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Staatliche Kunsthalle Karlsruhe

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Watercolor of two peasant men, one seated on a wooden chair in a red vest, the other standing beside him in a brown coat.

Zwei Hotzenwälder Bauern, der linke auf einem Holzstuhl sitzend, rechts dahinter der zweite stehend

Johann Baptist Kirner, 1816

Watercolor drawing of a seated boy in a wide-brimmed hat holding an open book, with a sketched landscape behind him.

Junge mit breitkrempiger Kopfbedeckung, vor einer Landschaft sitzend und ein aufgeschlagenes Buch haltend

Johann Baptist Kirner, 1816

Watercolor sketch of five rural children in red headscarves and a straw hat beside a hay mound.

Fünf Schwarzwälder Bauernkinder

Johann Baptist Kirner, 1816

Three pencil and watercolor studies of a woman in traditional costume with a tall hat, shown from behind, side, and seated.

Drei Figurenstudien einer Bäuerin in Triberger Tracht

Johann Baptist Kirner, 1816

Pencil and watercolor sketch of a seated woman with an infant, a standing girl, and a reclining boy in a cap.

Drei Schwarzwälder Bauernkinder

Johann Baptist Kirner, 1816

Pencil and watercolor sketch of a barefoot woman seen from behind in a striped skirt and blue bodice on stone steps.

Italienerin, Rückenansicht

Johann Baptist Kirner

Pencil drawing with colour of a seated young man in a tricorn hat and red vest with buttons, arms crossed.

Sitzender junger Mann in Hanauer Tracht

Johann Baptist Kirner

Pencil and wash drawing of an elderly man in a tricorn hat seated on a chair, hands clasped over his knees.

Sitzender alter Bauer mit Dreispitz

Johann Baptist Kirner

Ink and wash sketch of two girls and a woman in headscarves beside a small child, set against a sketched landscape.

Zwei junge Mädchen und ein Kind vor einer Landschaft

Johann Baptist Kirner

Pen and watercolor drawing of an elderly peasant man in a wide-brimmed hat leaning on a hoe.

Bauer mit breitrandigem Hut, sich auf eine Hacke stützend

Johann Baptist Kirner

Sepia drawing of a wooded landscape with figures tending grapevines on a path, mountains and a distant castle beyond.

Noah pflanzt Weinberge (1. Mose 9, 20)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of robed travelers on donkeys passing sheep and camels beneath tall palms and tropical trees.

Abrahams Einzug ins gelobte Land (1. Mose 12, 5ff)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a wooded landscape with a kneeling man in the foreground and three robed figures beside ruins.

Abraham empfängt die Verheißung Isaaks im Hain Mamre (1. Mose 15, 1ff)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of figures fleeing through a dark rocky landscape toward a glowing cave opening, with trees and a distant

Loths Flucht (1. Mose 19, 24-26)

Johann Wilhelm Schirmer, 1855

Brown ink drawing of a bearded man and a boy carrying wood through a rocky forest with mountains in the distance.

Der Gang zum Opfer (1. Mose 22, 6)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of Abraham and Isaac at an altar in a wooded landscape, with an angel descending above smoke.

Die Opferung Isaaks (1. Mose 22, 11-12)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a forest with a bearded man and child at a stone well, a seated figure in the distance, and mountains beyond

Die Austreibung der Hagar mit Ismael (1. Mose 21, 14)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of a barren coast with dunes, rock cliffs, a seated woman by a boulder and the sea beyond.

Hagar in der Wüste (1. Mose 21, 16)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of an angel pointing to a kneeling woman on a rocky desert ledge, with a child lying below.

Die Rettung der Hagar (1. Mose 21, 17)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of a wooded landscape with a mourning figure kneeling beside a stone tomb near a rocky cave.

Klage um Sarahs Tod (1. Mose 23, 2)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a landscape with olive trees, a hilltop fortress, a stone well, two figures meeting and camels resting.

Elieser und Rebekka am Brunnen (1. Mose 24, 17-18)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a forest path with tall trees, a stone bridge, and small travellers on horseback in the distance.

Die Begegnung von Isaak und Rebekka (1. Mose 24, 62-63)

Johann Wilhelm Schirmer, 1855

Brown ink landscape of robed mourners carrying a bier past gnarled trees and a boulder, with a shepherd and flock beyond.

Abrahams Begräbnis in der Höhle im Hain Mamre (1. Mose 25, 9)

Johann Wilhelm Schirmer, 1855

Etching of a winged creature carrying a white glove away from a window, with reaching arms and blossoms below.

Entführung (Ein Handschuh, Opus VI, Blatt 9)

Max Klinger, 1881

Black-and-white print of a reclining nude man under a sun with rays and clouds, with the title Robert Schumann Lieder-Buch be

Robert Schumann Lieder-Buch

August Babberger, 1910

Etching of a windswept tree on a rocky shore with figures gathered below and a classical column frame.

Die Jugend Amors (Amor und Psyche, Opus V, Blatt 1)

Max Klinger, 1880

Etching of a draped woman standing on a rocky cliff above the sea, with a pale sun and an ornate floral border.

Psyche auf dem Felsen (Amor und Psyche, Opus V, Blatt 10)

Max Klinger, 1880

Etching of a winged nude figure crouching at a window beside a curtain, with a mountain and starry night sky behind.

Amor kommend (Amor und Psyche, Opus V, Blatt 12)

Max Klinger, 1880

Etching of three seated women on a classical columned terrace overlooking trees and a distant mountain.

Psyche und ihre Schwestern (Amor und Psyche, Opus V, Blatt 18)

Max Klinger, 1880

Etching of Psyche leaning over a sleeping Eros by lamplight, framed by a border of roses and a face below.

Psyche mit der Lampe (Amor und Psyche, Opus V, Blatt 19)

Max Klinger, 1880