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Cleveland Museum of Art

6,365 works

Loose watercolor of a green coastal landscape with shrubs and a blue sea beyond a pale shoreline, signed Marin 1928.

On Morse Mountain, No. 6, Maine

John Marin, 1928

Lithograph with a pale glowing oval amid swirling maroon strokes, framed by yellow flowers and green leaves in the corners.

Under the Flowers (Sous les Fleurs)

Imprimerie Champenois, : L'Estampe moderne, Edmond François Aman-Jean, published 1897

Color print of women in long dresses and large hats walking through a forest of pink and blue tree trunks beside a lake.

Walk on Wood (Promenade sur Bois)

George Auriol, c. 1900

Printed greeting card of a woman carrying a basket beside a bundle of sticks, with autumn trees and French text, 1902.

Christmas

George Auriol, 1902

Holiday card of a child pulling a sled in snow beside a gray elephant holding a card, with white flowers and a grey sky.

Christmas (Holiday Card)

George Auriol, 1912

Etching of a calm lake with rugged mountain peaks, a leaning tree on the left, and grassy shore in the foreground.

Langdale Pikes, Windermere

Johnstone Baird, 1895-1935

Etching of a stone harbor wall, two sailboats on calm water, and a distant walled coastal town with a church spire.

Saint-Malo Viewed from Dinard (Saint-Malo vu de Dinard)

Eugène Bejot, 1914

Etching of rooftops and chimneys in Paris with a windmill on a hill under a rainy sky.

Montmartre, the Moulin de la Gallette

Eugène Bejot, 1897

Etching of a domed church behind apartment buildings, with a horse-drawn carriage on a street above a stone arched bridge and

Saint-Paul-Saint-Louis

Eugène Bejot, 1908

Lithograph of a seated woman with upswept hair in a dim interior, rendered in loose grey tones with a light collar.

Untitled (Woman)

Albert de Belleroche, c. 1908

Lithograph of a young woman with short hair seated on a bench, legs crossed, looking toward the viewer, in grey tones.

Untitled (Young Lady Seated)

Albert de Belleroche, 1914

Pencil sketch of a dark-haired woman resting her arms on the back of an armchair, looking toward the viewer.

Untitled ("Babette")

Albert de Belleroche, 1879-1944

Woodcut-style title page with two nude figures beside a pedestal, scrolling foliage above, and the words Les Amours de Marie.

The Loves by Pierre Ronsard: The Loves of Marie (Les Amours de Pierre Ronsard: Les Amours De Marie)

Émile Bernard, 1915

Etching of four studies of women's heads and shoulders in varied poses, signed Besnard, with a numbered margin.

Four Heads of Women: Study for “The Happy Island” (Quatre têtes de Femmes: Étude pour “L’Ile Heureuse”)

Albert Besnard, 1899

Her Most Gracious Majesty Queen Wilhelmina (Sa Très Gracieuse Majesté La Reine Wilhelmine)

Paul Berthon, 1901

Etching of a boy with a bobbed haircut holding a donkey's halter, with a doorway and flowers behind them.

Robert Besnard and His Donkey (Robert Besnard et son âne)

Albert Besnard, 1888

Etching of a bowed figure with hand to face, wrapped in a dark cloak, beside a leafy wreath.

Sadness

Albert Besnard, 1887

Etching of railway tracks curving past tiled sheds, a stone wall and arched bridge, with a city and mountains behind.

Railway Sheds, Marseilles

Muirhead Bone, 1937

Etching of sailors on a deck gazing at distant ships on choppy water, with a large boom spar and coiled rope.

Salvage Men Approaching a Torpedoed Ship

Muirhead Bone, 1919

Etching of a tall lighthouse above a fortified harbour shore, with beached wooden boats and figures in the foreground.

The Langterna, Genoa

Muirhead Bone, 1912-16

Etching portrait of a man in a light suit and tie, hand resting on a chair back, against a pale background.

Dr. Eugene A. Noble

Muirhead Bone, 1923

Etching of sailing boats and a steamship on a river framed by two leaning willow trees, with figures on the bank.

On the Y, Amsterdam

Muirhead Bone, 1913

Etching of a wide landscape with fields and trees, a bay with sailing ships and a distant fort, under dramatic hatched clouds

The Solent

Muirhead Bone, 1920-21

Etching of a stone farmhouse with chimneys on open moorland, with cattle and figures near rolling hills under a pale sky.

Third Study for 'The Ballantrae Road'

Muirhead Bone, 1908

John Robertson, J. P., Dundee

Muirhead Bone, 1929

Etching of Glasgow Gorbals riverside with tall buildings, a barge with crane, and a rowboat on the water.

Etchings of Glasgow: Gorbals

Muirhead Bone, 1899

Etching of an alert hare sitting in an open field, with smaller hares running in the distance and a bare shrub at right.

The Hare (Le Lièvre)

Albert de Balleroy, 1865

Erasmus (Didier Erasme)

Hans Holbein, 1863

Etching of a duck approaching a small turtle beside broad leaves, with reeds and water lilies on a pond behind.

The Unknown (L'Inconnu)

Félix Bracquemond, 1862

Etching of three women with a parasol, a girl, two cows and a dog on a path before rolling rural fields and trees.

The Village Young Ladies

Félix Bracquemond, 1867