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The Metropolitan Museum of Art

3,087 works

Engraved landscape with a large tree framing a river view, a hilltop town, distant mountains, and a small seated figure.

Riverscape

Aegidius Sadeler, n.d.

Etching of tall bare trees beside a still river with shrubs and a distant treeline under an overcast sky.

Autumn's Grey and Melancholy

Henry Farrer, 1884

Etching of two travellers resting in a shaded woodland beside a path, with dogs and a large twisted tree.

Two Travellers Resting in the Woods

Anthonie Waterloo, 17th century

Etching of a peasant with a shovel on a dirt path beside large trees, sheep grazing, and a fence in the distance.

A Peasant with a Shovel

Anthonie Waterloo, 17th century

Etching of a forest scene with a seated traveller and dog beside a stream, tall trees filling the composition.

A Traveller Resting

Anthonie Waterloo, 17th century

Etching of a forest path with tall trees on the left, a small wooden footbridge over a stream, and an open landscape beyond.

The Entrance to a Forest by a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etching of a wooded river landscape with a stone bridge, cottage, and a group of figures gathering in the foreground.

Zipporah Circumcising her Son

Anthonie Waterloo, 17th century

Etching of a wooded landscape with a large tree, a dirt path, a small group of walking figures and distant hills.

The Banishment of Hagar

Anthonie Waterloo, 17th century

Etching of a dense forest with large trees, a nude figure running on a bank and another figure reaching from a stream.

Alpheus and Arethusa

Anthonie Waterloo, 17th century

Etching of a large tree beside a thatched inn with travelers on a dirt road and rolling hills in the distance.

A Large Linden Tree Before an Inn

Anthonie Waterloo, 17th century

Etching of a thatched farmhouse among tall trees beside a river, with a rowing boat and distant town on the water.

A Farmhouse Beside the Water

Anthonie Waterloo, 17th century

Etching of a wooded landscape with tall trees, a wooden fence, a dirt path and a small figure walking on the right.

A Horseman by a Fence

Anthonie Waterloo, 17th century

Sepia print of cows near a wooden footbridge over a river, with large trees and figures on the bank under a cloudy sky.

Bridge and Cows, part I, plate 2 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a woman on a fallen log with a coiled dragon in the bushes below a hillside and trees.

Jason, part I, plate 6 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia etching of a traveler with a pack on a rocky mountain path beneath a boulder, with snowy peaks and a valley beyond.

Mt. St. Gothard, part II, plate 9 from "Liber Studiorum"

Joseph Mallord William Turner, February 20, 1808

Sepia print of a stormy Egyptian landscape with lightning over pyramids, a city, a fallen animal and two figures.

The Fifth Plague of Egypt, part III, plate 16 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia print of a hill under a stormy sky, with sheep and a reclining figure in the foreground and a winding road.

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia etching of a river valley with a winding river, ruined tower, large trees on the right, and a reclining figure in the f

Junction of Severn and Wye, part VI, plate 28 from "Liber Studiorum"

Joseph Mallord William Turner, June 1811

Sepia print of a dense forest with tall trees, where two figures and a dog rest on a path in the foreground.

Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum"

Joseph Mallord William Turner, February 14, 1812

Sepia etching of a ruined tower on a wooded hill with travelers in the foreground and a distant coast under clouds.

Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Sepia etching of a glacier winding between jagged mountain peaks, with broken ice and boulders in the foreground under a clou

Mêr de Glace, Valley of Chamouni-Savoy, part X, plate 50 from "Liber Studiorum"

Joseph Mallord William Turner, May 23, 1812

Sepia etching of a hilltop castle above a lakeside town, with trees on the left, a rowing boat and figures on the shore.

Ville de Thun, Switzerland, part XII, plate 59 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of jagged Alpine peaks above a valley, with tall pine trees and rocks in the foreground under dramatic clouds

The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia print of water cress gatherers by a stone bridge beside a river under a dramatic storm sky, by J.M.W. Turner.

Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham, part XIII, plate 62 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia engraving of a mountain valley with a stone bridge, a church, trees, and two seated figures on rocks.

Bonneville, Savoy, part XIII, plate 64 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia print of men unloading boats on a rough Scottish shore, with a sailing ship and distant castle under stormy clouds.

Inverary Castle and Town, Scotland, part XIII, plate 65 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of a shaded forest stream with arching trees, a seated woman by the water and a kneeling figure among ferns.

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI, part XIII, plate 66 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia engraving of a river landscape with a willow, classical column, stone bridge, hills, and a reclining figure in the fore

Isis, part XIV, plate 68 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Etched landscape of a dirt road between trees, with cattle resting and a ruined castle on a hill in the distance.

The Castle above the Meadows, plate 8 from "Liber Studiorum, part II"

Joseph Mallord William Turner, 1808

Sepia print of a castle on a rocky hill with cattle on a path and trees framing the scene.

The Castle above the Meadows, part II, plate 8 from "Liber Studiorum"

Joseph Mallord William Turner, 1808