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Kupferstichkabinett, Staatliche Museen zu Berlin

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Engraving of the Last Supper with Christ and twelve apostles around a table holding a chalice and bread.

Das Abendmahl

Engraving of the Annunciation: an angel with a palm branch greets Mary seated at a table in an arched room, with musician ang

Verkündigung an Maria

Hendrick Goltzius

Pen and wash drawing of the Tiber river at Ripetta, with city buildings, church domes and moored rowboats in the foreground.

Ansicht des Tiber bei Ripetta

Gaspar Adriaensz. van Wittel

Pen and wash drawing of a church tower behind trees, a small boat on a waterway, and a bridge with figures.

Landschaft mit Kirche an einem Wasser

Gerbrand van den Eeckhout

Pen and wash drawing of a crowd of armored horsemen, soldiers and robed figures in a tumultuous procession.

Die Begegnung Papst Leos I. mit Attila

Arent de Gelder

Pencil drawing of a man with a bundle walking past onlookers, seated men, a woman and children at a window.

Der Sonnenwirt aus dem Gefängnis heimkehrend

Wilhelm von Kaulbach, 1820

Drawing of four men at a wine-laden table, each showing a different drunken temperament, in an interior with framed pictures.

Die vier Temperamente bei Trunkenheit

Johann Peter Hasenclever, 1825

Pen and wash drawing of an octagonal colonnaded hall with a domed skylight and figures in classical dress.

Spiegelsaal

Johann Erdmann Hummel, 1784

Pen drawing of a pipe-smoking man in a crowded sailboat approaching a bearded figure on an ice floe labeled Nordpol.

Schlemihl segelt zum Nordpol (Expedition des Grafen Rumjanzow)

E. T. A. Hoffmann, 1791

Grayscale drawing of men watching a chess game at a table in a tavern-like interior, with a framed sign on the wall.

Matt im Schachspiel

Johann Peter Hasenclever, 1825

Drawing of a symmetrical neoclassical interior with marble columns, twin staircases, and a chandelier with winged figures hol

Inneres des Luisen-Mausoleums

Johann Erdmann Hummel, 1784

Pen drawing of rooftops, a fenced yard with grazing cows, a tree, and two figures in the foreground under an arched frame.

Gehöft auf der Wieden am Palais Starhemberg-Schönburg

Ferdinand Olivier, 1800

Pencil and ink sketch of men in wigs and robes gathered around a table in an interior with busts and columns.

Das Examen des Kandidaten Jobs

Johann Peter Hasenclever, 1825

Pencil drawing of a weathered stone shrine with a tiled roof on a hill covered in ferns and shrubs.

Hügel mit verfallenem Bildstock

Alexius Geyer, 1831

Pencil drawing of a long road between embankments with poplars, resting figures, a woman with buckets, and a domed building.

Die Sandgstetten auf der Wieden am Belvedere

Ferdinand Olivier, 1800

Ink and wash drawing of five men arguing over a newspaper at a candlelit table, one reading while others shout.

Die Zeitungsleser

Johann Peter Hasenclever, 1825

Pen and brown wash sketch of ruined arches, cypress trees and shrubs in a hilly landscape.

Kaffeeklecksalbum Seite 60a: "Ruinen in einer Landschaft"

Michael Echter, 1827

Pen and ink drawing of armored warriors with plumed helmets and shields departing by boat across water, with onlookers on a r

Abfahrt der Nibelungen

Carl Philipp Fohr, 1810

Pen and grey wash drawing of a funeral procession of cloaked mourners passing a coffin before a church with arched windows.

Begräbnis. Illustration zur Jobsiade

Johann Peter Hasenclever, 1825

Blue watercolor and pencil drawing of a craggy mountain above a valley, with a bare tree in the right foreground.

Der Untersberg bei Salzburg

Johann Christoph Erhard, 1810

Charcoal study of clouds over rooftops, a church spire and rolling hills, with a building at the lower left.

Wolkenstudie. Himmel über Häusern, Dächern und Hügel

Adolph Menzel, 1897

Pencil and ink sketch of mourners around an open coffin at a funeral, with a clergyman standing among the crowd.

Erwachen beim Begräbnis. Illustration zur Jobsiade

Johann Peter Hasenclever, 1825

Etching of men restraining a woman on the floor in a dark arched interior, with a figure watching from the left.

Duro es el paso! (Desastres de la Guerra 14)

Francisco Goya, 1761

Pencil sketch of a vaulted stone cellar with ribbed arches, an arched window and a doorway to a lit passage.

Gewölbter Kellerraum in der Wartburg

Adolph Menzel, 1847

Pen drawing of men in wigs seated at a long table while a standing man addresses them in an arched room.

Examen. Illustration zur Jobsiade

Johann Peter Hasenclever, 1825

Etching of armed figures attacking a fallen man on a plain, with a kneeling woman and a dark sky above.

Bien te se está (Desastres de la Guerra 6)

Francisco Goya, 1761

Pencil sketch of a factory interior with a large spoked transmission wheel, belt drive, wooden beams and a trough below.

Transmissionsanlage in einer Stärkefabrik sowie weitere Details

Adolph Menzel, 1844

Pen and pencil sketch of a crowded church interior with a preacher in a raised pulpit addressing worshippers.

Predigt in der Kirche. Illustration zur Jobsiade

Johann Peter Hasenclever, 1825

Etching of nude corpses piled on a dark mound, with a standing man in a cloak and hat looking down at them.

Enterrar y callar (Desastres de la Guerra 18)

Francisco Goya, 1761

Pencil study of a hanging embroidered tablecloth beside a ruffled frill and ribbon bow, dated 1876.

Herabhängende Tischdecke, Bandschleifen und Krausen

Adolph Menzel, 1876