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Art Institute of Chicago

24,208 works

Woodblock print of a Noh performer in blue robes facing a seated man, with a floral fan and calligraphy above.

Matsu-mushi, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese woodblock print of a Noh performer with a white-wrapped staff beside seated and standing costumed figures.

Tsusei, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese print of Noh stage figures in blue and purple robes beside a patterned curtain and blossoming screen.

Kou, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Two noh performers in matching dark robes and tall black headdresses hold folding fans, shown in a Japanese woodblock print.

Futari Shizuka, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of Noh performers in patterned robes and black hats, some standing at left and others seated at right.

Shichi-ki-ochi, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of two Noh performers in patterned costumes, one seated in a red wooden cart frame beside a feathered figure.

Shaso, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of two Noh performers, one in a red patterned robe with a fan, beside a pine tree and wooden railing.

Mochizuki, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese print of a Noh performer seated on a swing under pine boughs, with a kneeling man in blue and a poem medallion.

Kazuraki, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of a Noh performer with a raised sword beside a pine tree on a wooden stage, with a cloth inset at right.

Yo-uchi Soga, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese woodblock print of Noh performers seated on a boat stage beneath a striped curtain, with robed figures in colorful k

Karafune, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of a Noh performer in purple robes on a stage, watched by three kneeling audience members.

Aisomegawa, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of two Noh theatre performers in patterned robes, one holding a white fan, beside a stage pillar.

Daie, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of a Noh performer in blue robes with a red fan beside a seated woman under a leafy trellis.

Nishikigi, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese woodblock print of a Noh performer in pale robes beside an inset full moon in a blue night sky.

Yu, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese woodblock print of a Noh performer as Yamamba with white hair, patterned kimono and folding fan.

Yamamba, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of two Noh performers in costume, one standing with a staff and one crouching with long red hair beside a sta

Shari, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of a standing samurai with drawn sword and two kneeling Noh performers in colorful robes.

Nakamitsu or Mitsuoki, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Woodblock print of Noh performers in ornate robes and masks beside a white flowering tree, titled Arashiyama.

Arashiyama, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese index page with calligraphy in a green patterned border, red tassel, pine branches, and egrets in the margins.

Index Page, prints .1-.50 (Vol.1), from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Japanese print of a red-haired Shojo Noh performer in floral robe with fan, beside a green jar and a monkey screen.

Shojo, from the series "Pictures of No Performances (Nogaku Zue)"

Tsukioka Kogyo, 1898

Sepia print of ruined Roman amphitheatre arches with small figures walking across the ground below an open sky.

View of the Inside of the Amphitheatre of Vespasian at Rome (called the "Colosseo")

Richard Cooper II, 1779

Lithograph of a farrier shoeing a horse in a brick stable, with other horses in checkered blankets nearby.

The English Farrier, plate 10 from Various Subjects Drawn from Life and on Stone (The English Suite)

Théodore Géricault, May 1821

Hand-colored print of a woman by a fountain and a kneeling man holding a broken jug, with a dog and wooded landscape.

Heur et Malheur ou La Cruche Cassée (Luck and Misfortune or the Broken Jug)

Philibert-Louis Debucourt, 1787

Hand-colored print of a couple kissing by a stone wall in a rustic courtyard, with a dog and rooster nearby.

L'Escalade ou Les Adieux du Matin (The Climb or The Farwell in the Morning)

Philibert-Louis Debucourt, 1787

Etching of a chariot with rearing horses and a fallen warrior among soldiers and a banner in a battle scene.

Antiochus Falling from His Chariot

Noël Hallé, 1739

Etching of the Holy Family: Mary holds the infant Christ while Joseph reaches toward a small bird beneath a tree.

Holy Family With a Bird

Simon Vouet, 1633

Engraving of an owl with spread wings on a fallen log above wolves and a hare in a forest, with a motto below.

Fable III, plate three from Lehrreiche Fabeln aus dem Reiche der Theire

Johann Elias Ridinger, 1743

Engraving of a lion on a rock surrounded by wolves, a tiger and other animals, with an ostrich in the foreground.

Fable V, plate five from Lehrreiche Fabeln aus dem Reiche der Theire

Johann Elias Ridinger, 1743

Etching of a classical arch framed by trees and rubble, with an inscription tablet and two small standing figures at left.

Frontispiece, plate one from Vasi Invention

Jean-Laurent Legeay, 1768, published 1770

Etching of Roman ruins on a wooded hill, with a robed procession and figures in the foreground.

Ruins of the Palace of the Caesars in Rome, plate eight from Die Römische Ansichten

Joseph Anton Koch, 1810