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J. Paul Getty Museum

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Oil study of a man with curly hair in a blue jacket and white collar, turned toward the viewer against a dark background.

Study of the Model Joseph

Théodore Géricault, about 1818-1819

Saint Augustine in gold vestments writes at a desk, gazing up, as figures sprawl beneath him in a dim study.

Saint Augustine in his Study Trampling the Heretics

Philippe de Champaigne, about 1642

Oil portrait study of a man with curly hair, white collar and blue jacket with red shoulder detail, against a dark background

Portrait Study

Théodore Géricault, 1818

Studies of lion, compositional group figure study, two caricature head studies

Théodore Géricault, 1812-1814

Collage of engravings, painted flowers, gold leaf rays, handwritten verse, angels, a serpent and skulls on a tan ground.

Collage

John Bingley Garland, 1850s-1860s

Botanical watercolor of a Spiraea stem with white flower spikes and serrated green leaves, with Latin caption below.

Spiraea

Georg Dionysius Ehret, 1743

Pen and brown ink drawing of a kneeling veiled woman reading a book at a garlanded pedestal within an arched frame.

The Virgin Annunciate

Lazzaro Bastiani, about 1464-1468

Black chalk drawing of a shepherdess beside a tall tree in a pastoral landscape with rocks and distant figures.

Shepherd and Shepherdess in a Bucolic Landscape

Jean Baptiste Huet, 1770

Chalk drawing of a seated woman with curled hair, lace cuffs and crossed hands, drawn on grayish-blue paper.

Portrait of a Woman

Jean-Étienne Liotard, 1758-1762

Pencil and white chalk drawing of a man in a cloth hat, turned three-quarters, on blue-gray paper.

Self-Portrait Wearing a Cloth Hat

Jonathan Richardson the Elder, about 1730-1735

Brown wash drawing of a tall crumbling ruin with shrubs on a rocky outcrop under a pale sky.

Ruins in a Landscape

Jan Asselijn, about 1646

Three Studies of Women (recto); Four Studies of Hands and a Counterproof of a Kneeling Young Man (verso)

Abraham Bloemaert, 1620s

Pen and ink drawing of the Lamentation: mourners surround Christ's body beside a crown of thorns and a cross on a rocky hills

The Lamentation

Battista Franco, 1545-1550

Graphite portrait drawing of a woman with center-parted hair, facing forward, on cream paper with sketched outlines.

Madame Moitessier

Jean-Auguste-Dominique Ingres, 1851

Pen and ink drawing of a barefoot bearded figure in draped cloth holding a spade on grassy ground.

Christ as the Gardener

Upper Rhenish Master, about 1470-1490

Brown wash drawing of Christ crucified with the Virgin Mary, Mary Magdalene and Saint John below, in an arched frame.

Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John

Pietro da Cortona, about 1661

Pencil sheet with fourteen numbered vignettes of a tiny boy in scenes with animals, carts, a tower and a tree.

Fourteen Scenes Related to the Tale of Tom Thumb

Oswald Adalbert Sickert, about 1851

Three lion studies

Théodore Géricault, 1812-1814

Brown ink drawing of allegorical figures among clouds: winged Victory with a wreath, bearded Chronos with a scythe, and other

Victory, Janus, Chronos and Gaea

Giulio Romano, about 1532-1534

Brown ink drawing of an old man with a lamp and an old woman smoking a pipe, with a cat and dog, under a crescent moon.

Moralizing Scene with an Old Woman and a Man

Adriaen van de Venne, 1631

Pencil sketch on a sketchbook page showing a bowman in action and a horse with rider, drawn in loose outline.

Three studies of a bowman

Théodore Géricault, 1812-1814

Red chalk drawing of a reclining woman with an upturned face and a faint hovering figure above her, with white highlights.

Truth Illuminating Human Blindness

Volterrano, about 1650

Monochrome drawing of a large oak tree beside a forest path, with a distant tower and village on the left.

Forest Scene

Gillis van Coninxloo, about 1595-1610

Pencil sketch of two standing horses above a base, with a rider on a rearing horse and a kneeling figure below.

Two standing horses, Man riding a rearing horse

Théodore Géricault, 1812-1814

Pen and ink sketch of standing male figures, a nude seen from behind and a bearded man, with robed figures sketched around th

Studies for the Disputa (recto); Studies for the Disputa (verso)

Raphael, 1509-1511

Watercolor of a shackled bearded man in a gray cloak standing in a doorway beneath a barred window.

A Hungarian Prisoner

Eugen Napoleon Neureuther, April 29, 1831

Brown wash drawing of a woman turning from a bearded man in a classical hall while a spear-bearing youth looks on.

Phaedra Rejecting the Embraces of Theseus

Anne-Louis Girodet, about 1800

Grey wash drawing of ragged travelers with donkeys and sacks meeting armed soldiers near tents and a banner in hills.

The Trickery of the Gibeonites

Joachim Beuckelaer, 1565

Charcoal study of two men seen from behind, one lifting a long pole overhead, with loose clothing and belts.

Figure Studies

Adolf von Menzel, 1872

Head of a Child, an Angel and a Hand (recto); Male Figure (verso)

Fra Bartolommeo, about 1510-1515