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The Metropolitan Museum of Art

33,907 works

Pen and brown ink drawing of two fragments showing a sea monster with a serpentine neck, wing, and clawed feet.

Sea Monster (in two fragments)

Bernardino Poccetti, 1548-1612

Grey-wash drawing of a wide river with a promenade of walkers and a carriage on the left, cliffs and trees beyond.

View of a river with a promenade

David Octavius Hill, 1820-70

Grey wash drawing of a calm lake with a sailboat, framing trees, distant hills and figures on a rocky bank.

View of a lake or river with a sailboat

David Octavius Hill, 1820-70

Grey wash drawing of a waterfall falling over rocks, framed by trees, with an arched bridge in the distance.

View of a Waterfall (recto); Landscape Study (verso)

David Octavius Hill, 1820-70

Grey wash drawing of Fingal's Cave with vertical basalt columns, a sailboat on choppy water, and birds over the cliffs.

View of Fingal's Cave

David Octavius Hill, 1820-70

Grey wash drawing of a winding river through woodland, framed by a large tree, with figures in the foreground.

View of the Thames with Figures in Foreground

David Octavius Hill, 1820-70

Watercolor of a glowing white-robed woman holding flowers on a ledge, surrounded by shadowy creatures and a dark landscape.

Light and the Shades

Henry George Hine, ca. 1870

Watercolor and ink design drawing of a lidded urn on a tripod stand with female busts, garlands and paw feet.

Design for a torchere or perfume burner

Henry Holland, 1765-1806

Pencil drawing of a crowned woman with halo holding a garland, framed by scrolling ornamental foliage on a gold ground.

Woman Holding a Garland

Charles Edward Holloway, ca. 1880

Engraving of a man with a dagger attacking a nude woman on a canopy bed while a servant with a torch watches at left.

Tarquin attacking Lucretia, a servant at left witnessing the scene

Giorgio Ghisi, ca. 1540

Watercolor drawing of dead deer, hares and a fox beneath a sign reading The British Sportsman, with a rifle leaning on a wall

Design for the Frontispiece of "The British Sportsman"

Samuel Howitt, late 18th-early 19th century

Sepia mezzotint of a turbaned man in a jeweled robe with two bearded men beside him against a dark background.

Haman's Condemnation

Richard Houston, August 24, 1775

Ink and wash architectural drawing of a gothic gatehouse elevation with a central arch and towers, with a floor plan below.

Entrance to Barlboro' Hall

William Hurst, ca. 1820

Pencil and watercolor frieze of dancers, a crouching creature, bird-headed Egyptian figures, and a cockatoo holding a pennant

Frieze of Figures and Birds

Rev. Geoffrey Liddell Johnstone, 19th century

Sepia drawing of St. Michael's Church, Cherry Burton, with a square tower, Gothic windows and figures in the churchyard.

St. Michael's Church, Cherry Burton: North East View

Horace Jones, 1845-50

Architectural elevation drawing of a long palace facade with a domed tower, arched windows, and statues along the roofline.

Whitehall Palace

Henry Flitcroft, 1715-70

Pen and watercolor caricature of a man in a tricorn hat conducting three braying donkeys in a hilly landscape, 1782.

John Campbell, Precentor, Conducting Three Braying Asses

Ink and wash elevation drawing of a Gothic Revival church facade with corner towers, rose window and pointed arch doorway.

Façade of a Gothic Revival Church

Henry Keene, 1745-76

Watercolor drawing of a two-story Italianate villa with a rooftop balustrade, surrounded by trees and a gravel path.

An Italianate Villa

Henry Edward Kendall Jr., 1820-85

Grey wash drawing of a classical landscape with trees framing a river, ruined columns, and a distant town under a pale sky.

Classical Landscape

George Washington Lambert, 1720-65

Watercolor design of a hexagonal hanging hall lamp with lattice panels and oval landscape medallions on a cream sheet.

Design for a Hall Lamp No.6

Lamqua, ca. 1845

Colored design drawing of a hexagonal hall lamp with pagoda roof, floral panel, and hanging bead tassels on paper.

Design for Hall Lamp No.9

Lamqua, ca. 1845

Grey wash drawing of an Egyptian-style interior with lotus columns, sphinx statues, hieroglyphic friezes and a central firepl

Design for an Egyptian-style Interior

Gaetano Landi, 1810

Pen and watercolour sketch of an angler seated by a river with cows and ducks, under windblown trees.

"The Riverside, Favourable Wind and the Trout Rising as Fast as Possible"

John Leech, 1830-64

Pen and watercolor caricature of an old gentleman fishing through ice on a snowy bank while a small figure swings an ice pick

The Pike is a voracious fish and bites readily in the Winter months-Old Gentleman is VERY fond of fishing

John Leech, 1830-64

Pen and watercolor drawing of a seaside scene with bathing machine, riders, mermaid, and children playing on sand.

London at the Sea Side

John Leech, 1830-64

Pen and watercolor drawing of a boy on a carriage step and a girl reaching toward him beside a horse and coachman.

Boy (loq.) O don't I pity them poor Nobs in Carriages this hot weather

John Leech, 1830-64

Architectural elevation drawing of a rococo room wall with central door, columns, bust, windows and ornate scrolled decoratio

Design for the Decoration of the Window Door Wall of a Rococo Room with a Coved Ceiling and Coved Central Fanlight (S…

Thomas Lightoler, mid-18th century

Pen and wash elevation of a Rococo room with coffered ceiling, ornate mirror frames and a Corinthian doorway.

Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway

Thomas Lightoler, ca. 1750

Architectural sketch design with ground plan, bedroom plan and elevations for a smithy and two cottages, in watercolor and in

Design for a Smithy and Two Cottages

Charles Edward Mallows, late 19th-early 20th century

Watercolor design drawing of a gold tall church lamp stand with branching arms, scrollwork and glass shades on a tripod base.

Design for Church Lamp Stand

B. Mansfield, 1889

Watercolor elevation of a two-story stone building with five arched bays, iron railings, and pedestrians on the street.

Perspective elevation, from left, of stonefaced building of five bays and two stories

J. B. Marsh, 1866

Study of a Lady in a Riding Habit

Phil May, late 19th-early 20th century

Costume sketch of a figure in black tunic with yellow sash and tricorn hat with red feather, with handwritten notes.

Costume Drawing for Little John

Phil May, late 19th century

Pen and ink sketch of men in top hats and a woman with a dog in a crowded saloon beneath a chandelier.

The Hoffman House Saloon, New York

Phil May, ca. 1895

Pencil design drawing of an ornate door knocker with a flame finial and scrolled base, with a section detail and handwritten

Design for Door Knocker, for "The Builder's Journal"

Eleanor Mercer, 1886-96

Watercolor elevation drawing of a classical theater facade with a central pediment, colonnade, and dome under a cloudy sky.

Design for the Façade of a Theater (Perspective)

Charles Middleton, late 18th-early 19th century

Ink drawing of a symmetrical country house elevation with a columned portico, with a floor plan and scale bar below.

Plan and Elevation of Country House

Robert Morris, early to mid-18th century

Pen and grey wash floor plan of a garden pavilion with central rectangular room, semicircular apses and a feet scale bar.

Plan for Garden Pavilion

Robert Morris, early to mid-18th century

Ink and wash elevation drawing of a garden pavilion with a pediment, caryatid figures, arched niches, and urns.

Elevation of Garden Pavilion

Robert Morris, early to mid-18th century

Etching of the Basilica of St. John Lateran in Rome with statues on its roof, a domed chapel, carriages, and figures in the p

S. Giovanni in Laterano, main façade, with Palace and Scala Santa on the right (Veduta della Basilica di S. Giovanni…

Giovanni Battista Piranesi, ca. 1749

Ink and watercolor design for a watchcase and chatelaine with rococo frames, cherubs, and a mythological medallion.

Design for an Enameled Watchcase and Châtelaine with Mythological Figures

George Michael Moser, ca. 1766 (?)

Etching of two domed churches beside Trajan's Column in Rome, with carriages and pedestrians on a busy street.

Two churches near Trajan's column, S. Maria di Loreto and Santissimo Nome di Maria (Veduta delle due chiesa, l'una de…

Giovanni Battista Piranesi, ca. 1762

Etching of the round Temple of Cybele in a busy Roman square with carts, figures, and a cloudy sky.

View of the Temple of Cybele in the Piazza of the Bocca della Verità (Veduta del Tempio di Cibele a Piazza della Bocc…

Giovanni Battista Piranesi, ca. 1758

Etching of ruined vaulted interior of the Canopus at Hadrian's Villa, with fallen masonry and small figures among the debris.

Hadrian's Villa: The Canopus (Avanzi del Tempio Dio Canopo nella Villa Adriana in Tivoli)

Giovanni Battista Piranesi, ca. 1769

Etching of a vaulted Roman bath chamber with a round basin, hanging lamp, arched niches and a skeleton on the floor.

View of Pompeii (Altra veduta della Stanza dove si preparava il Bogno Caldo . . . )

Francesco Piranesi, n.d.

Red chalk drawing of muscular nude figures with grinning demons, one horned and one with bat-like ears, on a pale sheet.

Study of Figures from Michelangelo's Last Judgment, Sistine Chapel

Michelangelo, 1540-50

Pen drawing of a classical entablature and column section with egg-and-dart moldings, dentils, and a rosette on tan paper.

Design for Entablature

Robert Mylne the younger, mid-18th-early 19th century

Etching of ruined Corinthian columns and a carved frieze beside a Roman street with houses, trees and figures.

The Temple of Vespian (Veduta del Tempio di giove Tonante)

Giovanni Battista Piranesi, ca. 1756

Etching of a busy Roman riverside harbor with boats, barrels, stone steps, and church and palace buildings under clouds.

The smaller harbor, called the Porto di Ripetta (Veduta del Porto di Ripetta)

Giovanni Battista Piranesi, ca. 1753

Watercolor interior with a seated mother and child, children, two men in period dress, a canopy bed and tapestried walls.

Scene with Family and Guest in Seventeenth-Century Interior

Joseph Nash, 1825-78

Etching of Roman ruins with a large coffered vault, overgrown walls, cypress trees and small figures among rubble.

The Temple of Venus and Roma (erroneously called Temple of Sol and Luna) (Veduta degli avanzi di due triclini che app…

Giovanni Battista Piranesi, ca. 1759

Etching of a columned interior with domed vault, central altar, and small figures in period dress on the floor.

S. Constanza (erroneously callled Temple of Bacchus) (Veduta interna del Sepolcro di S. Constanza, fabbricato da Cost…

Giovanni Battista Piranesi, ca. 1756

Etching of the Theatre of Marcellus in Rome with arched arcades, carts and people in the piazza, and a dome at right.

The Theatre of Marcellus (Teatro di Marcello), from "Vedute di Roma"

Giovanni Battista Piranesi, ca. 1757

Etching of a bearded man in a turban and draped robe, standing barefoot and leaning on a long halberd.

Saint Jude (or Saint Matthias)

Jacques Bellange, 1595-1616

Etching of Saint Andrew standing barefoot on a diagonal cross, wearing a fringed cloak, with a halo above his head.

Saint Andrew

Jacques Bellange, 1595-1616

Lithograph of two giraffes, an attendant, and antelopes on a plain, advertising live giraffes exhibited on Broadway, 1838.

The Majestic and Graceful Giraffes, or Cameleopards, with some Rare Animals of the Gazelle Species

Edward Williams Clay, 1838

Portrait of Louis-Philippe, Duc d'Orléans, on Horseback

Jean-Baptiste Joseph Delafosse, 1763

Engraved portrait of a man in a tall top hat and high cravat, within an oval vignette, titled Warren Hastings, Esq.

Portrait of Warren Hastings, Esq.

George Townley Stubbs, April 30, 1795

Pen and ink architectural elevation of a classical building facade with arched doorway, pilasters, and a pedimented niche.

Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)

Giovanni Battista Naldini, ca. 1557

Mezzotint of boxer Richard Humphreys in a fighting stance, bare-chested, fists raised, before a cloudy landscape with trees.

Richard Humphreys, the Celebrated Boxer Who Never Was Conquered

John Young, 1788

Watercolor drawing of a carved oak fireplace with niches, columns and a central shield in the Jerusalem Chamber, 1838.

Oak Carving from Fireplace in the Jerusalem Chamber, Westminster

Charles James Richardson, 1838

Watercolor drawing of an ornate carved oak fireplace with scrolled pediment, ball finial, and arched central panel.

Oak Carving from Fireplace in the Jerusalem Chamber, Westminster

Charles James Richardson, 1820-71

Watercolor design of a carved oak fireplace frame with a pediment, arched niche and scrolled brackets.

Design for Oak Carving, from the Fireplace, Jerusalem Chamber, Westminster

Charles James Richardson, 1820-71

Ink and wash drawing of a classical museum facade with domed pavilions, statues, and a horse-drawn carriage in front.

Design for a Museum or Repository

Stephen Riou, 1758

Pen and wash drawing of a Baroque fountain design with a shell niche, scrolled volutes, animal heads and a perched bird.

Fountain at the Villa Panfili, Italy

Stephen Riou, 1752

Pen and grey wash drawing of an ornate theatre interior with a decorated dome, tiered balconies, curtained boxes and a stage.

Interior of a Theatre

David Roberts, 1796-1864

Colored design for a Gothic stained glass window with five panels of Old Testament scenes and angels above.

Design for Old Testament Window

Dante Gabriel Rossetti, ca. 1870

Pen and watercolor drawing of fishermen and boats on a seashore, with a small cottage and sailing ships in the distance.

Figures by the Seashore

Thomas Rowlandson, late 18th-early 19th century

Rowlandson watercolor of a couple dining at a table with servants bringing plates, a dog beneath the cloth, and a folding scr

A Couple at Table with Servants

Thomas Rowlandson, 18th-19th century

Pen and watercolor drawing of a rider struggling with a rearing white horse before an inn with onlookers.

Dr. Syntax with a Balky Horse Before an Inn

Thomas Rowlandson, 18th-19th century

Pen and grey wash drawing of a street with timber houses, a medieval gate, horses, a carriage and pedestrians.

City View with Medieval Gate (perhaps York)

Thomas Rowlandson, 1775-1827

Pen and ink sketch of a bearded man in a tricorn hat leading two oxen pulling a cart along a rough road.

Going Sick to the Rear

Thomas Rowlandson, ca. 1815

Watercolor of a tailor sitting cross-legged pressing cloth in a cluttered interior, with a woman carrying bread and a dog nea

The Tailor

Thomas Rowlandson, 1814

Watercolor of a harbor at low tide with beached boats, small figures, cottages and sailboats on the water under clouds.

Harbor scene with the tide out, and beached boats

Thomas Rowlandson, 1775-1827

Pen and watercolor drawing of a busy barber's shop with lathered customers, wigs, dogs fighting on the floor, and a reading m

The Barber's Shop

Thomas Rowlandson, 1785-1805

Pen and watercolor drawing of a river town with sailing boats, castle ruins, a stone arched bridge, and hills.

Carmarthen Castle, Wales

Thomas Rowlandson, 1797

Watercolor of a woman in a white dress blown by wind in a boat while men and onlookers on a dock react nearby.

Easterly Winds

Thomas Rowlandson, ca. 1810

Pen and watercolor drawing of mounted cavalrymen raising curved sabres, one holding a pink standard, against a cloudy sky.

Unused study for a plate to "Hungarian and Highland Broadsword Exercise" Feb. 12, 1799

Thomas Rowlandson, ca. 1799

Gray wash drawing of a jockey waving his cap on a galloping horse while a man watches on the right.

How to Escape Losing

Thomas Rowlandson, ca. 1791

Pen and ink drawing of a busy harbor with sailing ships, rowboats, and figures on the quay.

Harbor scene

Thomas Rowlandson, 1775-1827

Pen and ink drawing of oxen and a horse hauling a felled log past trees and rolling hills.

Landscape with Oxen and Felled Tree

Thomas Rowlandson, 1775-1827

Watercolor of a river ford with rowing boats, a crowd by a thatched inn, a horse and cart, and a sailing ship on the water.

The Inn at the Ford

Thomas Rowlandson, 1775-1827

Watercolor landscape of gnarled trees beside a rushing stream, with a frightened couple and a snake on a path.

Landscape with rushing stream and a couple on the bank, frightened by a snake

Thomas Rowlandson, 1775-1827

Watercolor of travelers riding and mounting donkeys at a post beneath a stone archway, with onlookers and a dog.

Pleasure of a Poste aux Anes, from Sentimental Travels

Thomas Rowlandson, ca. 1821

Pencil sketch of figures gathered by a river with a boat, village and trees in the background.

"The Social Day" from the "World of Miniature"

Thomas Rowlandson, 1775-1827

Busts of Two Women Wearing Fantastical Head-dresses

René Boyvin, n.d.

Engraving of Christ standing before a seated high priest at night, with torch-bearing figures, soldiers, and a city tower beh

Christ before Caiphas, from "The Passion of Christ"

Hendrick Goltzius, 1597

Engraving of Christ standing before a seated ruler under a canopy, with soldiers and onlookers and a city view through an arc

Christ before Pilate, from "The Passion of Christ"

Hendrick Goltzius, 1596

Pen and wash drawing of a draped woman leaning toward a seated male nude viewed from behind.

Woman Talking to a Seated Male Nude

Thomas Rowlandson, 1775-1827

Pencil sketch of an interior with a fireplace, curtained bed, and an elderly man in a gown beside a dog.

Dr. Syntax Loses His Wig

Thomas Rowlandson, 1820

Pencil sketch of men dining at a table in a vaulted interior with dogs on the floor and a hearth at right.

Dr. Syntax and the Superannuated Fox Hunters

Thomas Rowlandson, 1820

Pen and grey wash drawing of witches stirring a cauldron with a horned devil and demons watching while men observe at left.

Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso)

Thomas Rowlandson, 1799

Pen and ink caricature of agitated men around an easel with a Revolutionary Pot, with speech balloons and a map of Ireland.

An Irish Howl

Thomas Rowlandson, ca. 1799

Pen and ink caricature of a rider on a horse loaded with saddlebags labeled Hastings and Wrongs, with handwritten verses.

The Q A loaded with the spoils of India and Britain, March 6, 1788

Thomas Rowlandson, ca. 1788

Pen sketch of a military review with marching soldiers, banners, mounted officers on horseback, and a crowd of onlookers.

A Military Review

Thomas Rowlandson, late 18th-early 19th century