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English & British

16,122 works

Engraving of a carriage leaving Buckingham Palace through an arch, with mounted guards and a cheering crowd.

Her Majesty Leaving Buckingham Palace, June 28, 1838 [left half]

Unknown artist, 19th century

Engraved view of Queen Victoria's coronation in a Gothic church, with courtiers and crowded galleries.

Crowning of Queen Victoria, June 28, 1838 [right half]

Unknown artist, 19th century

Engraved print of the ruined Gothic Holyrood Abbey with a large tracery window, two figures and a dog on grass.

Holyrood Abbey

Unknown artist, 19th century

Line engraving of a young woman with curly hair and an off-shoulder dress, shown in bust view on cream paper.

Lady Maria Hooker When Miss Turner at Age Seventeen

after Thomas Phillips Mary Dawson Turner, 1814

Engraved portrait of a curly-haired young man in a dark coat, surrounded by cupids, a flower garland and a harp.

Portrait of a Young Gentleman Surrounded by Cupids; Lord Byron?

Unknown artist, 19th century

Engraved view of Port Rush harbour in County Antrim with sailing ships, a stone pier, a rocky cliff and waves in the foregrou

Briefpapier met voorstelling van Port Rush in County Antrim in Ierland

James Howard Burgess, 1830

Engraving of a steam train on the Dublin and Drogheda Railway beside sheep and a castle on a hill, with the sea at left.

Briefpapier met voorstelling van een trein bij Ardgillan Castle in Ierland

Edward Radclyffe, 1830

Brown ink caricature of a crowded choir with exaggerated faces reading music books, labeled by nationality.

A Choral Band

Lydia Bates after John Hamilton Mortimer, c. 1784

Etching of two figures fleeing across a riverbank beside large trees and a classical building, drawn in fine brown lines.

Two Fleeing Figures

Lydia Bates after John Hamilton Mortimer, 1784

Sepia frontispiece print with a framed river landscape, boats, architectural fragments, plants and the title Liber Studiorum.

The Frontispiece to Liber Studiorum

Joseph Mallord William Turner, Published May 23, 1812

Engraved print of a marble relief showing a winged figure, a nude woman raising a head, putti, and severed heads.

Thy Kingdom Come (Monument to Sir Thomas Barting)

William Bond after Henry Corbould after John Flaxman, published 1810

Engraved oval portrait of an older man in a turban and fur-collared coat, with a small scene of two figures writing below.

Leonard Euler

John Chapman, published 1804

Engraved print of a neoclassical monument with a standing statue and allegorical figures on a stepped pedestal.

Monument to William Pitt

George Cooke after James George Bubb

Engraved portrait of a balding man with a white collar and dark coat, set within a cream paper margin.

John Flaxman

Attributed to William Camden Edwards possibly after John Jackson

Oval engraved portrait of Robert Thornton, M.D., a man in a dark coat and white cravat, published 1809.

Robert Thornton, M.D.

Samuel Freeman after William John Newton, published 1809

Sepia print of a castle on a rocky hill above a meadow, with cattle and trees framing the foreground.

The Castle Above the Meadows, plate 8 from Liber Studiorum

Joseph Mallord William Turner, published February 20, 1808

Lithograph portrait of a man with dark hair, white cravat and dark coat, set in an oval vignette, 1823.

John Forbes Mitchell

M. Gauci after John James Masquerier, 1823

William Gunn

Harriet Gunn after E.J. Turner

Etched landscape with tall trees, large boulders and a small figure beside a rock, under clouds.

Landschap met rotsformaties

Edward Edwards, 1748

Etching of a rural landscape with thatched barns, a wooden fence, tall trees, and a small figure on a dirt path.

Landschap met schuren

Edward Edwards, 1789

Etching of a rocky wooded landscape with a tall tree, a stream, and a hunter standing beside a dog at right.

Landschap met een jager bij rotsen

Edward Edwards, 1789

Engraved print of a monument to Earl Howe with a seated goddess, a standing naval officer, kneeling women and a lion.

Monument to Earl Howe

Charles Heath after Henry Corbould after John Flaxman, published 1818

Engraved portrait of a man with a curled mustache wearing a dark suit and necktie, caption reads Sygurd Wiśniowski.

Sygurd Wiśniowski

Edward Karol Nicz, 1881

Pen and hatching print of a standing woman in a bonnet holding a round basket under her arm, on an album page.

Vrouw met een mand onder haar arm

Edward Edwards, 1790

Engraved print of a draped woman striding and holding a ewer aloft, with a billowing cloak behind her.

Vrouw met een kan

Edward Edwards, 1789

Pen drawing of a woman in flowing classical drapery holding a leafy branch, one arm raised, dated 1786.

Vrouw met tak in de hand

Edward Edwards, 1786

Circular engraving of two classical women clasping hands, with labels Theologia, Medicina and Lex and a dove in a triangle.

Medicina - Theologia - Lex

James Heath after John Flaxman

Engraved portrait of Abraham Rees in a white wig and dark coat, seated at a desk with a quill pen and inkstand.

Abraham Rees

William Holl I after John Opie, published 1811

Sepia etching of a domed ruin among windswept pine trees, with a kneeling figure and carved stones on a path.

The Temple of Minerva Medica, plate 23 from Liber Studiorum

Joseph Mallord William Turner, Publishd January 1, 1811

Lithograph of a classical funerary monument with two mourning figures beneath an urn, with an inscription panel below.

Monument to John Hudleston

Richard James Lane after John Flaxman

William Gunn

Richard James Lane after John Flaxman

Sepia print of a stormy Yorkshire coast with cliffs, a wrecked ship in rough surf, a lighthouse, and seagulls.

Coast of Yorkshire, plate 24 from Liber Stuidorum

Joseph Mallord William Turner, published January 1, 1811