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The Metropolitan Museum of Art

17,446 works

Etching of a man clutching his head beside a reclining woman in a pale dress, with a handwritten caption reading Tantalo.

Plate 9: Tantalus (Tantalo), from "Los Caprichos"

Francisco Goya, ca. 1798-99

Etching of an elderly man in a robe recoiling at a table with two shadowy figures behind him, from Goya's Los Caprichos.

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

Francisco Goya, ca. 1798

Etching of two women in dark mantillas seated on wooden chairs against a shaded background, with a handwritten caption below.

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Francisco Goya, 1799

Etching of a woman embracing a kneeling man beside a broken pot, with laundry hanging behind them and a wicker basket at left

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

Francisco Goya, ca. 1797-98

Etching of a woman in a dark gown and ruff riding a grey horse across a landscape, with an inscription beneath.

Isabel de Bourbon on horseback, after Velázquez

Francisco Goya, 1778

Etching of Philip IV on a rearing horse in a hilly landscape, after Velázquez, by Goya, 1778.

Philip IV on horseback, after Velázquez

Francisco Goya, 1778

Etching of a seated court dwarf in a lace-collared cloak, after Velázquez, with an inscription beneath, 1778.

Portrait of the court dwarf known as el Primo, after Velázquez

Francisco Goya, 1778

Etching of a nobleman on a rearing horse holding a baton, with a tree and hills in the background, after Velázquez.

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

Francisco Goya, 1778

Etching of an elderly man in a cloak holding a book, labeled Aesopus, after Velázquez, by Goya, 1778.

Aesop, after Velázquez

Francisco Goya, 1778

Etching of an elderly bearded man in a wide hat and cloak beside a jug on a ledge, after Velázquez, by Goya, 1778.

Menippus, after Velázquez

Francisco Goya, 1778

Etching of a seated man in a fur-trimmed cloak and wide hat, resting on a large open book beside a candle.

Portrait of the court dwarf El Primo, after Velázquez

Francisco Goya, 1778

Poster of an embracing couple at a café table with a third figure behind, with green lettering reading Reine de Joie.

Reine De Joie

Henri de Toulouse-Lautrec, 1892

Black-and-white reproduction of Toulouse-Lautrec's 1893 poster Caudieux showing a man in evening dress striding forward.

Caudieux

Henri de Toulouse-Lautrec, 1893

Aristide Bruant, at His Cabaret

Henri de Toulouse-Lautrec, 1893

A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their…

Arthur Pond, 1732-69

Red-toned sketch of a woman in a long dress holding an open fan, with a hair bow, against a speckled background.

Luce Myrès (Front View)

Henri de Toulouse-Lautrec, 1895

Drawing of a man with curly hair and a lace cravat, shaded in graphite on cream paper, with a stern direct gaze.

Self-Portrait

Francisco Goya, ca. 1796

Grey wash drawing of a woman on a swing held by ropes, with a man in a long coat raising his arms beside her.

Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"

Francisco Goya, 1795-97

Grey wash drawing of a weeping young woman in a full skirt, embraced by two men beside a doorway.

Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B"

Francisco Goya, 1795-97

Grey wash drawing of a woman in a mantilla seated on a chair, with a companion partly seen behind her.

Maja seated on a chair and two companions behind; folio 18 (verso) from the Madrid Album "B"

Francisco Goya, 1795-97

Grey wash drawing of a seated man in a jacket beside a woman draped in a dark shawl, resting on a rock.

Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B"

Francisco Goya, 1796-97

Grey wash drawing of a woman dancing with raised arms beside a bull behind a stone wall.

A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"

Francisco Goya, 1796-97

Grey wash drawing of a wigged charlatan extracting a tooth from a seated patient, with a bent figure and bottles nearby.

A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the M…

Francisco Goya, 1796-98

Grey wash drawing of two men drinking together, a white-robed woman raising an arm, and a hooded figure watching at left.

They are getting drunk; folio 67 (recto) from the Madrid Album "B"

Francisco Goya, 1796-98

Grey wash drawing of a veiled woman, a bent man, and seated figures at a table in a doorway interior, captioned below.

Generosity versus Greed; a woman and three men conducting a transaction inside a shop; folio 76 (recto) from the Madr…

Francisco Goya, 1796-98 (possibly later)

Grey wash drawing of a young man in a sword bowing before an older man in a cloak, with onlookers behind them.

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from…

Francisco Goya, 1796-98 (possibly later)

Grey wash drawing of a man with a raised sword confronting a seated woman as another man stands behind her.

Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"

Francisco Goya, 1796-98

Grey wash drawing of two veiled women helping a cloaked figure climb through a window, with a handwritten Spanish caption bel

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"

Francisco Goya, 1796-98

Grey wash drawing of a woman in a white dress pulling at her hair, with a shadowed man behind her and Spanish inscriptions.

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"

Francisco Goya, 1796-98

Grey wash drawing of a man in period dress whipping donkey-headed figures in coats, with handwritten Spanish captions above a

Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"

Francisco Goya, 1796-98