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Rijksmuseum

134,045 works

Etching of a boar hunt under a large oak, with mounted hunters, spears, dogs and two dead wild boar in the foreground.

Jacht op wilde zwijnen

Jan van Ossenbeeck, 1647

Etching of cavalry riders in plumed hats in formation rows, with three infantry blocks above on a plain sheet.

Ruiterformaties met drie groepen infanterie

Jan van Ossenbeeck, 1667

Etching of mounted riders with plumed hats arranged in cavalry formations within an oval border.

Ruiterformaties (Seconda)

Jan van Ossenbeeck, 1667

Engraved diagram of mounted riders and plumed figures arranged in formations within an oval, with Italian caption below.

Ruiterformaties (Prima)

Jan van Ossenbeeck, 1667

Etching of symmetrical formations of plumed riders and horses arranged within an oval frame, labeled Quarta.

Ruiterformaties (Quarta)

Jan van Ossenbeeck, 1667

Etching of mounted cavalry riders with plumed hats arranged in formation patterns inside an oval border.

Ruiterformaties (Quinta)

Jan van Ossenbeeck, 1667

Etching of plumed horsemen and foot figures arranged in an oval formation around an open central space, with Italian caption.

Ruiterformaties (Terza)

Jan van Ossenbeeck, 1667

Etching of plumed horsemen arranged in an oval cavalry formation, with a central group of riders in parallel columns.

Ruiterformaties (Settima)

Jan van Ossenbeeck, 1667

Etching of plumed horsemen arranged in an oval cavalry formation across an open ground.

Ruiterformaties (Ottava)

Jan van Ossenbeeck, 1667

Etching of plumed horsemen arranged in an oval formation with a smaller inner group of riders, labeled Sesta.

Ruiterformaties (Sesta)

Jan van Ossenbeeck, 1667

Etching of mounted riders with plumed hats forming intricate diagonal formations inside an oval frame, with Italian caption b

Ruiterformaties (Nona)

Jan van Ossenbeeck, 1667

Etched print of horsemen in plumed hats arranged in symmetrical cavalry formations within an oval frame, with Italian caption

Ruiterformaties (Decima)

Jan van Ossenbeeck, 1667

Etching of mounted horsemen with plumed hats arranged in formation within an octagonal frame.

Ruiterformaties (Undecima)

Jan van Ossenbeeck, 1667

Hand-coloured 1685 map of Groningen province with allegorical figures, a cherub, coats of arms and a scale cartouche.

Kaart van de provincie Groningen

Andries Hogeboom, 1685

Engraving of Christ on the cross flanked by the Virgin Mary and Saint John, with a skull below and a city in the distance.

Christus aan het kruis

Hieronymus Wierix, 1584

Engraved 1678 map section of Groningen with ornate title, coats of arms, cherubs, ships and country house views.

Kaart van de provincie Groningen (deel rechtsboven)

Cornelis Apeus, 1678

Engraving of Christ on the cross under a stormy sky, with a skeleton below and a woman kneeling beside a jar in the foregroun

Triomferende Christus aan het kruis

Hieronymus Wierix, 1563

Engraving of Christ on the cross with a kneeling haloed woman, skull, and walled city beneath dramatic clouds.

Christus aan het kruis

Antonie Wierix, 1584

Engraving of the dead Christ laid on a cloth, surrounded by mourning women beneath a cross and clouds, 1586.

Bewening van Christus

Hieronymus Wierix, 1586

Engraving of the Virgin Mary cradling the dead Christ on a rocky hill, with a walled city in the background.

Piëta

Hieronymus Wierix, 1563

Engraving of the dead Christ with crown of thorns supported by a veiled woman and a young man, under a dove with rays.

Maria en Johannes bewenen de gestorven Christus

Antonie Wierix, 1565

Engraving of the dead Christ seated with a haloed angel holding a candle, a crown of thorns and nails nearby, and a lamb.

Engel beweent de gestorven Christus

Hieronymus Wierix, 1563

Engraving of Christ's body being laid in a tomb, surrounded by mourning women and men, with a cross and crown of thorns.

Graflegging van Christus

Hieronymus Wierix, 1584

Engraving of the risen Christ rising above fallen and struggling armored soldiers with a banner and radiant light.

Opstanding van Christus

Antonie Wierix, 1588

Hand-colored garden prospect with an orangerie, a triumphal gate, formal parterres, trees and small figures under a pastel sk

Gezicht op de orangerie en een poort bij Château du Val de Ruel

Matthäus Merian, 1655

Open theatre magazine spread: left page lists Brussels theatre programmes, right page shows an ornate cover with a standing w

Portret van Célestine Galli-Marié in Mignon

Hector de Saedeler, 1869

Printed theatre magazine cover framing a photographic portrait of a man in striped period costume, labelled M. Warot.

Portret van Victor Warot in Les huguenots

Hector de Saedeler, 1869

Theatre periodical page with an oval portrait of a man in a dark coat, framed by angels and cherubs, beside theatre listings.

Portret van monsieur Durand

Hector de Saedeler, 1869

Open theatre magazine pages: left shows listings and ads, right shows a framed portrait of a man beside a stool.

Portret van monsieur Fleury-Goeury in Les deux orphelines

Hector de Saedeler, 1869

Magazine page with ornate border showing a seated young woman in a photographic portrait, beside theatre programme listings.

Portret van Aurélie Monnet in Les deux orphelines

Hector de Saedeler, 1869