an executioner with a sword, with a castle and falling stones in the background.

Die Enthauptung der hl. Katharina

Albrecht Dürer, 1496

Black and white print of the Holy Trinity: God the Father holding dead Christ, dove above, angels and cherubs around.

Die Heilige Dreifaltigkeit (Der Gnadenstuhl)

Albrecht Dürer, 1511

Woodcut of a mounted knight and a halberd-carrying landsknecht beside trees, with a castle and river behind them.

Reiter und Landsknecht (Ritter und Landsknecht)

Albrecht Dürer, 1498

Rhinocerus (Das Rhinozeros)

Albrecht Dürer, 1515

Black and white print of a circular interlaced knot pattern around a heart-shaped monogram shield, with floral corner ornamen

Knoten mit herzförmigem Schild

Albrecht Dürer, 1505

Woodcut of a black circle with white interlaced knot pattern, central monogram tablet, and four leafy corner ornaments.

Knoten mit oblongem Schildchen und dicker Einfassung

Albrecht Dürer, 1505

Black circular print with white interlaced knot patterns around a central white disc, framed by leafy scroll corners.

Knoten mit weißer Scheibe

Albrecht Dürer, 1505

Black and white print of a circular disc with seven interlaced knot rings and four knotted heart-shaped corner pieces with te

Knoten mit sieben ringförmigen Geflechten, schwarzer Mittelscheibe und vier herzförmigen Eckstücken

Albrecht Dürer, 1505

Woodcut print of a black circle with white interlaced knotwork, eight rosettes and a central white shield, with corner foliag

Knoten mit acht Geflechten und weißem oblongen Schildchen

Albrecht Dürer, 1505

Woodcut of a circular interlaced knot pattern in white on black, with four ornamental corner knots and scroll motifs on a whi

Knoten mit sieben gleichen Geflechten

Albrecht Dürer, 1505

Engraving of an ornate triumphal chariot with an emperor, allegorical virtues, eagles and lions, by Albrecht Dürer.

Der Große Triumphwagen

Albrecht Dürer, 1522

Woodcut portrait of Emperor Maximilian I in a wide hat and patterned collar, framed by columns, griffins and an imperial eagl

Kaiser Maximilian I.

Albrecht Dürer, 1519

Woodcut of a central imperial eagle coat of arms and crown, flanked by winged allegorical women and two men holding shields.

Wappen des Reichs und von Nürnberg

Albrecht Dürer, 1521

Woodcut coat of arms with a crowned lion crest, a shield bearing a lion and a dog, and ornate scrollwork.

Wappen des Nürnberger Patriziers Lorenz Staiber

Albrecht Dürer, 1520