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Polona (Biblioteka Narodowa)

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Back of a pale sheet with faint pencil strokes and a printed library stamp reading Bibl. Jag. near the bottom.

[Pałac w Horodcu]

Józef Ignacy ] [Kraszewski, 1834

Ink and watercolor plan of a star-shaped fortified city with bastions, a river on the left, and a titled ribbon at top.

Wien in Ostereich

CFS, 1675

Hand-coloured drawing of a fortress and ship at a narrow sea inlet between rocky hills, with a title scroll above.

Daß Schloß S. Nicolo in Dalmatia

CFS, 1675

Pen drawing of a thatched cottage and trees by a lake, with a ruined castle on a hill in the distance.

[Pejzaż z chatą i ruinami zamku]

Józef Ignacy ] [Kraszewski, 1840

Architectural drawing of a monument with two elevations, relief panels, and a colored floor plan with a central fountain.

[Projekt studni-pomnika unii Polski z Litwą z dwoma rozwiązaniami elewacji]

Sebastian Sierakowski, 1816

Watercolor of a Gothic chapel interior with stained glass, a crucifix altar, a sculpted tomb, and a standing man in green.

[Wnętrze kaplicy Tylickiego w katedrze na Wawelu]

Bogumił Gąsiorowski, 1850

Watercolor drawing of a carved tomb slab showing a praying female figure in a wimple, with a heraldic shield and Gothic inscr

[Płyta nagrobna Eufemii Borkowej przed pożarem w kościele oo. Franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1850

Watercolor design of a marble funerary epitaph with two inscribed tablets, columns, and heraldic shields on a pediment.

[Epitafium Stanisława i Władysława Fogelwederów]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a gilt-framed memorial plaque with Latin inscription under a scrolled pediment against brick.

[Epitafium Stanisława Radoszyckiego]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a stone effigy of a crowned king holding an orb and scepter, set in a Gothic niche.

[Postać króla Władysława Łokietka z grobowca w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1857

Watercolor drawing of a stone tomb with a reclining armored effigy, heraldic shield, skull, and lion supports in an arched ni

[Nagrobek Walentego Dembińskiego, kasztelana krakowskiego w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1845

Pencil portrait study of a young woman with upswept hair and ruffled collar, with two smaller head studies below.

[Studium portretowe młodej kobiety]

Piotr Stachiewicz, 1878

Sheet of pencil and watercolour studies of folk costume figures, women in headscarves, and two men in long coats, 1879.

[Studia typów ludowych z okolic Tarnopola oraz postaci dwóch szlachciców z obrazu w tarnopolskiej cerkwi]

Piotr Stachiewicz, 1879

[Portret Bohdana Chmielnickiego i portret Walentego Dembińskiego]

Piotr Stachiewicz, 1878

Watercolor drawing of a Latin epitaph tablet for Jan Alantsee on a brick wall with a pale ochre border.

[Epitafium Jana Alantsee]

Jan Kanty Wojnarowski, 1840

Watercolor design of a memorial epitaph with two oval portrait medallions, a winged cherub, a shield and an inscribed cartouc

[Epitafium Mikołaja Korycińskiego i jego żony Barbary]

Jan Kanty Wojnarowski, 1846

Watercolor of a bearded man in a fur-trimmed robe beside an altar with a crucifix and mitre, with a Latin inscription below.

[Epitafium Jakuba ze Skaryszewa]

Jan Kanty Wojnarowski, 1840

Watercolor of a gray marble tomb plaque with a coat of arms in a laurel wreath and a Latin inscription.

[Płyta nagrobna Anny Konstancji Przerembskiej]

Jan Kanty Wojnarowski, 1839

Watercolor design of a baroque-framed epitaph with Latin inscription, shell crest and scroll ornaments on pale paper.

[Epitafium Grzegorza Gorczyńskiego]

Jan Kanty Wojnarowski, 1851

Watercolor drawing of a tomb monument with a recumbent armored knight, flanking busts, a heraldic crest and a cross on top.

[Nagrobek Franciszka Wesseliniego w kościele oo. franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1841

Hand-coloured neo-Gothic well monument design with spires, statues and relief scenes, plus a floor plan and scale bar.

[Projekt studni-pomnika w stylu neogotyckim z płaskorzeźbami przedstawiającymi sceny z legendarnej historii Polski]

Sebastian Sierakowski, 1816

Watercolor of a street in Kraków with a domed church, a red brick Gothic church, and small figures in period dress.

[Widok kościoła dominikanów w Krakowie, po pożarze, od południowej strony]

Bogumił Gąsiorowski, 1850

[Epitafium Elżbiety z Tarnowskich Pieniążkowej]

Jan Kanty Wojnarowski, 1850

Watercolor drawing of a pink tablet with a Latin epitaph in capital letters, on a pale ochre background and cream mount.

[Epitafium Stanisława Grotkowskiego]

Jan Kanty Wojnarowski, 1840

Watercolor design of a grey stone epitaph with a small oval portrait of a woman, a cross, flaming urns and inscription panel.

[Epitafium Jadwigi Łochyńskiej]

Jan Kanty Wojnarowski, 1864

Pencil drawing of a standing man in a pointed hat and cloak holding a staff, with a covered cart and smoke beside him.

[Pasterz Stepowy]

Prosper Gorsʹkij, 1840

Pen and ink drawing of three men around a piano, one raising an arm, with handwritten names beneath.

[Trzech mężczyzn przy fortepianie]

Józef Szymon Kurowski, 1844

Grey wash portrait of a bearded man in a fur hat and fur-collared cloak, inside an oval frame on a green mount.

Princeps Samuel Korecki mor. 1651

Michał Stachowicz, 1820

Reverse of a pale sheet with faint ruled lines, stains, and pencilled numbers, catalogued as a 1816 theatre floor plan.

[Projekt teatru przy pl. Szczepańskim w Krakowie - rzut parteru]

Sebastian Sierakowski, 1816

Hand-colored technical drawing of numbered boring tools, hooks, and a tripod hoisting apparatus with windlass, labeled in Ger

Bohr zeug

Sebastian Sierakowski, 1800