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The Metropolitan Museum of Art

14,955 works

Etching of gaunt, aged figures tangled together, one carrying a bundled body, with walking sticks and a scroll, in brown tone

Plate 77 from "Los Caprichos": What one does to another (Unos á otros)

Francisco Goya, 1799

Etching of three men, one in a sash holding a cane, with a hat-wearing figure and another behind, numbered plate 76.

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Com…

Francisco Goya, 1799

Etching of three hunched old women in a dim room, one holding a broom beside a wooden table, with the caption Despacha, que d

Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)

Francisco Goya, 1881-86

Etching of stacked corpses on a mound with two standing men above them, under an open, bleak sky.

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Francisco Goya, 1810 (published 1863)

Engraved trade card of Thomas Ash's chair shop in New York, with a man and horse cart beside a sailing ship at the wharf.

Fancy & Windsor Chair Manufactory, Wholesale & Retail, Thomas Ash, No. 33 John Street, New York

Asher Brown Durand, 1817

Hand-colored caricature of a fantastical parade with exaggerated mounted soldiers and satirical banners on a cobbled street.

Grand Fantastical Parade, New-York, December 2, 1833

David Claypoole Johnston, 1833

Etching of a brick doorway with stone steps, a hanging Old Tom's gin sign, evergreen boughs, and a seated figure inside.

The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York)

Henry Farrer, 1870

Lithograph of St. John's College in Fordham with cricket players on a lawn, a church spire, and a large tree on the right.

St. John's College Fordham, New York

William Rodrigue, 1846-51

Hand-colored print of a zouave-uniformed man drinking from a bottle beside temperance society posters, with onlookers and a f

États-Unis 1865 - New York Fire Brigade - Zouaves

Draner, 1865

Hand-colored print of a uniformed soldier with rifle drinking at a saloon bar while a bartender serves him.

Étast-Unis d'Amerique - Chasseurs à Pied

Draner, 1865

Hand-colored lithograph of a US infantry soldier in a cape coat and kepi standing in a camp with tents and a flag.

États-Unis d'Amerique - Infanterie de ligne

Draner, 1865

Colour lithograph of a smiling officer in dark blue uniform beside a laughing servant holding a cloth, with a barber sign beh

États-Unis d'Amerique 1865 - Offr. de Dragons

Draner, 1865

Hand-colored lithograph of a uniformed officer in an office with a desk, notices on the wall, and a sword resting by a stool.

États-Unis d'Amerique 1865 - 7th Regt. of New-York

Draner, 1865

Hand-colored print of two dealers and a boy in a gallery of paintings, with a reclining nude and an auction notice.

Vive la France, Marchands de "Tableaux" se Preparant pour la Vente Publique / Picture "Dealers" Preparing for "Auction"

Alfred E. Baker, 1840

Etching of a plumed horseman with raised sword among fallen figures and attackers in a smoky battle scene.

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)

Francisco Goya, ca. 1810 (published 1863)

Etching of tangled, struggling and fallen figures on a dark hatched ground, Goya's Disasters of War plate 10.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)

Francisco Goya, 1810 (published 1863)

Etching of a merchant ship heeled over for hull repairs, with small boats and workers beside it on a calm sea.

A Merchant Man Careened for Caulking the Hull

Reinier Nooms, 17th century

Etching of a bound man at a tree as soldiers aim muskets at him, with bodies on the ground in the foreground.

Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)

Francisco Goya, 1810 (published 1863)

Etching of soldiers attacking a screaming captive with sabers, numbered 32 and captioned Por qué, by Goya.

Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)

Francisco Goya, 1810 (published 1863)

Etching of a dog snarling over a prone, fallen figure in pale clothing, with dense horizontal hatching in the background.

Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)

Francisco Goya, ca. 1810 (published 1863)

Engraving of a crowned woman in classical drapes beside a horse and cornucopia, holding a small domed model, labeled EUROPA.

Allegory of Europe, from "The Four Continents"

Johann Justin Preissler, 1730-71

Etching of soldiers in fur hats dragging a nude body across the ground, with a tree and hills behind them.

Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)

Francisco Goya, 1810 (published 1863)

Etching of a seated man in a tall hat and dark cloak holding a knife, with a crowd behind him in a flat landscape.

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)

Francisco Goya, 1810 (published 1863)

Etching of seated hooded figures with crosses on their hats lined up on a wooden bench, some holding papers.

Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)

Francisco Goya, ca. 1810 (published 1863)

Etching of a hanged man on a tree beside a slumped seated figure on a stone block, under a grey sky.

Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)

Francisco Goya, 1810 (published 1863)

Etching of a man and woman beating a prone body while a crowd watches, with a small building behind them.

Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)

Francisco Goya, ca. 1810 (published 1863)

Etching of armed men in a violent scene, one standing over a fallen body with a sword, another raising a stick.

Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)

Francisco Goya, ca. 1810 (published 1863)

Etching of figures in distress on stone steps before a dark building, titled Appeals are in vain, from Goya's Disasters of Wa

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)

Francisco Goya, 1811-12 (published 1863)

Etching of a standing man beside fallen bodies, including a woman and child in a puddle, with the caption Cruel lástima.

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)

Francisco Goya, 1811-12 (published 1863)

Etching of a group of figures by a ruined wall, including a standing woman in a feathered hat and children on the ground.

Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otr…

Francisco Goya, 1811-12 (published 1863)