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Art Institute of Chicago

13,141 works

Vertical Japanese woodblock print of a courtesan in a floral kimono descending past a lattice screen and wooden pillar.

Courtesan Descending Stairs

Torii Kiyonaga, c. 1783

Japanese woodblock print of a woman dressing beside a mirror and screen, with a flowering branch behind her.

Woman Dressing

Katsukawa Shuncho, c. 1780/1801

Mule Driver

Mariano Fortuny Marsal, n.d.

Vertical Japanese woodblock print of a young man with a topknot arranging an orange iris in a crackled vase.

Young man arranging irises in a vase

Utagawa Toyohiro, n.d.

Etching of a shadowed archway with figures in white robes seated on the ground, by Mariano Fortuny y Carbó.

Tanger, Arabes Assis

Mariano Fortuny Marsal, n.d.

Small etching of two men's heads close together against a dark hatched background, signed below the plate.

Two Cardinals

Mariano Fortuny Marsal, n.d.

Vertical Japanese print of two women leading a grey horse beneath Mount Fuji and pine trees.

Parody of Ariwara no Narihira's journey to the east

Masunobu, c. early 1770s

Etching of a man in period dress and tricorn hat standing on a stone pedestal before leafy foliage.

Meditation

Mariano Fortuny Marsal, n.d.

Vertical Japanese woodblock print of two women standing under a parasol, wearing patterned kimono and ornate hairpieces.

Two Girls under an Umbrella

Chobunsai Eishi, c. 1788/89

Diplomat

Mariano Fortuny Marsal, n.d.

Woodblock print of two women in kimono on a veranda, one standing with a fan and staff, one kneeling beside bamboo.

The Dance of the Shrine Maidens Ohatsu and Onami

Suzuki Harunobu, c. 1769

Etching of a man in a tall hat and cloak holding a long staff, standing before a dark, densely hatched background.

A Master of Ceremonies

Mariano Fortuny Marsal, Date unknown

Etching of a dark-haired man with a mustache and light collar, turned three-quarters toward the viewer against a shadowed bac

Portrait of Velasquez

Mariano Fortuny Marsal, n.d.

Etching of a young man in a tricorn hat and period costume seated on a wooden bench, with hatched background shading.

Costume of the Time of Goya

Mariano Fortuny Marsal, n.d.

Ink drawing of anthropomorphic animals in a room: a lion seated in a chair, a wolf with a rifle, a fox with a basket, and a t

De King Im Sit Right Flat in a Chair

Sr Arthur Burdett Frost, n.d.

Lithograph of a painter from behind, palette in hand, painting an exaggerated self-portrait in a cluttered studio.

Self-Portrait of a Frenchman, plate 2 from Scénes D'ateliers

Honoré Daumier, published March 29, 1849

Daumier lithograph of top-hatted men and bonnet-wearing women gathered near musicians on a platform, with two men in a tense

“- So, Gringalet from Paris!.... you will dance twice with my Catherine ...... try again now to make sheep's eyes at…

Honoré Daumier, published October 28, 1845

Lithograph of two men dining on oysters at a table with wine, by Honoré Daumier, 1845.

The Return of the Oyster Season. “- I could eat twelve dozens of them… just imagine that there are people who don't l…

Honoré Daumier, published March 31, 1845

Beatrice d'Este

Ethel Gabain, 1883

Engraving of Christ kneeling with raised arms before an angel holding a cross, while disciples sleep in the foreground.

Agony in the Garden, from the Engraved Passion

After Albrecht Dürer, after 1508

Lithograph of a woman treating a seated man's head while his reflection in an oval mirror looks on, with caption text below.

An Exaggerated Rejuvenation. “Just two or three sessions with me, Monsieur, and anyone who still claims to find a gre…

Honoré Daumier, published March 27, 1845

Daumier lithograph of a heavyset seated Roman in a toga beside a standing soldier, with shop signs and caption below.

Marius At Carthage. Soldier, say to the senate that in my noble poverty I have taken for a chair a ruin And if I were…

Honoré Daumier, published November 13, 1842

Daumier lithograph of Diogenes holding a cup before Alcibiades in a garland, with a crowd and barrel behind them.

Diogenes and Alcibiades at the Odeon. “- Ah... it's modern....what a man!,” plate 121 from Actualités

Honoré Daumier, published January 23, 1846

Lithograph of a father in a top hat carrying a child, with a woman in a shawl walking beside him on a cobbled street.

“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas

Honoré Daumier, published June 30, 1847

Engraved portrait of an older man in a wide fur hat holding a carnation, with a twisted rope necklace and cross pendant.

The Man with the Pink

Claude Ferdinand Gaillard, 1869

Caricature lithograph of a plumed armored ruler beside a draped woman and a kneeling painter holding a palette.

Apelles and Campaste. Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first a…

Honoré Daumier, published November 30, 1842

Lithograph of figures battling heavy rain at night while fireworks glow faintly in the sky above them.

The Evening of the National Holiday. It never fails... you go out to see the fireworks, and all you get is waterworks…

Honoré Daumier, published August 21, 1844

Daumier lithograph of two men talking at a desk with a ledger, stacked goods and shutters behind them.

“- Yes, my dear Badoulard... I will open a department store even more philanthropic and greater than anything that ex…

Honoré Daumier, published February 26, 1845

Engraved portrait of an elderly bald man in a dark hooded monastic habit with a cord and cross pendant.

Dom Prosper Guéranger, Abbot of Solesmes

Claude Ferdinand Gaillard, 1878

Engraved oval portrait of Pope Leo XIII in white papal dress, with coat of arms and pedestal inscription below.

Pope Leo XIII

Claude Ferdinand Gaillard, 1880