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Art Institute of Chicago

13,158 works

Engraving of Saint Mark with halo, writing at a desk with a book and inkwell, a lion beside him.

Saint Mark, from The Four Evangelists

Cornelis Visscher, 1650

Head of an Old Woman (so-called portrait of Visscher's mother)

Cornelis Visscher, c. 1649-58

Engraving of Saint Matthew writing with a quill, with a halo and an angel peering over his shoulder.

Saint Matthew, from The Four Evangelists

Cornelis Visscher, 1650

Engraved seated portrait of an older man in a dark robe and skullcap, holding a quill pen, by Cornelis Visscher.

Lieven van Coppenol

Cornelis Visscher, 1658

Engraved portrait of a man in period dress beside a crowded arcaded courtyard with a clock tower and Amsterdam coat of arms.

Jan de Paep (De Beursknecht)

Cornelis Visscher, c. 1649-58

Engraved portrait of a seated cardinal in red-trimmed robes and biretta, with a coat of arms and crucifix beside him.

Portrait of Cardinal Zacharias de Mez

Jan de Visscher, c. 1661

Engraving of an old man with a violin-playing boy and onlookers in an arched doorway, with a tree and sky behind.

The Hurdy-Gurdy Player

Cornelis Visscher, 1648/58

Engraved oval portrait of a man with long hair, mustache, lace collar and chain, inscribed Jacob Westerbaen.

Jacob Westerbaen, lord of Brandwijk

Cornelis Visscher, c. 1649-58

Engraving of an elderly man in a wide hat leaning toward a smiling woman at a table with a pipe and tankard.

The Chat (Het Zoute Scholletje)

Cornelis Visscher, c. 1653

Engraved oval portrait of a woman with curled hair, pearl necklace and lace gown, with a Latin inscription below.

Queen Christina of Sweden

Cornelis Visscher, 1650

Engraved oval portrait of King Philip III in a crown and ruff collar, with Latin text and a coat of arms below.

Philip III, King of Spain, from Principes Hollandiae, Zelandiae, et Frisiae

Cornelis Visscher, 1650

Engraved portrait of a seated older man in a white collar holding pages, with books and a sculpture on a shelf behind him.

Joost van den Vondel

Cornelis Visscher, 1657

Guiz....

Honoré Daumier, 1833

Engraved portrait of Saint John with halo, quill, book and eagle, gazing upward against a cloudy sky.

Saint John, from The Four Evangelists

Cornelis Visscher, 1650

Engraved portrait of a man in armor and plumed hat, with a city and river view behind him.

Jan van der Does, plate 3 from Quatuor Personae

Cornelis Visscher, 1649

Pen and wash drawing of mourners gesturing in the foreground and Christ carrying the cross up a hill in the distance.

The Virgin, the Holy Women, and Saints John, James and Joseph of Arimathea, with Christ on the Way to Calvary

Antonio Carracci, n.d.

Engraving of Saint Luke with a halo writing with a quill in an open book, an ox beside him.

Saint Luke, from The Four Evangelists

Cornelis Visscher, 1650

Etching of a melancholic seated woman holding a skull, surrounded by a globe, urn, cat, dog and scattered instruments.

Melancholia

Giovanni Benedetto Castiglione, before 1647

Engraved portrait of a bearded man in armor holding a baton, with ships in a harbor behind him and a helmet at his side.

Lodewijk Boisot, Admiral of Zeeland, plate 4 from Quatuor Personae

Cornelis Visscher, 1649

Sepia print of a dancer in a turban and robe performing for seated onlookers and a musician beside draped tents and trees.

La Danse Russe (The Russian Dance)

Jean-Baptiste Le Prince, 1769

Engraved portrait of a bearded man in a black robe and chain of honor, with a coat of arms and Latin inscription.

Adriaen Pauw, Lord of Heemstede

Cornelis Visscher, 1652

Lithograph portrait of a young woman with puffed sleeves, hair bow and drop earrings, with a floral letter T below.

The Letter "T" from Le Miroir des Dames, ou nouvel alphabet français

Pierre Louis Henri Grévedon, 1834

Charcoal and white chalk drawing of a man's head in three-quarter view with curly hair and a frowning expression.

Roman Portrait Bust

Follower of Jacopo Robusti, called Tintoretto, n.d.

Brown wash drawing of a grand domed church interior with coffered vaults, small figures on the floor, and a glowing cross.

View of Crossing in Saint Peter's

Follower of Louis Jean Desprez, n.d.

Brown and white drawing of a ceiling design with a blank central panel, seated sages with books, putti, and scrolled ornament

Ceiling Decoration with Four Fathers of the Church, Sibyls and Prophets

possibly after Pasquale Cati, n.d.

Red chalk drawing of a woman's head turned to the left, with curled hair and white highlights on tan paper.

Female Head

Attributed to Pietro Dandini, n.d.

Pen and ink drawing with wash of a nude putto seen from behind, standing beside a stone pedestal.

Standing Putto From the Back

Style of Generic Parrocel, n.d.

Head of Bearded Man in Three-Quarter Profile to Right

Attributed to Pietro Dandini, n.d.

Red chalk drawing of a seated bearded male saint in flowing drapery, leaning forward with bare feet on a mound.

Figure of a Male Saint

Attributed to Pietro Dandini, n.d.

Drawing of two curly-haired putti with a lamb, rendered in grey and red chalk on pale paper.

Two Putti with Lamb

After Peter Paul Rubens, n.d.