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The Metropolitan Museum of Art

16,063 works

Pen drawing of a rearing horse and armored rider leaping before onlookers and a stone city wall.

Marcus Curtius

Samuel Stettler, 17th century

Sepia etching of an elderly man grinning beside a chair burning with flames and smoke in a dim room.

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)

Francisco Goya, 1799

Etching of a donkey seated beside a monkey painting at an easel in a dim studio, with a small face visible on the canvas.

Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)

Francisco Goya, 1799

Etching of winged women and birds above a branch, with an old woman and two younger women and a dog below.

Plate 19 from "Los Caprichos": All will fall (Todos Caerán)

Francisco Goya, 1799

Etching of two bound men beside a donkey-headed figure with a spoon and a basket, sepia tones, plate 50.

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)

Francisco Goya, 1799

Etching of a hunched old man clutching money bags while three grinning figures, one in a top hat, watch him.

Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)

Francisco Goya, 1799

Goya etching of an elderly woman reading a book while grotesque figures lurk behind and beside her, numbered plate 29.

Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)

Francisco Goya, 1799

Sepia etching of a woman cutting a seated man's hair while another woman with a plate looks on in a dim room.

Plate 35 from "Los Caprichos": She fleeces him (Le descañona)

Francisco Goya, 1799

Etching of an old woman leaning on a cane while a hooded companion whispers, with a dark tree behind them.

Plate 28 from "Los Caprichos": Hush (Chiton)

Francisco Goya, 1799

Engraving of a seated woman with her hand on a lion, beside an open book, columns, arch, and balance scales.

La Force

Jean Chartier, 16th century

Goya etching of witches with brooms and plucked birds on the ground, a flying bird above, and a figure peering from a doorway

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)

Francisco Goya, 1799

Etching of a figure in a shawl balancing two chairs on her head, with a seated woman and two laughing onlookers nearby.

Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)

Francisco Goya, 1799

Hand-colored winter print of a log cabin in snowy woods with a woman feeding chickens, men and a horse by a pond.

A Home in the Wilderness

Currier & Ives, 1870

Goya etching of a woman in a white dress flying with arms raised, held by winged grotesque figures and a bird-like creature.

Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)

Francisco Goya, 1799

Colour print of Patrick Henry standing and gesturing while Virginia Assembly delegates raise their hands in a crowded chamber

"Give Me Liberty or Give Me Death!-Patrick Henry delivering his great speech on the Rights of the Colonies, before th…

Currier & Ives, 1876

Etching of a seated man and older woman with a standing young woman in a white dress, from Goya's Los Caprichos.

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)

Francisco Goya, 1799

Etching of a woman in a lace dress screaming while an old hooded woman and a man look on, caption below reads No grites, tont

Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)

Francisco Goya, 1799

Color print portrait of a young man in a wide-brimmed hat holding a bundle of crayons, with a French inscription below.

Portrait of Edouard Gautier-Dagoty

Carlo Lasinio, 1783

Colour caricature of a dandyish man in a tan overcoat, monocle and dark hat, holding a cane and cigarette.

A Symphony, from "Vanity Fair"

Leslie Ward, January 12, 1878

Pen and ink drawing of a seated musician playing a lyre beside tumbling stone blocks and city walls.

Amphion Building the Walls of Thebes

Giovanni Luigi Valesio, n.d.

Brown wash drawing of a muscular man leaning on a long staff, wearing draped cloth, looking to the left.

A Man Resting on a Staff

Paolo Farinati, n.d.

Watercolor sketch of an elderly man in a tall hat leaning over a cider stand while two men watch outside a shop.

Sketch to Illustrate the Passions - Senility or Peevishness

Richard Dadd, 1855

Engraving of the grieving Virgin seated beside Christ's body beneath a large cross, with a town and trees behind.

The Lamentation of the Virgin Beneath the Cross

Mario Cartaro, 1566

Etching of armed men struggling over a prone figure, with a child on the ground and a small building behind.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

Francisco Goya, ca. 1810 (published 1863)

Etching of a kneeling man with outstretched arms under a dark, hatched sky, captioned Tristes presentimientos de lo que ha de

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes…

Francisco Goya, ca. 1815 (published 1863)

Etching of a couple embracing as an older woman lunges at them with a raised arm, from Goya's Disasters of War.

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)

Francisco Goya, 1810 (published 1863)

Etching of women with a sword tending a wounded man on the ground, with the Spanish caption Las mugeres dan valor below.

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

Francisco Goya, 1810 (published 1863)

Etching of a woman in white standing by a cannon above fallen soldiers on a battlefield.

Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)

Francisco Goya, 1810 (published 1863)

Engraving of a crowned rider on a white horse in a forest hunt, with a stag, hunting dogs and attendants around him.

The Deer Hunt of Emperor Frederick I Barbarossa and Ubaldino Ubaldini

called Stradanus Jan van der Straet, 1589

Engraved interior of a formal 1645 ceremony with courtiers, chandeliers and a clergyman reading a contract at a balustrade.

Ceremony of the Contract of Marriage between Władysław IV, King of Poland, and Marie Louise Gonzaga, Princess of Mant…

Abraham Bosse, 1645