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Art Institute of Chicago

24,211 works

Hand-colored print of a fox hunt: riders in red coats and top hats, hounds, horses, and a huntsman holding up a dead fox in o

The Death

After John Dean Paul, 1825

Etching of a standing man in a fur-trimmed robe and feathered turban holding a sword, with a landscape behind him.

Chef des Indiens, plate eight from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a bearded seated man in a feathered turban and fur-trimmed robe, with a garden wall and trees behind him.

Prestre de la Loy, plate nine from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a bearded man in a large turban and robe seated on a chair holding a book, with a tiled floor and pillar.

Le Moufti, plate ten from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a bearded man in a large turban and fur-trimmed patterned robe standing before a wooden fence and gate.

Himan de la Grand Mosquèe, plate eleven from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a bearded man in a jeweled turban and fur-trimmed robe, seated by a ledge on a tiled floor.

Emir Bachi, plate twelve from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a plumed, fur-robed guard holding a bow, with arrows on his shoulder and a fortified city behind him.

Garde du Grand Seigneur, plate thirteen from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a bearded man in a feathered turban and fur-trimmed robe leaning on a ledge with a staff.

Chef des Huissiers, plate fourteen from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a standing man in a fur-trimmed hat and patterned robe holding a curved sabre, labeled Ambassadeur de Lachine.

Ambassadeur de la Chine, plate fifteen from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etched print of a standing man in a feathered headdress and fur-trimmed robe, holding a sword and staff.

Ambassadeur du Siam, plate sixteen from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a bearded man in a fur-trimmed robe and plumed turban holding a staff, standing on a terrace with urns.

Le Grand Seigneur, plate seventeen from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a standing man in a feathered turban and fur-trimmed robe with a scimitar, labeled Ambassadeur de Perse.

Ambassadeur de la Perse, plate eighteen from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a bearded Mogul ambassador in a plumed turban and fur-trimmed robe, holding a jeweled staff, with a building behin

Ambassadeur du Mogol, plate nineteen from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a seated man in a feathered turban and fur-trimmed robe, with a garden and columned building behind him.

Chef des Eunuques, plate 20 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a seated black eunuch in a feathered turban and fur-trimmed robe, reclining on a patterned rug against a wall.

Eunuque Noir, plate 21 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etched print of a standing white eunuch in a tall headdress and fur-trimmed robe before a garden wall.

Eunuque Blanc, plate 22 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a standing woman in a feathered turban and fur-trimmed patterned robe, with a distant tower in the landscape.

Sultane Blanche, plate 24 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a reclining woman in a feathered turban and fur-trimmed robe, resting on a patterned cushion beside a fence and tr

Sultane Blanche, plate 25 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a seated woman in feathered headdress, veil and patterned robes on a carpet, captioned Sultane Greque, plate 26.

Sultane Grecque, plate 26, from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a reclining woman in a feathered headdress and fur-trimmed robe beside a smoking incense burner.

Sultane Noire, plate 27 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a seated woman in a fur-trimmed robe and feathered turban reclining on a cushion beside a draped curtain.

Sultane Noire, plate 28 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of a standing woman in a feathered turban and fur-trimmed robe, labeled Sultane Reine, in a garden setting.

Sultane Reine, plate 29 from Caravanne du Sultan à la Mecque

the elder Joseph-Marie Vien, 1748

Etching of an ornate carriage drawn by four horses, decorated with garlands and scrolls, with a French caption below.

Char tiré par quatre chevaux de front, Sur lequel étaient les Sultanes et les Eunuques, plate 30 from Caravanne du Su…

the elder Joseph-Marie Vien, 1748

Red and black chalk drawing of a woman with auburn hair glancing sideways, shoulders partly bare, on a tan sheet.

Study for Female Head (verso); Head of Christ (recto)

Carlo Francesco Nuvolone, 1635/40

Pencil drawing of a stand of tall leafy trees with a rolling hill and a small figure in a field.

A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso)

John Constable, c. 1802

Pen and ink sketch of nude male figures and winged putti, one putto holding a palm frond, on a pale sheet.

A Study of Bound Male Figures being Manhandled, and Various Putti, One Holding a Palm Frond

Circle of Agostino Carracci, c. 1590

Pen and brown wash drawing of a crowded church interior with columns, where figures gather around a central tomb.

Presentation of the Body of Saint Antoninus of Florence

Giovanni Battista Paggi, 1589/90

Pen and brown ink drawing of two winged putti, a bending male figure, and an arm study on a light sheet.

Studies of a Figure Bending Over, Two Putti, and an Arm (recto); Rest on the Flight into Egypt (verso)

Cesare Rossetti, 1596/97

Brown wash drawing of a central robed figure with a child at left, surrounded by a crowd of bearded men and onlookers.

Suffer the Little Children

Domenico Piola, 1690/1700

Brown wash drawing with Judith and Holofernes studies, an ornate cartouche, and sketches of putti and figures on one sheet.

Judith and Holofernes and Other Studies (recto); Diana and Endymion (verso)

Giuseppe Nicola Nasini, c. 1718