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The Metropolitan Museum of Art

33,661 works

Pencil portrait sketch of a man with tousled hair and a stern expression, on cream paper.

Portrait of the Sculptor Hermann Ernst Freund

Christen Købke, 1837

Drawing of a wooded and rocky landscape with trees on the left, boulders on a steep slope, and white highlights on grey paper

A wooded and rocky landscape

Raphael Lamar West, ca. 1800

Engraving of a crowd of men and women beneath a flying allegorical figure holding flowers, with a hooded figure and scales in

Divine Justice

James Barry, 1808

Watercolor drawing of nude Adam and Eve by a tree with fig leaves, a parrot, an angel, and a mountain landscape behind.

The Expulsion from Paradise

Daniel Fröschl, late 16th-early 17th century

Watercolor of a wooded Caucasus valley with a river, village huts, and figures in traditional dress on a path.

Valley of Vardan, Caucasus

William Simpson, 1855-58

Engraving of a winged armored guardian with a spear and key on a cliff, watched by a crowd, with serpents below.

The Angelic Guards

James Barry, 1808

Etching of men drinking and smoking at an outdoor inn table beneath a tree, with a dog and a serving woman nearby.

Wet Parsons

Thomas Rowlandson, 1785

Hand-colored satirical print of ten political caricature panels with foxes, men, a balloon, and mythological punishments.

Two New Slides for the State Magic Lantern

Thomas Rowlandson, December 29, 1783

Pencil sketch of armed men in a rowing boat on a shore beside a ship, with rocks and trees in the landscape.

Rinaldo rescued from Armida

Benjamin West, 1766-1800

Hand-colored satirical print of a seated man in a red chair with onlookers, a woman in yellow, and a man in blue grabbing her

Secret Influence Directing The New P-l-t [Parliament]

Thomas Rowlandson, May 18, 1784

Red chalk drawing of a classically dressed figure in a cloak and armor, with faint inscribed lettering at lower left.

Louis XV as a Roman Emperor

Michel-François Dandré-Bardon, ca. 1750-60

Hand-colored caricature of an armored champion with a sword and shield fighting a green many-headed hydra labeled tyranny and

The Champion of the People

Thomas Rowlandson, March 11, 1784

Hand-colored caricature of three men in 18th-century dress labeled Themistocles, Demosthenes, and Judas Iscariot.

The Rival Candidates

Thomas Rowlandson, April 8, 1784

Etching of demons and caricatured heads around a cauldron of vices, with a city skyline and bridge in the upper left.

The Pit of Acheron or The Birth of the Plagues of England

Thomas Rowlandson, January 28, 1784

Hand-colored satirical print of a fallen man in a blue coat beside a tilted crate, with a city skyline behind him.

The Fall of Dagon - Or Rare News For Leadenhall Street

Thomas Rowlandson, January 4, 1784

Hand-colored caricature of a leaning old house with a coach, kneeling figures, and a fox guarding a door marked Funds under a

The Times - Or A View Of The Old House In Little Brittain - With Nobody Going To Hannover

Thomas Rowlandson, January 23, 1784

Hand-colored caricature of a tall man in green coat with a staff beside a red-coated soldier, with a crowd and handwritten ve

The Drum Major of Sedition

Thomas Rowlandson, March 29, 1784

Hand-colored print of a crowded street procession with carts, banners and onlookers before shop fronts and a church tower.

Master Billy's Procession to Grocers Hall

Thomas Rowlandson, March 8, 1784

Hand-colored caricature of a stout watchman in blue coat with a dog, a lantern, and two rival watchmen on the right.

The Westminster Watchman

Thomas Rowlandson, April 12, 1784

Hand-colored caricature of two stout figures with canes, a woman in a feathered hat, a tombstone, and framed fox scenes.

For The Benefit of The Champion

Thomas Rowlandson, May 20, 1784

Hand-colored satirical print of a drummer leading a street procession with flags, placards and a crowd beside a colonnade.

The Westminster Deserter Drum'd Out of The Regiment

Thomas Rowlandson, May 18, 1784

Pen and ink caricature of three men seated at a table with a teapot, one reading a document, titled Money Lenders.

Money Lenders

Thomas Rowlandson, November 8, 1784

Etching of a painter disturbed in his studio by visitors while a nude woman reclines nearby.

Intrusion on Study or The Painter Disturbed

Thomas Rowlandson, November 30, 1785

Lithograph of a caricatured hybrid creature with a human face, top hat, winking, and a long curled tail, seated with a pouch.

An Extradordinary Animal. Neither an Opossum nor a Kangaroo but having something of both

John Doyle, March 26, 1835

Hand-colored caricature of a gesturing lecturer at a lectern with books, facing a crowd of exaggerated listeners beneath a wi

An Essay on the Sublime & Beautiful

Thomas Rowlandson, April 10, 1792

Hand-colored print of five men in powdered wigs and 18th-century dress conferring together outdoors, some leaning on canes.

The Consultation

Thomas Rowlandson, September 1785

Caricature of men in top hats around a table playing the thimble rig, with speech bubbles above the figures.

The Thimble Rig: "A Scene from the Derby"

John Doyle, July 10, 1834

Caricature sketch of a horse-drawn Public Reform omnibus with top-hatted men beside and atop it, dated 1834.

New State Omnibus, or, The Man wot is Cad to the Man wot was Cad to the Man wot drove the Sovereign

John Doyle, December 24, 1834

Etching of two men quarrelling in a cluttered interior while a woman sits beside them, with a jug and dead rat on the floor.

A Cully Pillag'd

Thomas Rowlandson, November 30, 1785

Etching of a startled bedroom scene with figures around a bed, a lantern and candle, by Thomas Rowlandson.

The Sad Discovery; or, the Graceless Apprentice

Thomas Rowlandson, November 30, 1785