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Art Institute of Chicago

24,211 works

Sepia print of Harlech Castle on a cliff above the sea, with a shepherd and sheep in the foreground and mountains in the dist

Harlech Castle in Merioneth Shire with Snowdon at a Distance, plate seven from Twelve Views in North Wales

Paul Sandby, 1776

Sepia aquatint of Caernarvon Castle by moonlight, with a river, boats, a large tree, and figures on the shore.

Caernarvon Castle, plate eight from Twelve Views in North Wales

Paul Sandby, 1776

Sepia print of Conway Castle towers beside an estuary, with trees and figures on a path at left and sailing boats on the wate

Conway in the County of Caernarvon, plate eleven from Twelve Views in North Wales

Paul Sandby, 1776

Sepia print of a stone arched bridge over rushing rapids of the River Conway, with a carriage and steep cliffs behind.

Pont y Pair over the River Conway above Llanrwst in the County of Denbigh, plate twelve from Twelve Views in North Wales

Paul Sandby, 1776

Mezzotint of a fashionable couple riding a scissor-lift phaeton beside a building as horses and onlookers watch below.

The New Fashioned Phaeton

Attributed to Philip Dawe, 1776

Etching of two large oak trees beside a dirt path, with rocks and undergrowth in the foreground and forest behind.

The Two Oaks, Fontainebleau

Eugène Bléry, 1842

Etching of a large oak tree on a sandy bank, with cattle on a hill and a distant village under an open sky.

The Bouquet of Trees, or The Lindens (Souvenir of the Sarthe)

Eugène Bléry, 1861

Etching of a large gnarled oak beside a pool with a cow, rocky banks, and billowing clouds over a wooded landscape.

The Old Oak by the Pools at Bellecroix

Eugène Bléry, 1843

Etching of a large thistle with spiny leaves and round flower heads, growing beside grass and a dirt path under a pale sky.

The Large Thistle, plate three from Les quatres grandes plantes

Eugène Bléry, 1843

Engraved oval portrait of a woman with curled hair holding a flaming urn, inscribed Adrienne Le Couvreur, on a stone pedestal

Portrait of Adrienne Le Couvreur

Pierre Imbert Drevet, 1730

Brown wash drawing of a nun in a habit descending stone steps beside an iron railing under an awning.

Nun

Auguste Xavier Le Prince, n.d.

Engraved oval portrait of an elderly bearded man with long white hair, dark coat and white collar, 1683.

Nathanael Dilgerus

Gerard Edelinck, 1683

Engraved portrait of Moses holding stone tablets inscribed with the Ten Commandments, with a staff and rays of light.

Moïse

Gerard Edelinck, 1699

Etching of two shaggy goats with large curved horns, one standing and one reclining on grassy ground.

Two Goats with Large Horns, from Various Animals

Nicolaes Pietersz. Berchem, 17th century

Etching of three horned goats in a grassy landscape, one standing upright with its mouth open, by Nicolaes Berchem.

Goats, from Various Animals

Nicolaes Pietersz. Berchem, 17th century

Etching of a shepherdess with a staff and dog, beside a resting cow and sheep, in a rural landscape with a farmhouse.

A Shepherdess Speaking to Her Dog

Karel Dujardin, 1653

Black-and-white woodblock print of two figures embracing under a blossoming tree beside a stream and veranda.

Lovers in the Garden, from an Untitled Series of Erotic Prints

Hishikawa Moronobu, c. 1673/81

Hand-colored print of ruined Roman temple with coffered dome, a fountain, two figures, and a tall building at left.

Temple of the Sun & Moon, plate two from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of a stone arch over a stream beneath wooded cliffs, with a seated figure in blue near the water.

The Cloaca Maxima, plate three from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of the Arch of Septimus Severus in Rome with trees, a hillside of ruined columns, and a distant dome.

Arch of Septimus Severus, plate four from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of a classical temple on a hill with trees, a mule and figures on a path, and an aqueduct in the distance.

Temple of the God Rediculus, plate five from A Select Collection of Views and Ruins in Rome and its Vicinity Temple o…

James Mérigot, 1796/98

Hand-colored print of ivy-covered ruined tomb towers on a grassy hill, with cows resting and a cloudy sky.

Tomb of Horath, plate six from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of the Tomb of Nero, a stone monument on a hillside with two small figures under a cloudy sky.

Tomb of Nero, plate 7 from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of St. Agnes's Church, a round tiered building beside a ruined brick wall and trees.

St. Agnes's Church, plate eight from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of the brick arches of the Temple of Peace ruins in Rome, with cattle and figures in a grassy field.

The Temple of Peace, plate nine from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of the Arch of Titus in Rome, with figures on a cobbled street and a tree at left.

Titus's Arch, plate ten from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of ruined brick arches of a Roman villa stable, with mountains and trees beyond and small figures at right

Stables of Meccena's Villa, plate eleven from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of ruined arches and a temple among trees, with two small figures walking through the grass.

Temple of Venus and Cupid, plate twelve from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of a great waterfall cascading between rocky cliffs and trees, with a stream in the foreground.

The Great Cascatella at Tivoli, plate thirteen from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98

Hand-colored print of a waterfall cascading down rocky cliffs with rapids and trees in the foreground.

Cascade of Terni, plate fourteen from A Select Collection of Views and Ruins in Rome and its Vicinity

James Mérigot, 1796/98