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Staatliche Kunsthalle Karlsruhe

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Pencil drawing of a bare dead tree wrapped in a climbing vine with heart-shaped leaves on a pale sheet.

Rankengewächse am abgestorbenen Baum

Ferdinand Keller, 1858

Pencil drawing of a tall palm-like plant with a shaggy trunk and fan-shaped leaves, labeled Embauba.

Palmstudie mit Ranken

Ferdinand Keller, 1858

Pencil study of a saddled horse standing side-on, showing bridle, saddle blanket and stirrups.

Studie gesatteltes Pferd, von hinten seitlich

Ferdinand Keller, 1858

Pencil drawing of a palm tree with radiating fronds set among sketched jungle undergrowth, labelled Palmitto.

Im Urwald-Palmenstudie

Ferdinand Keller, 1858

Pencil drawing of a cluster of broad ribbed leaves on branching stalks, by Ferdinand Keller, 1858.

Blätterstudie (Nahsicht/Pflanzenstengel)

Ferdinand Keller, 1858

Watercolor study of a palm tree with arching fronds on a pale green ground, on an octagonal mount.

Studie einer Palme in Urwald

Ferdinand Keller, 1858

Ink and wash floor plan of a city gate with guard house and customs house, lettered legend and scale bar below.

Projekt zu einem Stadttor mit Wacht- und Zollhaus

Friedrich Weinbrenner, 1794

Architectural elevation of a neoclassical gate with columns, iron gates, a crowning sculpture, and flanking statues in grey w

Ettlinger Tor in Karlsruhe

Friedrich Weinbrenner, 1803

Architectural drawing with front elevation, cross section and floor plan of a palace with angled wings, in watercolor and ink

Plan zum Markgräflichen Palais: Fassade, Schnitt, Grundriss eines Obergeschosses

Friedrich Weinbrenner, 1798

Ink and wash elevation of a classical gateway with columns, a sculpted pediment, iron gates and flanking pavilions.

Innere Ansicht des Ettlinger Tors in Karlsruhe

Friedrich Weinbrenner, 1804

Watercolour elevation of a classical gate with Doric columns, sculpted pediment and flanking pavilions, labelled Ettlinger To

Innere Ansicht des Ettlinger Tors in Karlsruhe

Friedrich Weinbrenner, 1805

Architectural ground plan in pen and watercolor of a palace and economy building with gardens and courtyards, Bauschlott.

Schloss und Ökonomie-Gebäude in Bauschlott

Friedrich Weinbrenner, 1805

Ink and wash floor plan of Schloss Eberstein showing rooms, courtyard, round tower and a scale bar along the top.

Schloss Eberstein

Friedrich Weinbrenner

Ink and wash floor plan of a palace with central courtyard and angled wings, labelled rooms and German inscriptions.

Plan zum Markgräflichen Palais: Grundriss vom 1. Stock

Friedrich Weinbrenner, 1799

Architectural drawing of a neoclassical mansion with three facade elevations and three floor plans in ink and watercolour.

Herrschaftliches Wohnhaus

Friedrich Weinbrenner

Pencil perspective study of geometric shapes with converging lines to a single vanishing point above the horizon.

Perspektivische Studien

Friedrich Weinbrenner

Ink and wash floor plan of a palace second story with a central courtyard, labeled rooms and corner towers.

Plan zum Markgräflichen Palais: Grundriss vom 2. Stock

Friedrich Weinbrenner, 1799

Grey wash architectural section of a multi-storey government building with arcaded ground floor and blue hipped roofs.

Grossherzogliches Ministerium des Inneren in Karlsruhe

Friedrich Weinbrenner, 1814

Etching of a pale woman lying on a draped cloth as a hatted figure and winged spirit hover above in darkness.

Tod (Eine Liebe, Opus X, Blatt 10)

Max Klinger, 1887

Etching of a bearded seated man gazing at a moonlit sea under a dark cloudy night sky with birds and a lily.

Nacht (Vom Tode, Erster Theil, Opus XI, Blatt 1)

Max Klinger, 1889

Etching of three men struggling with a sea monster on rocks, with a procession of skeletal figures and flames in a strip belo

Seeleute (Vom Tode, Erster Theil, Opus XI, Blatt 2)

Max Klinger, 1889

Etching of a storm-tossed ship with broken masts among heavy waves, with a skull and mushrooms in the border below.

Meer (Vom Tode, Erster Theil, Opus XI, Blatt 3)

Max Klinger, 1889

Etching of a dirt road lined with poplars and a fence, framed by a dark border with a skeletal hand and a shrouded figure.

Chaussee (Vom Tode, Erster Theil, Opus XI, Blatt 4)

Max Klinger, 1889

Etching of a seated woman beside a baby carriage by a lake, with a path, trees, and an ornamental border.

Kind (Vom Tode, Erster Theil, Opus XI, Blatt 5)

Max Klinger, 1889

Etching of an ornate throne with lion heads on steps, a figure lying at its base, and a distant crowd beyond a wall.

Herodes (Vom Tode, Erster Theil, Opus XI, Blatt 6)

Max Klinger, 1889

Etching of horses pulling a plough past a fallen man, with skulls in the foreground and birds above a rolling landscape.

Landmann (Vom Tode, Erster Theil, Opus XI, Blatt 7)

Max Klinger, 1889

Etching of a skeleton lying across railway tracks beside a cliff, with a river valley and mountains behind.

Auf den Schienen (Vom Tode, Erster Theil, Opus XI, Blatt 8)

Max Klinger, 1889

Etching of a woman in dark dress carrying a child in a doorway, with an elderly seated man in a dim interior.

Arme Familie (Vom Tode, Erster Theil, Opus XI, Blatt 9)

Max Klinger, 1889

Etching by Max Klinger showing a winged figure in a desert, a fleeing crowd, and a reclining corpse on a bier below.

Der Tod als Heiland (Vom Tode, Erster Theil, Opus XI, Blatt 10)

Max Klinger, 1889

Etching of a colossal seated nude figure over a city, with a small nude youth reaching out, a volcano, and climbing figures.

Integer vitae (Titelblatt) (Vom Tode, Zweiter Theil, Opus XI, Blatt 1)

Max Klinger, 1904