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National Portrait Gallery (Smithsonian)

3,433 works

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Engraving of a woman in white kneeling as two feathered men raise weapons beneath a large tree in a forest.

"The Columbiad" -- The Murder of Lucinda

Ankar Smith, 1800

Hand-colored lithograph of a black crow with a man's face beside green reeds on rocky ground, titled Rice's Crow.

Rice's Crow

Max Rosenthal, 1850

Lithograph of the New Patent Office in Washington with pedestrians, a carriage, a longitudinal section and a floor plan.

Old Patent Office plan

Augustus Guy de Vaudricourt, 1830

Lithograph sheet music cover of the Hutchinson Family: one woman and three men in period dress before a hilly landscape.

Songs of the Hutchinson Family

Adoniram Judson Joseph Hutchinson, 1840

Sepia portrait of a uniformed officer on a black horse, with marching soldiers and mountains in the background.

W. Y. L. Wallace

William Hervey Lamme Wallace, 1860

Lithograph of Commodore Farragut in naval uniform holding a telescope on a ship deck, with rigging and sailing ships behind h

Commodore Farragut

David Glasgow Farragut, 1861

Purple sheet music cover for Tell Us Pretty Ladies with three oval portraits of Weber, Fields and Dave Warfield.

Tell Us Pretty Ladies

Joseph M. Weber, 1900

Engraving of the Patent Office building in Washington, D.C., with a colonnade, carriage and pedestrians, on a printed page.

Patent Office

U.S. Patent Office, 1850

Engraved page showing a proposed elevated railroad on Broadway with carriages and pedestrians, and a steamboat landing below.

Proposed Elevated Railroad Terrace for Broadway, New York

Samuel E. Brown, 1850

Engraving of the classical Patent Office building in Washington with a street of pedestrians and carriages, plus a woman by a

United States Patent-Office Department, Washington, D.C.

Alexander Gardner, 1860

Engraving of Caesar on a rearing white horse, sword raised, crossing the Rubicon with soldiers before a stormy sky.

"The Columbiad" -- Ceasar Passing the Rubicon

Robert Hartley Cromek, 1800

Sepia illustration of the Patent Office building in Washington with columns, an American flag, and horse-drawn carriages on t

Patent Office, Washington, D. C.

Foster & Reynolds, 1920

Line drawing of the neoclassical Patent Office building with columns and a central portico, with a horse-drawn carriage on th

Patent Office

U.S. Patent Office, 1840

Engraving of a group of figures fleeing through rain across muddy ground toward a wooded area.

Twenty-Eight Fugitives Escaping from the Eastern Shore of Maryland

Wilbur F. Osler, 1870

Hand-colored view of a Philadelphia street corner with a large arched-window building, market vendors, and pedestrians on cob

South East Corner of Third and Market Streets

William Russell Birch, 1790

Hand-colored print of a bird with a bearded man's head perched on a branch, and a bearded head on an insect body below.

King Bird

Max Rosenthal, 1850

Hand-colored postcard of the U.S. Patent Office in Washington, D.C., with columns, flags, a tram and early cars on the street

U. S. Patent Office, Washington, D. C.

B. S. Reynolds Co, 1920

Hand-colored engraving of a busy Philadelphia waterfront with a tall ship, dockworkers, barrels and a horse-drawn cart.

Arch Street Ferry, Philadelphia

William Russell Birch, 1800

Caricature of William Cullen Bryant clasping his hands in a farmyard beside a duck, rooster and pigs, on a Vanity Fair cover.

William Cullen Bryant

Bobbett & Hooper Wood Engraving Co, 1860

Sketch of a uniformed officer gesturing to soldiers holding captured battle flags, from a Harper's Weekly page with text colu

General Custer Presenting Captured Battle Flags

Alfred R. Waud, 1861

Colorful poster with portraits of Lincoln and Grant, a central path toward the Capitol, and scenes of labor and education.

Out of Darkness Into Light

Abraham Lincoln, 1861

Hand-colored engraving of soldiers firing on a crowd in a Boston street, with smoke, fallen victims and printed verse below.

The Bloody Massacre

William F. Stratton, 1830

Engraving of Native American figures gathered around a bonfire on a riverbank, with smoke rising and canoes on the water.

Les Virginiens adorent le feu et se réjouissent après avoir été délivrés de quelque danger considerable

Bernard Picart, 1720

Mezzotint portrait of an older man and a young boy, the boy holding an eagle, in a dark forest setting.

Tomo Chachi Mico or King of Yamacraw, and Tooanahowi His Nephew, Son to the Mico of Etchitas

John Faber, c. 1684 - 2 May, 1730

Engraved cartoon of Uncle Sam as a schoolmaster instructing labeled figures of Cuba, Hawaii, and Porto Rico before a world ma

"Uncle Sam's New Class in the Art of Self-Government," Harper's Weekly

William Allen Rogers, 1890

Mezzotint portrait of a standing man in tartan kilt holding a sword, with a tree and distant coastline behind him.

John Campbell, 4th Earl of Loudoun

Charles Spooner, c. 1720 - 5 Dec, 1750

Colored print of Union soldiers storming a fort rampart under fire, with an American flag raised at the top and ships on the

Storming Fort Wagner

Robert Gould Shaw, 1861

Engraving of workers harvesting and processing coffee beans on a tropical plantation beneath palms and rocky mountains.

Plantation Scene - Coffee

Felch & Riches, 1850

Political cartoon by Thomas Nast: a woman in feathered headdress watches a man board a rowboat beneath an American flag.

Our Yankee Notion

Thomas Nast, 1880

Hand-colored lithograph of Black Union soldiers charging with flags through smoke at Fort Wagner, with Confederate troops fir

The Gallant Charge of the Fifty-Fourth Massachusetts (Colored) Regiment

Robert Gould Shaw, 1861